Bavius and Maevius (or Mevius) were two poets in the age of Augustus Caesar, whose names became synonymous with bad verse and malicious criticism of superior writers. Both are named together in Virgil's Eclogues (3.90). Maevius is also the object of Horace's tenth Epode, which invites the gods to drown him as he embarks on a sea voyage. The name M(a)evius is attested of several historical individuals, but whether Virgil's Bavius and Maevius are real writers or literary inventions is unclear. [1]
Alexander Pope mentions Bavius in his 1729 Dunciad Variorum and explains, in a note, that he drew the reference from Virgil. [2] Pope draws a parallel between these two critics and his own dunces by quoting John Dennis who thought it likely that Bavius "and Maevius had (even in Augustus's days) a very formidable Party at Rome, who thought them much superior to Virgil and Horace: For (saith he) I cannot believe they would have fix'd that eternal brand upon them, if they had not been coxcombs in more than ordinary credit" (Dunciad Variorum). Bavius and Maevius are also like the "dunces" in Pope's own Dunciad in that little is remembered of them except for their bad reputations. In the Dunciad, Book III, Pope has Bavius dip the transmigrating souls of poetasters in Lethe, making them doubly stupid before being born as hack writers. In his "An Essay on Criticism," Pope writes of Maevius:
Maevius also features in the Earl of Roscommon's "An Essay on Translated Verse" as a symbol of poetic failure:
Alexander Pope was an English poet, translator, and satirist of the Enlightenment era who is considered one of the most prominent English poets of the early 18th century. An exponent of Augustan literature, Pope is best known for his satirical and discursive poetry including The Rape of the Lock, The Dunciad, and An Essay on Criticism, and for his translations of Homer.
John Dryden was an English poet, literary critic, translator, and playwright who in 1668 was appointed England's first Poet Laureate.
Colley Cibber was an English actor-manager, playwright and Poet Laureate. His colourful memoir Apology for the Life of Colley Cibber (1740) describes his life in a personal, anecdotal and even rambling style. He wrote 25 plays for his own company at Drury Lane, half of which were adapted from various sources, which led Robert Lowe and Alexander Pope, among others, to criticise his "miserable mutilation" of "crucified Molière [and] hapless Shakespeare". He regarded himself as first and foremost an actor and had great popular success in comical fop parts, while as a tragic actor he was persistent but much ridiculed. Cibber's brash, extroverted personality did not sit well with his contemporaries, and he was frequently accused of tasteless theatrical productions, shady business methods, and a social and political opportunism that was thought to have gained him the laureateship over far better poets. He rose to ignominious fame when he became the chief target, the head Dunce, of Alexander Pope's satirical poem The Dunciad.
Edmund Curll was an English bookseller and publisher. His name has become synonymous, through the attacks on him by Alexander Pope, with unscrupulous publication and publicity. Curll rose from poverty to wealth through his publishing, and he did this by approaching book printing in a mercenary and unscrupulous manner. By cashing in on scandals, publishing pornography, offering up patent medicine, using all publicity as good publicity, he managed a small empire of printing houses. He would publish high and low quality writing alike, so long as it sold. He was born in the West Country, and his late and incomplete recollections say that his father was a tradesman. He was an apprentice to a London bookseller in 1698 when he began his career.
Bathos is a literary term, first used in this sense in Alexander Pope's 1727 essay "Peri Bathous", to describe an amusingly failed attempt at presenting artistic greatness. Today, bathos refers to rhetorical anticlimax, an abrupt transition from a lofty style or grand topic to a common or vulgar one, occurring either accidentally or intentionally. Intentional bathos appears in satirical genres such as burlesque and mock epic. "Bathos" or "bathetic" is also used for similar effects in other branches of the arts, such as musical passages marked ridicolosamente. In film, bathos may appear in a contrast cut intended for comic relief or be produced by an accidental jump cut.
Sir Richard Blackmore, English poet and physician, is remembered primarily as the object of satire and as an epic poet, but he was also a respected medical doctor and theologian.
In Latin literature, Augustan poetry is the poetry that flourished during the reign of Caesar Augustus as Emperor of Rome, most notably including the works of Virgil, Horace, and Ovid. In English literature, Augustan poetry is a branch of Augustan literature, and refers to the poetry of the 18th century, specifically the first half of the century. The term comes most originally from a term that George I had used for himself. He saw himself as an Augustus. Therefore, the British poets picked up that term as a way of referring to their endeavours, for it fit in another respect: 18th-century English poetry was political, satirical, and marked by the central philosophical problem of whether the individual or society took precedence as the subject of the verse.
An Essay on Criticism is one of the first major poems written by the English writer Alexander Pope (1688–1744), published in 1711. It is the source of the famous quotations "To err is human; to forgive, divine", "A little learning is a dang'rous thing", and "Fools rush in where angels fear to tread".
Lewis Theobald, English textual editor and author, was a landmark figure both in the history of Shakespearean editing and in literary satire. He was vital for the establishment of fair texts for Shakespeare, and he was the first avatar of Dulness in Alexander Pope's The Dunciad.
The Dunciad is a landmark, mock-heroic, narrative poem by Alexander Pope published in three different versions at different times from 1728 to 1743. The poem celebrates a goddess Dulness and the progress of her chosen agents as they bring decay, imbecility, and tastelessness to the Kingdom of Great Britain.
Augustan literature is a style of British literature produced during the reigns of Queen Anne, King George I, and George II in the first half of the 18th century and ending in the 1740s, with the deaths of Alexander Pope and Jonathan Swift, in 1744 and 1745, respectively. It was a literary epoch that featured the rapid development of the novel, an explosion in satire, the mutation of drama from political satire into melodrama and an evolution toward poetry of personal exploration. In philosophy, it was an age increasingly dominated by empiricism, while in the writings of political economy, it marked the evolution of mercantilism as a formal philosophy, the development of capitalism and the triumph of trade.
John Ozell was an English translator and accountant who became an adversary to Jonathan Swift and Alexander Pope.
Leonard Welsted was an English poet and "dunce" in Alexander Pope's writings. Welsted was an accomplished writer who composed in a relaxed, light hearted vein. He was associated with Whig party political figures in his later years, but he was tory earlier, and, in the age of patronage, this seems to have been more out of financial need than anything else.
James Moore Smythe was an English playwright and fop.
Nationality words link to articles with information on the nation's poetry or literature.
Nationality words link to articles with information on the nation's poetry or literature.
Thomas Cooke, often called "Hesiod" Cooke, was a very active English translator and author who ran afoul of Alexander Pope and was mentioned as one of the "dunces" in Pope's Dunciad. His father was an innkeeper. He was educated at Felsted. Cooke arrived in London in 1722 and began working as a writer for the Whig causes. He associated with Thomas Tickell, Ambrose Philips, Leonard Welsted, Richard Steele, and John Dennis. Cooke is the source of one of the primary biographies of John Dennis, which he wrote in Latin.
The Distrest Poet is an oil painting produced sometime around 1736 by the British artist William Hogarth. Reproduced as an etching and engraving, it was published in 1741 from a third state plate produced in 1740. The scene was probably inspired by Alexander Pope's satirical poem The Dunciad. It depicts a scene in a small, dingy attic room where a poet sits at his desk in the dormer and, scratching his head, stares at the papers on the desk before him, evidently looking for inspiration to complete the poem he is writing. Near him sits his wife darning clothes, surprised by the entrance of a milkmaid, who impatiently demands payment of debts.
The Hilliad was Christopher Smart's mock epic poem written as a literary attack upon John Hill on 1 February 1753. The title is a play on Alexander Pope's The Dunciad with a substitution of Hill's name, which represents Smart's debt to Pope for the form and style of The Hilliad as well as a punning reference to the Iliad. In "Book the First" of The Hilliad, Hillario is seduced by a Sibyl to give up his career as an apothecary and instead becomes a writer. However, his fortune quickly descends with Hillario ultimately turning into the "arch-dunce".
Paul Whitehead (1710–1774) was a British satirist and a secretary to the infamous Hellfire Club.
N.b. material in this article is taken from the public domain 1828 edition of Lempriere's Dictionary.