Beautiful Child

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Beautiful Child is a drama by American playwright Nicky Silver. It premiered Off-Broadway in 2004.

Nicky Silver is an American playwright. Formerly of Philadelphia, he resides in London. Many of his plays have been produced Off-Broadway, and also at the Woolly Mammoth Theatre Company in Washington, D.C.

Contents

Production

Beautiful Child premiered at the Vineyard Theatre in New York on February 24, 2004 (previews from February 6) and ran to March 28. Directed by Terry Kinney the cast featured George Grizzard, Alexandra Gersten-Vassilaros, and Penny Fuller. [1]

Vineyard Theatre

The Vineyard Theatre is an Off-Broadway non-profit theatre company, located at 108 East 15th Street in Manhattan, New York City, near Union Square. Its first production was in 1981. It is best known for its productions of the Tony award-winning musical Avenue Q, Paula Vogel's Pulitzer Prize-winning play How I Learned to Drive, and Jeff Bowen and Hunter Bell's Obie Award-winning musical [title of show]. The Vineyard describes itself as "dedicated to new work, bold programming and the support of artists." The company is the recipient of special Obie, Drama Desk and Lucille Lortel awards for Sustained Excellence, and the 1998 Jonathan Larson Performing Arts Foundation Grant. It celebrated its 25th anniversary in 2007.

Terry Kinney is a Canadian actor and theatre director, and is a founding member of the Steppenwolf Theatre Company, with Laurie Metcalf, Gary Sinise, and Jeff Perry. Kinney is best known for his role as Emerald City creator Tim McManus on HBO's prison drama Oz.

George Grizzard American actor

George Cooper Grizzard, Jr. was an American Emmy Award- and Tony Award-winning actor of film, stage, and television. He appeared in more than 40 films, dozens of television programs, and a number of Broadway plays.

Plot

Harry and Nan, a middle-aged couple, are constantly at odds. Harry is having an affair with his emotionally unstable secretary. "Your secretary, Harry?" snipes Nan. "You're past cliché and into archetype." [2] This tone of acid comedy is replaced, however, by deep anguish, when their adult son, Isaac, announces that he has fallen in love with a child. He wants to return home and live with his parents, who have to struggle between their love for him and their guilt and horror at his transgression. They finally come to a compromise, which is almost as shocking as Isaac's offense: he can live with them, but must be blinded first, to keep him from ever being attracted to another boy.

Critical response

Reviews were mixed. Most reviewers were struck by its similarity to Edward Albee's recent international success, The Goat, or Who is Sylvia? , and indeed, The Goat and Beautiful Child are similar in their explorations of sexual transgression in affluent domestic settings, as well as their edgy amalgams of comedy and horror. Some critics, like Adrienne Onofri, dismissed Silver's play as a poor imitation of Albee [3] Others, like Simon Stoltzman, acknowledged the similarity to Albee's work, but found Silver's approach distinctive. [4]

Edward Albee American playwright

Edward Franklin Albee III was an American playwright known for works such as The Zoo Story (1958), The Sandbox (1959), Who's Afraid of Virginia Woolf? (1962), and A Delicate Balance (1966). Three of his plays won the Pulitzer Prize for Drama, and two of his other works won the Tony Award for Best Play.

Penny Fuller and George Grizzard were widely praised for their performances. Reviewer Dan Bacalzo observed, "Grizzard has the uncanny ability to convey volumes with a murmured word or dismissive gesture." [5]

Ben Brantley in his New York Times review called the play a "grim comic drama", and wrote: "Swerving from the brittle, accusatory dialogue of a bitterly married couple to a scene of ritualistic sacrifice à la Sophocles, Mr. Silver has composed an ambitious but ungainly answer to Edward Albee's plays of domestic existentialism, works like 'A Delicate Balance' and 'All Over.' Ultimately 'Beautiful Child' isn't much more than ersatz Albee." [6]

Benjamin D. Brantley is an American journalist and the chief theater critic of The New York Times.

Notes

  1. Hernandez, Ernio. World Premiere of Nicky Silver's Beautiful Child Extends Off-Broadway to March 28" playbill.com, February 20, 2004
  2. Silver, Nicky. Beautiful Child (New York: Dramatists Play Service, 2004) 10.
  3. Onofri, Adrienne. "Review of 'Beautiful Child' at the Vineyard Theatre" Broadwayworld.com, February 25, 2004
  4. Stoltzman, Simon, www.theatrescene.net, February 24, 2004.
  5. Bacalzo, Dan. " 'Beautiful Child' " theatremania.com, February 25, 2004
  6. Brantley, Ben. "Theater Review. A Troubled Marriage and the Trouble With Junior" The New York Times, February 25, 2004

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