Related Research Articles
John, Johnny, or Johnie Watson may refer to:
The voiceless velar fricative is a type of consonantal sound used in some spoken languages. It was part of the consonant inventory of Old English and can still be found in some dialects of English, most notably in Scottish English, e.g. in loch, broch or saugh (willow).
The voiced velar fricative is a type of consonantal sound that is used in various spoken languages. It is not found in Modern English but existed in Old English. The symbol in the International Phonetic Alphabet that represents this sound is ⟨ɣ⟩, a Latinized variant of the Greek letter gamma, ⟨γ⟩, which has this sound in Modern Greek. It should not be confused with the graphically-similar ⟨ɤ⟩, the IPA symbol for a close-mid back unrounded vowel, which some writings use for the voiced velar fricative.
David Christopher Knight Watson was an English Anglican priest, evangelist and author.
Alan John Watson, Baron Watson of Richmond is a UK-based broadcaster, Liberal Democrat politician and leadership communications consultant.
Thomas Watson (1555–1592) was an English poet and translator, and the pioneer of the English madrigal. His lyrics aside, he wrote largely in Latin, also being the first to translate Sophocles's Antigone from Greek. His incorporation of Italianate forms into English lyric verse influenced a generation of English writers, including Shakespeare, who was referred to in 1595 by William Covell as "Watson's heyre" (heir). He wrote both English and Latin compositions, and was particularly admired for the Latin. His unusual 18-line sonnets were influential, although the form was not generally taken up.
George Grimes Watson was a scholar, literary critic, historian, a fellow of St John's College, and professor of English at Cambridge University.
The Conquest of Spain is a 1705 tragedy by the English writer Mary Pix. The play was published anonymously, but has been widely attributed to Pix. It was a reworking of the Jacobean tragedy All's Lost by Lust by William Rowley. It was the first new play to be staged at John Vanbrugh's Queen's Theatre in Haymarket, opened earlier that year, and lasted for six nights.
The Generous Conqueror is a 1701 tragedy by the English writer Bevil Higgons. It was published in January the following year, and is sometimes dated 1702 by this. Higgons was a well-known Jacobite who had been implicated in the 1696 Jacobite assassination plot against William III. In this play he effectively called for the peaceful succession of the pretender to the throne as James III.
William Burnaby (1673-1706) was an English writer, primarily known for authoring several plays in the early eighteenth century. Three of his works were late entries into the Restoration Comedy tradition.
As You Find It is a 1703 comedy play by the English writer Charles Boyle, later Earl of Orrery. His grandfather Roger Boyle, 1st Earl of Orrery had also been a playwright. In style it is much closer to traditional Restoration comedy, than the developing trend for Sentimental comedy.
Sophonisba, or Hannibal's Overthrow is a 1675 tragedy by the English writer Nathaniel Lee. It is based on the story of the Carthaginian noblewoman Sophonisba, one of numerous versions based on the story including John Marston's The Wonder of Women (1606) and James Thomson's Sophonisba (1730).
All for the Better is a 1702 comedy play by the English writer Francis Manning.
The Volunteers is a 1692 comedy play by the English writer Thomas Shadwell. Shadwell completed the play shortly before his death and it was performed posthumously at the Drury Lane Theatre by the United Company. It is also known by the long title The Volunteers; or, The Stock-Jobbers.
A Plot and No Plot is a 1697 comedy play by the English writer John Dennis.
The Fate of Capua is a 1700 tragedy by the writer Thomas Southerne. In Ancient Capua the rival Roman and Cartheginian factions vie for influence.
The Richmond Heiress is a 1693 comedy play by the English writer Thomas D'Urfey.
Cyrus the Great is a 1695 tragedy by the British writer John Banks. It was his final work, although his earlier The Island Queens was staged several years later. Set at the court of the Persian Emperor Cyrus the Great, it was staged by Thomas Betterton's Company having previously been rejected by the United Company. John Downes described it as one of the "principal new plays" of the decade, although it did not enjoy many performances on stage.
The City Lady; Or, Folly Reclaim'd is a 1696 comedy play by the English writer Thomas Dilke. It was staged by Thomas Betterton's Company at the Lincoln's Inn Fields Theatre with a cast that included George Bright as Grumble, Cave Underhill as Bevis, John Bowman as Bellardin, John Hodgson as Lovebright, Joseph Harris as Pedanty, John Freeman as Burgersditius, William Bowen as Jasper, Elizabeth Barry as Lady Grumble, Elizabeth Bowman as Lucinda, Elinor Leigh as Secreta and Abigail Lawson as Fidget.
John Hodgson was an English stage actor of the late seventeenth century. He joined the United Company in 1688 and his first recorded appearance was in The Treacherous Brothers at Drury Lane in 1690. In 1695 he was one of several actors who broke away to join Thomas Betterton's new company at Lincoln's Inn Fields. His name is sometimes written as Hudson. He was married to the singer Mary Hodgson.
