Lesbian pulp fiction is a genre of lesbian literature that refers to any mid-20th century paperback novel or pulp magazine with overtly lesbian themes and content. Lesbian pulp fiction was published in the 1950s and 1960s by many of the same paperback publishing houses as other genres of fiction, including westerns, romances, and detective fiction. Because very little other literature was available for and about lesbians at this time, quite often these books were the only reference the public had for modeling what lesbians were. English professor Stephanie Foote commented on the importance of lesbian pulp novels to the lesbian identity prior to the rise of organized feminism: "Pulps have been understood as signs of a secret history of readers, and they have been valued because they have been read. The more they are read, the more they are valued, and the more they are read, the closer the relationship between the very act of circulation and reading and the construction of a lesbian community becomes…. Characters use the reading of novels as a way to understand that they are not alone."Joan Nestle refers to lesbian pulp fiction as “survival literature.” Lesbian pulp fiction not only provided representation for lesbian identities it brought a surge of awareness to lesbians and created space for lesbian organizing leading up to Stonewall.
Cleis Press is an American independent publisher of books in the areas of sexuality, erotica, feminism, gay and lesbian studies, gender studies, fiction, and human rights. The press was founded in 1980 in Minneapolis, Minnesota. It later moved to San Francisco and was based out of Berkeley until its purchase by Start Media in 2014. It was founded by Frédérique Delacoste, Felice Newman and Mary Winfrey Trautmann who collectively financed wrote and published the press's first book Fight Back: Feminist Resistance to Male Violence in 1981. In 1987, they published Sex Work: Writings by Women in the Sex Industry by Delacoste with Priscilla Alexander.
The Ladder was the first nationally distributed lesbian publication in the United States. Published from 1956 to 1972, The Ladder was the primary monthly publication and method of communication for the Daughters of Bilitis (DOB), the first lesbian organization in the US. It was supported by ONE, Inc. and the Mattachine Society, with whom the DOB retained friendly relations. The name of the magazine was derived from the artwork on its first cover, simple line drawings showing figures moving towards a ladder that disappeared into the clouds.
Ann Weldy, better known by her pen name Ann Bannon, is an American author who, from 1957 to 1962, wrote six lesbian pulp fiction novels known as The Beebo Brinker Chronicles. The books' enduring popularity and impact on lesbian identity has earned her the title "Queen of Lesbian Pulp Fiction". Bannon was a young housewife trying to address her own issues of sexuality when she was inspired to write her first novel. Her subsequent books featured four characters who reappeared throughout the series, including her eponymous heroine, Beebo Brinker, who came to embody the archetype of a butch lesbian. The majority of her characters mirrored people she knew, but their stories reflected a life she did not feel she was able to live. Despite her traditional upbringing and role in married life, her novels defied conventions for romance stories and depictions of lesbians by addressing complex homosexual relationships.
Marijane Agnes Meaker was an American writer who, along with Tereska Torres, was credited with launching the lesbian pulp fiction genre, the only accessible novels on that theme in the 1950s.
Lesbian literature is a subgenre of literature addressing lesbian themes. It includes poetry, plays, fiction addressing lesbian characters, and non-fiction about lesbian-interest topics.
Spring Fire, is a 1952 paperback novel written by Marijane Meaker, under the pseudonym "Vin Packer". It is the first lesbian paperback novel, and the beginning of the lesbian pulp fiction genre; it also addresses issues of conformity in 1950s American society. The novel tells the story of Susan "Mitch" Mitchell, an awkward, lonely freshman at a Midwestern college who falls in love with Leda, her popular but troubled sorority sister. Published by Gold Medal Books, Spring Fire sold 1.5 million copies through at least three printings.
Odd Girl Out is a lesbian pulp fiction novel written in 1957 by Ann Bannon, the first in a series of pulp fiction novels that eventually came to be known as The Beebo Brinker Chronicles. It was originally published in 1957 by Gold Medal Books, again in 1983 by Naiad Press, and again in 2001 by Cleis Press. Each edition was adorned with a different cover. Not until 1983 did author Bannon learn that her first novel was the second best-selling paperback of 1957.
I Am a Woman is a lesbian pulp fiction novel written in 1959 by Ann Bannon. It is the second in a series of pulp fiction novels that eventually came to be known as The Beebo Brinker Chronicles. It was originally published in 1959 by Gold Medal Books, again in 1983 by Naiad Press, and again in 2002 by Cleis Press.
Women in the Shadows is a lesbian pulp fiction novel written in 1959 by Ann Bannon. It is the third in a series of pulp fiction novels that eventually came to be known as The Beebo Brinker Chronicles. It was originally published in 1959 by Gold Medal Books, again in 1983 by Naiad Press, and again in 2002 by Cleis Press. Each edition was adorned with a different cover.
Journey to a Woman is a lesbian pulp fiction novel written in 1960 by Ann Bannon. It is the fifth in a series of pulp fiction novels that eventually came to be known as The Beebo Brinker Chronicles. It was originally published in 1960 by Gold Medal Books, again in 1983 by Naiad Press, and again in 2003 by Cleis Press. Each edition was adorned with a different cover.
Barbara Grier was an American writer and publisher. She is credited for having built the lesbian book industry. After editing The Ladder magazine, published by the lesbian civil rights group Daughters of Bilitis, she co-founded a lesbian book-publishing company Naiad Press, which achieved publicity and became the world's largest publisher of lesbian books. She built a major collection of lesbian literature, catalogued with detailed indexing of topics.
Forbidden Love: The Unashamed Stories of Lesbian Lives is a 1992 Canadian hybrid drama-documentary film about Canadian lesbians navigating their sexuality while homosexuality was still criminalized. Interviews with lesbian elders are juxtaposed with a fictional story, shot in fifties melodrama style, of a small-town girl's first night with another woman. It also inserts covers of lesbian pulp fiction. The film presents the stories of lesbians whose desire for community led them on a search for the few public beer parlours or bars that would tolerate openly queer women in the 1950s and 60s in Canada. It was written and directed by Lynne Fernie and Aerlyn Weissman and featured author Ann Bannon. It premiered at the 1992 Toronto Festival of Festivals and was released in the United States on 4 August 1993. It was produced by Studio D, the women's studio of the National Film Board of Canada.
Kate Moira Ryan is an American playwright.
Brinker is a surname of Dutch and German origin. Notable people with the surname include:
Elaine Williams was an American lesbian pulp fiction author and editor of the late 1950s and early 1960s. She wrote under a pseudonym, largely either as Sloan Britton or Sloane Britain.
Yvonne Christine MacManus was an American novelist specializing in lesbian fiction and science fiction. Although she used her real name when writing in other genres, MacManus published lesbian fiction under the pseudonym Paula Christian.
Julie Ellis was an early lesbian pulp fiction author of the 1960s, writing pro-lesbian romance and erotica under varied pseudonyms for Midwood-Tower Publications. She changed her writing pseudonyms and legal name usage numerous times and later in life she wrote historical and romance fiction under the name Julie Ellis.
Sally M. Singer is an American writer who penned lesbian pulp fiction from the late 1950s through the mid-1970s. She is most well known for works she wrote under the pseudonyms March Hastings and Laura Duchamp, mostly for Midwood-Tower Publications. These works include Three Women, The Third Theme, and Duet.
