Gloria Fowles, known professionally as Gloria Gaynor, is an American singer, best known for the disco era hits "I Will Survive" (1978), "Let Me Know " (1979), "I Am What I Am" (1983), and her version of "Never Can Say Goodbye" (1974).
Pete Wendling was an American composer and pianist, born in New York City to German immigrants. He often collaborated with fellow QRS pianist and composer, Max Kortlander.
Streetlife Serenade is the third studio album by American recording artist Billy Joel, released on October 11, 1974, by Columbia Records.
Aubrey Wilson Mullican, known professionally as Moon Mullican and nicknamed "King of the Hillbilly Piano Players", was an American country and western singer, songwriter, and pianist. He was associated with the hillbilly boogie style which influenced rockabilly. Jerry Lee Lewis cited him as a major influence on his own singing and piano playing.
Max Friedman was an American songwriter and published music through his company, Max Friedman Music Publishing Co.
"Blues in the Night" is a popular blues song which has become a pop standard and is generally considered to be part of the Great American Songbook. The music was written by Harold Arlen, the lyrics by Johnny Mercer, for a 1941 film begun with the working title Hot Nocturne, but finally released as Blues in the Night. The song is sung in the film by William Gillespie.
The Peerless Quartet was an American vocal group that recorded in the early years of the twentieth century. They formed to record for Columbia Records, where they were credited as the Columbia Quartet or Columbia Male Quartet. From about 1907, when they began to record for record labels other than Columbia, they were more widely known as the Peerless Quartet.
Paul Lavon Davis was an American singer and songwriter, best known for his radio hits and solo career that started worldwide in 1970. His career encompassed soul, country, and pop. His most successful songs are 1977's "I Go Crazy", a No. 7 pop hit that once held the record for the longest chart run on the Billboard Hot 100, and 1982's "'65 Love Affair", which at No. 6 is his highest-charting single. Another pop hit, "Cool Night", was released in 1981. In the mid-1980s, he also had two No. 1 country hits as a guest vocalist on songs by Marie Osmond and Tanya Tucker.
"Cotton-Eyed Joe" is a traditional American country folk song popular at various times throughout the United States and Canada, although today it is most commonly associated with the American South. The song is mostly identified with the 1994 Rednex version, which became popular worldwide. The song is also an instrumental banjo and bluegrass fiddle standard.
"Missouri Waltz" is the official state song of Missouri and is associated with the University of Missouri.
"Are You Lonesome Tonight?" is a song written by Roy Turk and Lou Handman in 1926. It was recorded several times in 1927—first by Charles Hart, with successful versions by Vaughn De Leath, Henry Burr, and the duet of Jerry Macy and John Ryan. In 1950, the Blue Barron Orchestra version reached the top twenty on Billboard's Pop Singles chart.
"Corrine, Corrina" is a 12-bar country blues song in the AAB form. "Corrine, Corrina" was first recorded by Bo Carter. However, it was not copyrighted until 1932 by Bo Carter, along with his publishers Mitchell Parish and J. Mayo Williams.
"Moonglow", also known as "Moonglow and Love" is a 1933 popular song. The music was by Will Hudson and Irving Mills and the words were by Eddie DeLange.
"I Can't Give You Anything but Love, Baby" is an American popular song and jazz standard by Jimmy McHugh (music) and Dorothy Fields (lyrics). The song was introduced by Adelaide Hall at Les Ambassadeurs Club in New York in January 1928 in Lew Leslie's Blackbird Revue, which opened on Broadway later that year as the highly successful Blackbirds of 1928, wherein it was performed by Adelaide Hall, Aida Ward, and Willard McLean.
"I'm Always Chasing Rainbows" is a popular Vaudeville song. The music is credited to Harry Carroll, but the melody is adapted from Fantaisie-Impromptu by Frédéric Chopin. The lyrics were written by Joseph McCarthy, and the song was published in 1917. It was introduced in the Broadway show Oh, Look! which opened in March 1918. The song was sung in the show by the Dolly Sisters. Judy Garland sang it in the 1941 film Ziegfeld Girl. It was subsequently sung by Jack Oakie in the 1944 film The Merry Monahans and was again featured in the 1945 film The Dolly Sisters (1945), where it was sung by John Payne. It was also included for part of the run of the 1973 revival of Irene. Additionally, the pre-chorus would not have been included until later covers in the 1940s, where the song would gain its iconic libretti.
"You Don't Love Me" is a rhythm and blues-influenced blues song recorded by American musician Willie Cobbs in 1960. Adapted from Bo Diddley's 1955 song "She's Fine She's Mine", it is Cobbs' best-known song and features a guitar figure and melody that has appealed to musicians in several genres.
"Oh Johnny, Oh Johnny, Oh!" is a song composed by Abe Olman (1887–1984), lyricized by Ed Rose, and published by Forster Music Publisher, Inc. The music was copyrighted 7 February 1917 and the copyright was renewed 29 December 1944. Under the Copyright Term Extension Act (1998), the sheet music is in the public domain, as is all music published in the U.S. prior to 1923. Its melody and structure form the basis of a self-calling circle dance, using square dance steps and popular in summer camps.
"Tom, Dick and Harry and Jack " is a World War I era song released in 1917. Howard Johnson wrote the lyrics. Milton Ager composed the music. The song was published by Leo Feist, Inc. of New York City. Artist Henry Hutt designed the sheet music cover. It features four men in different service uniforms with an inset photo of either Jack Connors, Jr. or Bailey and Cowan. The inset photo varies by edition. It was written for both voice and piano.
"For Your Country and My Country" is a World War I era song released in 1917. Lyrics and music were written by Irving Berlin. The song was published by Waterson, Berlin & Snyder, Co. of New York, New York. Artist Albert Wilfred Barbelle designed the sheet music cover. It features Uncle Sam playing a snare drum with an eagle on his shoulder. In the background are ships sailing, and below are troops marching. Above the title, it reads, "The Official Recruiting Song." The song was written for voice and piano, along with chords for guitar, ukulele, and banjo.
