Winifred Jacqueline Fraser BissetLdH is a British actress. She began her film career in 1965 and first came to prominence in 1968 with roles in The Detective, Bullitt, and The Sweet Ride, for which she received a Golden Globe nomination as Most Promising Newcomer. In the 1970s, she starred in Airport (1970), The Mephisto Waltz (1971), Day for Night (1973), which won the Academy Award for Best Foreign Language Film, Le Magnifique (1973), Murder on the Orient Express (1974), St. Ives (1976), The Deep (1977), The Greek Tycoon (1978) and Who Is Killing the Great Chefs of Europe? (1978), which earned her a Golden Globe nomination as Best Actress – Motion Picture Comedy or Musical.
They Shoot Horses, Don't They? is a 1969 American psychological drama film directed by Sydney Pollack, from a screenplay written by Robert E. Thompson and James Poe, based on Horace McCoy's 1935 novel. It stars Jane Fonda, Michael Sarrazin, Susannah York, Gig Young, Bonnie Bedelia, and Red Buttons. It focuses on a disparate group of individuals desperate to win a Depression-era dance marathon and an opportunistic emcee who urges them on.
Day for Night is a 1973 romantic comedy-drama film co-written and directed by François Truffaut. The metafictional and self-reflexive film chronicles the troubled production of a melodrama, and the various personal and professional challenges of the cast and crew. It stars Jacqueline Bisset, Valentina Cortese, Jean-Pierre Aumont, Dani, Alexandra Stewart, Jean-Pierre Léaud and Truffaut himself.
Irwin Winkler is an American film producer and director. He is the producer or director of over 58 motion pictures, dating back to 1967's Double Trouble, starring Elvis Presley. The fourth film he produced, They Shoot Horses, Don't They? (1969), starring Jane Fonda, was nominated for nine Academy Awards. He won an Oscar for Best Picture for 1976's Rocky. As a producer, he has been nominated for Best Picture for four films: Rocky (1976), Raging Bull (1980), The Right Stuff (1983), and Goodfellas (1990).
Michael Sarrazin was a Canadian actor. His most notable film was They Shoot Horses, Don't They?.
Murmur of the Heart is a 1971 French comedy-drama film written, produced and directed by Louis Malle. It stars Lea Massari, Benoît Ferreux and Daniel Gélin. Written as Malle's semi-autobiography, the film tells a coming-of-age story about a 14-year-old boy (Ferreux) growing up in bourgeois surroundings in post-World War II Dijon, France, with a complex relationship with his Italian-born mother (Massari).
The Panic in Needle Park is a 1971 American drama film directed by Jerry Schatzberg and starring Al Pacino and Kitty Winn. The screenplay is written by Joan Didion and John Gregory Dunne, adapted from the 1966 novel by James Mills.
The Mechanic is a 1972 American action thriller film directed by Michael Winner from a screenplay by Lewis John Carlino. It stars Charles Bronson, in his second collaboration with Winner, Jan-Michael Vincent, Keenan Wynn, and Jill Ireland.
Author! Author! is a 1982 American autobiographical film directed by Arthur Hiller, written by Israel Horovitz and starring Al Pacino.
The Anderson Tapes is a 1971 American crime film directed by Sidney Lumet and starring Sean Connery and featuring Dyan Cannon, Martin Balsam and Alan King. The screenplay was written by Frank Pierson, based upon a best-selling 1970 novel of the same name by Lawrence Sanders. The film is scored by Quincy Jones and marks the feature film debut of Christopher Walken.
The New Centurions is a 1972 American Panavision neo-noir action crime film based on the 1971 novel of the same name by author and policeman Joseph Wambaugh.
The Strawberry Statement is a 1970 American comedy-drama film set during the counterculture of the 1960s. The story is loosely based on the non-fiction book of the same name.
The Carey Treatment is a 1972 American crime thriller film directed by Blake Edwards and starring James Coburn, Jennifer O'Neill, Dan O'Herlihy and Pat Hingle. The film was based on the 1968 novel A Case of Need credited to Jeffery Hudson, a pseudonym for Michael Crichton. Like Darling Lili and Wild Rovers before this, The Carey Treatment was heavily edited without help from Edwards by the studio into a running time of one hour and 41 minutes; these edits were later satirized in his 1981 black comedy S.O.B..
Busting is a 1974 American buddy cop film, directed by Peter Hyams in his theatrical directorial debut, starring Elliott Gould and Robert Blake as police detectives of the Los Angeles Police Department (LAPD). The film was the main inspiration for the cop series Starsky & Hutch, which premiered in 1975 and, like this film, also featured Antonio Fargas.
The Detective is a 1968 American neo-noir crime drama film starring Frank Sinatra. Directed by Gordon Douglas and produced by Aaron Rosenberg, it is based on the 1966 novel of the same name by Roderick Thorp.
In Search of Gregory is a 1969 British-Italian drama film directed by Peter Wood and starring Julie Christie.
The Sweet Ride is a 1968 American drama film with a few surfer/biker exploitation film elements. It stars Tony Franciosa, Michael Sarrazin and Jacqueline Bisset in an early starring role. The film also features Bob Denver in the role of Choo-Choo, a Beatnik piano-playing draft dodger. Sarrazin and Bisset were nominated for the Golden Globe Award for Most Promising Newcomer, Male and Female respectively.
St. Ives is a 1976 American crime thriller film directed by J. Lee Thompson and starring Charles Bronson, John Houseman, Jacqueline Bisset, and Maximilian Schell.
Roger Greenspun was an American journalist and film critic, best known for his work with The New York Times in which he reviewed near 400 films, particularly in the late 1960s and early 1970s, and for Penthouse for which he was the film critic throughout much of the late 1970s and 1980s.
Stuart R. Hagmann is a television and film director primarily active from 1968 to 1977.
