The Bellman joke is a type of simple joke cycle popular among Swedish schoolchildren, always including a person named Bellman as the main character.
The jokes first became popular in the 19th century, and were originally inspired by the life of the poet and composer Carl Michael Bellman. The first known Bellman joke [1] appears in the preface to an 1835 collection of Bellman's works, in which the publisher reprints an 1808 letter from a contemporary of Bellman, containing the following anecdote.
[Bellman] rarely owned more than one coat. Once when King Gustav met him in the street he was wearing no more than a nightdress, at which the King said: "But my dear Bellman, you look so ill-clad," to which he bowed and replied, "I humbly assure your Majesty that I have the whole of my wardrobe on me." [2]
19th-century Bellman jokes tended to focus on C. M. Bellman's life at court, and often contained sexual humour. Since then, however, the Bellman character of the jokes has changed into a generic Swede, rather than the historical figure. The shift from jokes told by adults to jokes told mainly by young schoolchildren up to 10 years of age probably happened in the first half of the 20th century. [1]
The modern versions of the Bellman jokes often include Bellman and two other characters of different nationalities, with the former coming out victorious from a tricky situation. However, in many Bellman jokes, Bellman is portrayed as something of an anti-hero, who may cheat, lie or even smell very bad in order to get the last laugh. Another common theme is that Bellman fools or makes fun of a priest, policeman or other authority figure. He can thus be seen as a modern sort of a trickster. The jokes tend to involve bodily functions such as urinating or defecating.
The ubiquitous character of the stories and the fact that they have been told in various forms for so many years have made them subject to study by ethnologists such as Bengt af Klintberg [3] and researchers in children's culture.
Carl Michael Bellman was a Swedish songwriter, composer, musician, poet, and entertainer. He is a central figure in the Swedish song tradition and remains a powerful influence in Swedish music, as well as in Scandinavian literature, to this day. He has been compared to Shakespeare, Beethoven, Mozart, and Hogarth, but his gift, using elegantly rococo classical references in comic contrast to sordid drinking and prostitution—at once regretted and celebrated in song—is unique.
Erik Gustaf Geijer was a Swedish writer, historian, poet, romantic critic of political economy, philosopher, and composer. His writings served to promote Swedish National Romanticism. He was an influential advocate of conservatism, but switched to liberalism later in life.
Axel Evert Taube was a Swedish author, artist, composer and singer. He is widely regarded as one of Sweden's most respected musicians and the foremost troubadour of the Swedish ballad tradition in the 20th century.
"Ack Värmeland, du sköna" or "Värmlandsvisan" is a Swedish popular song, best known in the English-speaking world as "Dear Old Stockholm".
Bengt af Klintberg is a Swedish folklorist, ethnologist, and artist who is known for his work on modern urban legends. His work reached a large audience with such books as Råttan i pizzan, published in 1986, and Den stulna njuren published in 1994.
Sven-Bertil Gunnar Evert Taube was a Swedish singer and actor. Internationally, he was perhaps better known for his acting career. Taube played Henrik Vanger in the film The Girl with the Dragon Tattoo, and the lead role in Puppet on a Chain.
Ulla Winblad is a semi-fictional character in many of Carl Michael Bellman's musical works. She is at once an idealised rococo goddess and a tavern prostitute, and a key figure in Bellman's songs of Fredman's Epistles. The juxtaposition of elegant and low life is humorous, while allowing Bellman to convey a range of emotions. Ulla Winblad has been called "one of the really great female figures in Swedish literature". The character was partly inspired by Maria Kristina Kiellström (1744–1798).
Fred Bo Gunnar Åkerström was a Swedish folk guitarist and singer particularly noted for his interpretations of Carl Michael Bellman's music, and his own work of the typically Swedish song segment named visa. These songs, visor, are traditionally very narrative and the performance is "acted" to some degree. The singer is in context a vissångare, a troubadour character. Åkerström was also known for his actor's interpretations of Bellman's 18th century material, and his unusual ability to reach deep bass notes.
Euskefeurat is a music group from Piteå, Sweden.
Fredmans epistlar is a collection of 82 poems set to music by Carl Michael Bellman, a major figure in Swedish 18th century song. Though first published in 1790, it was created over a period of twenty years from 1768 onwards. A companion volume, Fredmans sånger was published the following year.
Marie Sophie Schwartz née Birath, was a Swedish writer. She has since been referred to as the most successful female writers of the late 19th-century in Sweden.
Lovisa von Plat, also known under the names Platskan and Moster von Platen was a Swedish brothel owner and procurer, active in Stockholm for about forty years until her death. She belonged to the elite of her trade and became a known figure of her time, mentioned in memoirs, diaries and literature.
Så lunka vi så småningom is a song from the Swedish poet and performer Carl Michael Bellman's 1791 collection, Fredman's Songs, where it is No. 21. The song, written a few months after the death of his son Eli, is addressed to his hosts at a meal. It makes light of death, while presenting it to each person individually, of high or low rank in society. The refrain sings of a pair of gravediggers discussing whether the grave is too deep, taking repeated swigs from a bottle of brandy.
Ack du min moder, originally written Ach! du min Moder, is one of the Swedish poet and performer Carl Michael Bellman's best-known and best-loved songs, from his 1790 collection, Fredman's Epistles, where it is No. 23. The collection is ostensibly of drinking-songs, but they vary in character from laments to pastorales, often simultaneously realistic and elegantly rococo in style. The song has two parts, despairing and celebratory: it begins as a lament, with Jean Fredman lying drunk in a Stockholm gutter outside the Crawl-in tavern, and repeatedly cursing his mother for conceiving him. Then he goes in, is revived by a stiff drink, and repeatedly thanks his mother and father for his life.
Fjäril'n vingad syns på Haga is one of Carl Michael Bellman's collection of songs called Fredmans sånger, published in 1791, where it is No. 64. The song describes Haga Park, the attractive natural setting of King Gustav III's never-completed Haga Palace just north of Stockholm. An earlier version of the song was a verse petition to obtain a job for Bellman's wife. The composition is one of the most popular of Bellman's songs, being known by many Swedes by heart. It has been recorded many times from 1904 onwards, and translated into English verse at least four times.
Käre bröder, så låtom oss supa i frid is Epistle No. 5 in the Swedish poet and performer Carl Michael Bellman's 1790 song collection, Fredman's Epistles. The epistle is subtitled "Til the trogne Bröder på Terra Nova i Gaffelgränden.". The first epistle to be written, it introduces Jean Fredman's fictional world of ragged drunken men in Stockholm's taverns, making music, drinking, and preaching the message of the apostles of brandy, in the style of St Paul's epistles. The composition's approach is simple compared to later epistles, retaining much of the character of a drinking song.
Bacchi tempel öppnat vid en hjältes död, commonly known as Bacchi Tempel is a song play, a long poem in two thousand alexandrines, written by Carl Michael Bellman and published by Sweden's royal printing press in 1783. The illustrator was Elias Martin. The work had been preceded by a version from 1779 titled "Bacchi Temple opened at the death of Corporal and Order Oboist Father Movitz", but had been reworked and expanded several times.
Bringing Home the Body of King Charles XII is a painting by Swedish artist Gustaf Cederström, painted in Paris in 1878, displayed at Gothenburg Museum of Art. The author painted a second version in 1884, which is now on display in the National Museum in Stockholm. The scene depicts the repatriation of the body of Charles XII of Sweden, who was killed in Norway during the Siege of Fredriksten.
Expressens Heffaklump (Heffaklumpen) is a Swedish annual award for children's and youth culture, especially children's and youth literature, that is awarded by the newspaper Expressen. The award was established in 1966 and the original award statuette was created by the artist Karl Göte Bejemark, but in the 2010s the artist Stina Opitz was given the assignment. The name "Heffaklump" is taken from the Swedish name of the Heffalump character in A.A. Milne's Winnie the Pooh stories.
Hans sinnelag var det aldrabästa emot andra, alla tjente han, alla gaf han med sig, ägde till slut sällan mer än en rock; också mötte K. Gustaf honom en gång på gatan, uti en ganska stor negligée, och då Konungen sade: "Men, min kära Bellman, ni ser så illa klädd ut," bugade han sig och sade: "Jag kan i underdånighet försäkra Eder Maj:t, att jag ändå har hela min garderobe på mig."