Ben Wood (born 1980, in Shoreham-By-Sea, United Kingdom) is a British visual artist living and working in San Francisco. Over the past decade he has carried out public projects in San Francisco and exhibited in Mexico City, Honolulu and the United Kingdom. Many of his projects use digital media to display images in the built environment. [1]
An early public project was to reveal a hidden 18th-century mural in San Francisco's Mission Dolores. In 2004 he worked with archeologist Eric Blind to capture the first photographs of the mural, keeping the 1796 reredos intact. He then projected digital images in a public display onto the interior dome of the Mission Dolores Basilica. [2] On 14 April 2011 a recreated version of the mural was unveiled on San Francisco's Bartlett Street as part of the Mission Community Market. [3] [4] [5]
Since 2004 Wood has conducted a series of video projections at Coit Tower, mostly illuminating native San Francisco and California heritage. These were presented in 2004, 2006, 2008 and 2009. [6] [7]
While a student at the Massachusetts Institute of Technology Wood carried out a project to re-create the famous mural Man at the Crossroads painted by Diego Rivera in 1933 for the Rockefeller Center and destroyed in early, after controversy about its supposedly anti-capitalist imagery. [8] Also while a student at MIT he created a documentary about MIT's oldest graduate dormitory, Ashdown House. [9]
Diego Rivera was a prominent Mexican painter. His large frescoes helped establish the mural movement in Mexican and international art.
Coit Tower is a 210-foot (64 m) tower in the Telegraph Hill neighborhood of San Francisco, California, overlooking the city and San Francisco Bay. The tower, in the city's Pioneer Park, was built between 1932 and 1933 using Lillie Hitchcock Coit's bequest to beautify the city of San Francisco. It was added to the National Register of Historic Places on January 29, 2008.
The Mission District, commonly known as the Mission, is a neighborhood in San Francisco, California. One of the oldest neighborhoods in San Francisco, the Mission District's name is derived from Mission San Francisco de Asís, built in 1776 by the Spanish. The Mission is historically one of the most notable centers of the city's Chicano/Mexican-American community.
Alamo Square is a residential neighborhood in San Francisco, California with a park of the same name. Located in the Western Addition, its boundaries are Buchanan Street on the east, Turk Street on the north, Baker Street on the west, and Page Street Street on the south.
Mission High School is a public high school in the San Francisco Unified School District (SFUSD) San Francisco, California.
Ralph Ward Stackpole was an American sculptor, painter, muralist, etcher and art educator, San Francisco's leading artist during the 1920s and 1930s. Stackpole was involved in the art and causes of social realism, especially during the Great Depression, when he was part of the Public Works of Art Project, Federal Art Project of the Works Progress Administration, and the Treasury Department's Section of Painting and Sculpture. Stackpole was responsible for recommending that architect Timothy L. Pflueger bring Mexican muralist Diego Rivera to San Francisco to work on the San Francisco Stock Exchange and its attached office tower in 1930–31. His son Peter Stackpole became a well-known photojournalist.
Edith Ann Hamlin (June 23, 1902 – February 18, 1992) was an American landscape and portrait painter, and muralist. She is known for her social realism murals created while working with the Public Works of Art Project, Federal Art Project and the Section of Painting and Sculpture during the Great Depression era in the United States and for her decorative style paintings of the American desert.
The Mission Dolores mural is an 18th-century work of art in the Mission San Francisco de Asís, the oldest surviving structure in San Francisco. In 1791, the Ohlone people, Native Americans of the San Francisco Bay and laborers for the church, painted the mural on the focal wall of the sanctuary. Five years later, an altarpiece known as a reredos, was constructed in front of the mural, blocking it from view for more than two centuries. The mural remained mostly unseen in the intervening years, decaying slowly as it was protected from light and moisture behind the reredos enclosure.
Maxine Albro was an American painter, muralist, lithographer, mosaic artist, and sculptor. She was one of America's leading female artists, and one of the few women commissioned under the New Deal's Federal Art Project, which also employed Jackson Pollock, Mark Rothko, and Willem de Kooning.
Suzanne Scheuer was an American fine artist, best known for her New Deal-era murals. She painted one of the murals in Coit Tower, Newsgathering.
Bernard Baruch Zakheim was a Warsaw-born San Francisco muralist, best known for his work on the Coit Tower murals.
Victor Mikhail Arnautoff was a Russian-American painter and professor of art. He worked in San Francisco and the Bay Area from 1925 to 1963, including two decades as a teacher at Stanford University, and was particularly prolific as a muralist during the 1930s. He became a naturalized U.S. citizen, but returned to the Soviet Union after the death of his wife, continuing his career there before his death.
The San Francisco Artists and Writers Union was a group of San Francisco artists and writers, formed during the Great Depression.
Ray Boynton (1883–1951) also known as Raymond Boynton, was an American artist and arts educator, most famous for his mural work in California during the Great Depression earning commissions under the Public Works of Art Project (PWAP) and the Treasury Relief Art Project (TRAP).
Frederick "Fred" Olmsted Jr. was an American artist and biophysicist. He created social realism themed murals and sculptures for the Federal Art Project, and the Public Works of Art Project.
Emmy Lou Packard, also known as Betty Lou Packard (1914–1998), was an American visual artist and social activist in San Francisco, California. She was known for her paintings, printmaking, and murals, which were often political.
José Moya del Piño (1891–1969) was a Spanish-born American painter, muralist and educator. He associated with the Post-impressionists of Spain and the Depression-era muralists in the San Francisco Bay Area. He taught classes at the San Francisco Art Students League, San Francisco Art Institute and the College of Marin.
The Beach Chalet is a historic two-story Spanish Colonial Revival-style building, located at the far western end of Golden Gate Park in San Francisco. The building is owned by the San Francisco Recreation & Parks Department; and the tenants are the Beach Chalet Brewery and Restaurant, and the Park Chalet.
The Jejune Institute was an alternate reality game, public art installation and immersive experience that ran in San Francisco, California from 2008 to 10 April 2011. It was conceived by Jeff Hull and launched by the arts group Nonchalance in 2008.
The Mother's Building, also known as the Delia Fleishhacker Memorial Building, is a historic building that was once part of the Fleishhacker Pool and Fleishhacker Playfield and features Works Progress Administration-era murals, built in 1925 and is presently located within the San Francisco Zoo and Gardens.