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Bernadette Wegenstein | |
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| Born | 1969 (age 56–57) |
| Occupation | Research Professor and Director, Center for Advanced Media Studies, Johns Hopkins University |
| Nationality | Austrian |
| Alma mater | University of Vienna |
| Genre | Nonfiction |
| Subject | Media theory |
Bernadette Wegenstein (born 1969) [1] is an Austrian mediat theorist who is a research professor and director of the Center for Advanced Media Studies at Johns Hopkins University. She has written books on media theory including Getting Under the Skin: Body and Media Theory, The Cosmetic Gaze: Body Modification and the Construction of Beauty. [2]
She received a doctorate from University of Vienna in 1998 with a thesis "Die Darstellung von Aids in den Medien : semio-linguistische Analyse und Interpretation" ("The portrayal of AIDS in the media: linguistic semiotic analysis and interpretation") Copies of the thesis are held in WorldCat libraries. [3] she subsequently became an assistant professor at the University of Buffalo. [4]
Wegenstein is a Research Professor at the Johns Hopkins University, where she also directs the Center for Advanced Media Studies.[ citation needed ]
She produced and directed her first documentary Made Over in America (Icarusfilms) about a television makeover show The Swan (TV series) in 2007. Her second film, See You Soon Again, which she co-directed with Austrian director and producer Lukas Stepanik (The Cinema Guild, 2012) is a portrait of Viennese Holocaust survivor Leo Bretholz in his efforts to pass on his story of survival to the Baltimore youth. The Good Breast (2016) is a feature documentary that interweaves the intimate stories of three breast cancer patients with the history and mythology of the breast. The Conductor (2021) is a documentary about Marin Alsop, the first woman appointed to lead a major American orchestra. Devoti Tutti (2023) is a neo-realist exploration of Saint Agatha of Sicily who was martyrized by her breast sacrifice in 251 AD.
In her book The Cosmetic Gaze she analyzes the body as a medium of the gaze. This medium is best exemplified in Reality TV makeover shows, such as The Swan where contestants are made over and revealed with drastic changes. [5]
(Bernadette Wegenstein) p. 78 (b. 1969; since 2008 assoc. prof. at Johns Hopkins Univ.)