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Pinturicchio, or Pintoricchio, also known as Benetto di Biagio or Sordicchio, was an Italian painter during the Renaissance. He acquired his nickname because of his small stature and he used it to sign some of his artworks that were created during the fifteenth and sixteenth centuries.
Benedetto Bonfigli was an Italian Renaissance painter born in Perugia, and part of the Umbria school of painters including Raphael and Perugino. He is also known as Buonfiglio. Influenced by the style of Domenico Veneziano, Benozzo Gozzoli, and Fra Angelico, Bonfigli primarily painted frescos for the church and was at one point employed in the Vatican. His best preserved work is the Annunication, but his masterpiece is the decoration of the chapel of the Palazzo dei Priori. Bonfigli specialized in gonfaloni, a Perugian style using banners painted on canvas or linen. Little is known of his personal life, but he was an esteemed painter in Perugia before Perugino, who is said to be his pupil.
Benozzo Gozzoli was an Italian Renaissance painter from Florence. A pupil of Fra Angelico, Gozzoli is best known for a series of murals in the Magi Chapel of the Palazzo Medici-Riccardi, depicting festive, vibrant processions with fine attention to detail and a pronounced International Gothic influence. The chapel's fresco cycle reveals a new Renaissance interest in nature with its realistic depiction of landscapes and vivid human portraits. Gozzoli is considered one of the most prolific fresco painters of his generation. While he was mainly active in Tuscany, he also worked in Umbria and Rome.
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Pier Antonio Mezzastris was an Italian painter of the Quattrocento, painting in a somewhat provincial style for the time.
Montefalco is a historic small hill town in Umbria, Italy, with a population of 5,581 in August 2017. It has been settled since pre-Roman times, and retains many of its historic buildings. From 1446 to 1861 it was part of the Papal States. Montefalco DOC is a regulated geographical area for its wine, the reds usually including the highly localized Sagrantino grape variety. The town's museum is in a former church, which has a fresco cycle on the life of St. Francis by the Florentine artist Benozzo Gozzoli (1450–1452).
Bernardino Luini was a North Italian painter from Leonardo's circle during the High Renaissance. Both Luini and Giovanni Antonio Boltraffio were said to have worked with Leonardo directly; he was described as having taken "as much from Leonardo as his native roots enabled him to comprehend". Consequently, many of his works were attributed to Leonardo. He was known especially for his graceful female figures with elongated eyes, called Luinesque by Vladimir Nabokov.
Sant'Andrea della Valle is a minor basilica in the rione of Sant'Eustachio of the city of Rome, Italy. The basilica is the general seat for the religious order of the Theatines. It is located at Piazza Vidoni, 6 at the intersection of Corso Vittorio Emanuele and Corso Rinascimento.
Taddeo di Bartolo, also known as Taddeo Bartoli, was an Italian painter of the Sienese School during the early Renaissance. He is among the artists profiled in Vasari's biographies of artists or Vite. Vasari claims he is the uncle of Domenico di Bartolo.
Orvieto Cathedral is a large 14th-century Roman Catholic cathedral dedicated to the Assumption of the Virgin Mary and situated in the town of Orvieto in Umbria, central Italy. Since 1986, the cathedral in Orvieto has been the episcopal seat of the former Diocese of Todi as well.
Lorenzo di Bicci was an Italian painter of the Florentine School considered to be one of the most important painters in Florence during the second half of the 14th century. He is believed to have learned his trade from his father, about whom little is known. Lorenzo’s style, as well as that of his contemporaries Jacopo di Cione and Niccolò di Pietro Gerini, was influenced by the artist Andrea di Cione. Lorenzo's paintings made use of bright colors and his compositions avoided complexity. The figures he painted tended to have round faces and were often expressionless. Another one of Lorenzo's distinctive characteristics was his precision of execution. He was known for exceptional talent in drawing, an ability that he put to use at the initial stages of his painting. Unlike many celebrated Florentine artists of this period, Lorenzo mostly received commissions from the country clergy and from the lower-middle class Florentine guilds. His successors, Bicci di Lorenzo and Neri di Bicci, continued to serve these groups.
Giovanni Boccati or Giovanni di Pier Matteo Boccati was an Italian painter.
Foligno Cathedral is a Catholic cathedral situated on the Piazza della Repubblica in the center of Foligno, Italy. The cathedral, built on the site of an earlier basilica, is dedicated to the patron saint of the city, the martyr Felician of Foligno, who was buried here in 251 AD. It is the seat of the Bishop of Foligno. It contains the cathedra for the Diocese of Foligno.
Bartolomeo di Tommaso, also known as Bartolomeo da Foligno was an Italian painter of the Umbro-Sienese school.
The Bufalini Chapel is a side chapel of the church of Santa Maria in Aracoeli, Rome, Italy. The first chapel on the right after the entrance, it houses a cycle of frescoes executed c. 1484-1486 by Pinturicchio depicting the life of the Franciscan friar St. Bernardino of Siena, sainted in 1450.
Dono Doni, also known as Adone Doni or Dono dei Doni (1505-1575) was an Italian painter of the Renaissance period active mainly in Umbria.
Ottaviano Nelli (1375–1444?) was an Italian painter of the early Quattrocento. Nelli primarily painted frescoes, but also panel paintings. He had several pupils and two painters were influenced by him.
Liborio Coccetti was an Italian painter.
Nicola di Ulisse, also known as Nicola da Siena or Nicola di Ulisse da Siena was an Italian painter of the Umbro-Sienese school.
San Francesco is Gothic-style, Roman Catholic, church in a piazza of the same name in the town of San Gemini, region of Umbria, Italy. The 13-14th-century church was erected by the Franciscan order and dedicated to St Francis, who visited the town at least twice in his lifetime.
References
- 1 2 3 4 "Key to Umbria: Foligno". www.keytoumbria.com. Retrieved 2020-01-29.
- 1 2 "Key to Umbria: Foligno". www.keytoumbria.com. Retrieved 2020-01-29.
- Raimond van Marle, The development of the Italian schools of painting, Volume 14, Hacker Art Books, 1970, p. 86.
- Key to Umbria, Foligno | Pierantonio Mezzastris
- Key to Umbria, Foligno | Bernardino Mezzastris
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