Bernardino del Signoraccio or Signoracci (active first three decades of 16th century) was an Italian painter of the Renaissance period, active in Tuscany.
Bernardino del Signoraccio or Signoracci (active first three decades of 16th century) was an Italian painter of the Renaissance period, active in Tuscany.
He was the father of the painter Fra Paolino da Pistoia. Bernardino painted in the manner of Ghirlandaio. Bernardino was the initial trainer of his son. [1]
Pistoia (, Italian: [pisˈtoːja] is a city and comune in the Italian region of Tuscany, the capital of a province of the same name, located about 30 kilometres west and north of Florence and is crossed by the Ombrone Pistoiese, a tributary of the River Arno. It is a typical Italian medieval city, and it attracts many tourists, especially in the summer. The city is famous throughout Europe for its plant nurseries.
Bernardino Poccetti, also known as Barbatelli, was an Italian Mannerist painter and printmaker of etchings.
Bernadino Campi (1522–1591) was a Renaissance painter from Cremona, who worked in Reggio Emilia. He is known as one of the teachers of Sofonisba Anguissola and of Giovanni Battista Trotti. In Cremona, his extended family owned the main artistic studios. Giulio Campi and Antonio Campi, half-brothers, were distant relatives of Bernardino; the latter is generally considered the most talented of the family. All were active and prominent painters locally. Influences on Bernardino include local Cremonese such as Camillo Boccaccino and artists from neighboring regions such as Correggio, Parmigianino and Giulio Romano.
Ludovico Buti was an Italian painter, active mostly in Florence.
Giacinto Gimignani was an Italian painter, active mainly in Rome, during the Baroque period. He was also an engraver in aquaforte.
Events from the year 1529 in art.
Fra Paolino da Pistoia OP was an Italian painter of the Renaissance period, active in Tuscany. He was a son of the painter Bernardino del Signoraccio. He was a Dominican friar who painted in a style similar to Fra Bartolomeo.
Ludovico Gimignani was an Italian painter, who is mainly known for his altarpieces for churches in Rome.
Antonio Vite was a fourteenth century Italian painter of the early 15th century.
Giovanni Battista di Pietro di Stefano Volponi was an Italian painter of the Renaissance period. He was born in Pistoia, and painted in conjunction with il Sollazzino, and with Bernardino del Signoraccio for various churches of his native city. A painter from this family by the name of il Scalabrino was active around this time.
Giovanni di Bartolomeo Cristiani was an Italian painter active in Pistoia and Pisa in the second half of the 14th century.
Teodoro Matteini was an Italian painter, mainly of historical and religious subjects in a Neoclassical style.
San Domenico is a Romanesque and Gothic-style, Roman Catholic church located in the Piazza of the same name, with a north flank of the nave parallel to Corso Silvani Fedi, in Pistoia, region of Tuscany, Italy.
Michelangelo Cinganelli, also known as Michele Cinganelli was an Italian painter.
Sebastiano Vini, also known as Bastiano Veronese was an Italian painter of the Renaissance period, active mainly in Tuscany.
Niccolò di Tommaso was an Italian painter active in Florence, Naples and Pistoia.
Manfredino di Alberto, also known as Manfredino d'Alberto or Manfredino da Pistoia was an Italian painters active during the 13th-century in Pistoia and Genoa.
Baldi is an Italian surname. Notable people with the surname include:
The Palazzo Rospigliosi a Ripa del Sale or Rospigliosi sulla Ripa is a former aristocratic palace located at Via Ripa del Sale number 3 in central Pistoia, Tuscany, Italy. The location is in a small alley adjacent to the Pistoia Cathedral, within the most ancient set of city walls. In the 19th century, the palace was donated to the diocese and now is used as both Diocesan museum and for the display of the collection donated by Clemente Rospigliosi.
Mario Nannini was an Italian painter, active in a Futurist style.
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