Bernardino Di Nani (active 15th to 16th century) was an Italian painter of the Renaissance, active in Gubbio.
He was a pupil of Domenico Di Cecco di Baldi in Gubbio. He painted frescoes of God the father (above) and Virgin and Child with Saints Giacomo, Macario, Filippo and Bernardino (1505) in the side niches of the Church of St Michael Archangel of Gavalli, near Monteleone. He also painted for the confraternities of Santa Maria de Laici and Santa Maria della Foce in Gubbio. One of his pupils was Pietro Paolo Baldinacci. [1] Many of his frescoes have deteriorated. [2]
Pinturicchio, or Pintoricchio, also known as Benetto di Biagio or Sordicchio, was an Italian painter during the Renaissance. He acquired his nickname because of his small stature and he used it to sign some of his artworks that were created during the fifteenth and sixteenth centuries.
Lo Spagna, "the Spaniard" in Italian, was a painter of the High Renaissance, active in central Italy. His name was Giovanni di Pietro, but he was known as Lo Spagna because he was born in Spain. After Raphael, he was a main pupil and follower of the Umbrian painter Perugino, whose style his paintings develop. He should not be confused with Pietro di Giovanni D'Ambrogio of Siena.
Giuseppe Cesari was an Italian Mannerist painter, also named Il Giuseppino and called Cavaliere d'Arpino, because he was created Cavaliere di Cristo by his patron Pope Clement VIII. He was much patronized in Rome by both Clement and Sixtus V. He was the chief of the studio in which Caravaggio trained upon the younger painter's arrival in Rome.
Bernardino Luini was a North Italian painter from Leonardo's circle during the High Renaissance. Both Luini and Giovanni Antonio Boltraffio were said to have worked with Leonardo directly; he was described as having taken "as much from Leonardo as his native roots enabled him to comprehend". Consequently, many of his works were attributed to Leonardo. He was known especially for his graceful female figures with elongated eyes, called Luinesque by Vladimir Nabokov.
Girolamo Siciolante da Sermoneta began his career as an Italian Mannerist painter but later adopted the reformist naturalism of Girolamo Muziano in the 1560s and 70s. He was active in Rome in the mid 16th century.
Marcello Venusti was an Italian Mannerist painter active in Rome in the mid-16th century.
Giovanni Gioseffo dal Sole was an Italian painter and engraver from Bologna, active in the late-Baroque period. Upon the death of Carlo Cignani, Gioseffo dal Sole became among the most prominent painters in Bologna, described as the Guido Moderno.
Lattanzio Gambara was an Italian painter, active in Renaissance and Mannerist styles. It is likely that Gambara is the same 16th century painter referred to as Lattanzio Cremonese or Lattanzio da Cremona.
Felice Damiani or Felice da Gubbio (1530-1608) was an Italian painter of the late-Renaissance or Mannerism period.
Bernardino Lanini or Lanino was an Italian painter of the Renaissance period, active mainly in Milan.
Aurelio Lomi was an Italian painter of the late-Renaissance and early-Baroque periods, active mainly in his native town of Pisa, Tuscany.
Pompeo Ghitti was an Italian painter of the Baroque period, active mainly in and in towns surrounding Brescia.
Niccolò Giolfino was an Italian painter of the Renaissance period, active mainly in Verona.
Federigo or Federico Brunori or il Brunorino (1566–1649) was an Italian painter, active mainly in Gubbio.
Ottaviano Nelli (1375–1444?) was an Italian painter of the early Quattrocento. Nelli primarily painted frescoes, but also panel paintings. He had several pupils and two painters were influenced by him.
Benedetto Nucci (1515–1587) was an Italian painter of the late-Renaissance or Mannerism period.
Pietro Paolo Baldinacci was an Italian painter of the Renaissance, active in Gubbio.
Pietro Paolo Tamburini was an Italian painter of the Baroque period.
Giovanni Maria Baldassini was an Italian painter of the late Renaissance period.
Domenico di Cecco, also known by Domenico di Cecco di Baldi was an Italian painter of the Quattrocento.