Bernd Redmann | |
---|---|
Born | |
Education | |
Occupations |
|
Organizations |
Bernd Redmann (born 10 May 1965 in Bamberg) is a German composer and musicologist.
Born in Bamberg, Bernd Redmann studied at the Hochschule für Musik und Theater München, music pedagogy and composition with Dieter Acker, and music theory. He was also enrolled for musicology at the Ludwig-Maximilians-Universität München. He continued his studies at the Hochschule für Musik und Darstellende Kunst Mannheim, with Peter Michael Braun, among others. From 1992 he studied musicology at the Mozarteum. In 1997 he worked at the IRCAM on a scholarship of the Bavarian Ministry of Culture . [1]
From 1994 Redmann taught at the Musikhochschule München, first accompaniment of Lied, from 1995 also music theory. In 1998/99 he taught at the Mozarteum. From 1999 to 2005 he was Professor for "Tonsatz und Improvisation" at the Hochschule für Musik Köln. In 2005 he was appointed Professor for "Musiktheorie und Gehörbildung" at the Musikhochschule.
Redmann has presided the "Gesellschaft für Musiktheorie" (Association for Music Theory) since 2004. [1] He has been in the jury of the competition "Bundeswettbewerb Schulpraktisches Klavierspiel Grotrian-Steinweg" at the Hochschule für Musik "Franz Liszt", Weimar. [2]
Redmann composed solo works such as Geblendete Schatten for piano, Incontro for flute, Metro for viola. His chamber music include Goldrush – Moneyrush, Verstrickung and five little obsessions. He composed works for ensemble, such as Scenario, evocación, and solo concertos, a trumpet concerto, Secret doors for two bassoons and orchestra, and Fliehende Landschaft for viola and ensemble. Orchestral works include Fiasko and 3 Pictures. He composed O and L'usine imaginaire as "Raumkompositionen" (Space compositions) for ensemble. [1]
Fiasko was recorded in 1998, together with the Third Symphony of Anthony Iannaccone and the Symphony 1969 of Theldon Myers. Stephen Ellis reviewed:
Fiasko (translated as "total freeing") is a "chain-reaction" of "energy-laden sound materials" that, as the composer has further written, "explode outward. ... The music, freed from any obligation to be orderly, flies out of control." If one comes to the music with this in mind, knowing that the composer has scored "unpredictable music for an unpredictable world," then Fiasko is fun to listen to for its textures and sonic shapes. [3]
In 2003 Redmann composed the music for the film Far out of Oanh Pham. [1] His music-theatre piece Die Gehetzten (The Hurried Ones) was premiered on 19 March 2010 at the Theater Bremen. [4] His Migrant for bassoon and string quartet was premiered in Munich on 14 March 2011, played by Lyndon Watts, Clèment Courtin, Namiko Fuse, Konstantin Sellheim and Graham Waterhouse. [5]
Redmann wrote the book Methodologie und Theorie der Musikanalyse, and essays and articles on to Beethoven, Schubert, Schenker, Riemann, the musical history of Salzburg, improvisation and instrumentation. [1]
Redmanns works received awards such as in 2004 a second prize at the international competition of "The Transparent Factory" of Volkswagen Dresden for L'usine imaginaire. [6]
The University of Music and Theatre Munich, also known as the Munich Conservatory, is a performing arts conservatory in Munich, Germany. The main building it currently occupies is the former Führerbau of the NSDAP, located at Arcisstraße 12, on the eastern side of the Königsplatz. Teaching and other events also take place at Luisenstraße 37a, Gasteig, the Prinzregententheater, and in Wilhelmstraße (ballet). Since 2008, the Richard Strauss Conservatory, until then independent, has formed part of the university.
Wilhelm Killmayer was a German composer of classical music, a conductor and an academic teacher of composition at the Hochschule für Musik und Theater München from 1973 to 1992. He composed symphonies and song cycles on poems by Friedrich Hölderlin, Joseph von Eichendorff, Georg Trakl and Peter Härtling, among others.
Winfried Bönig is a German organist.
Siegfried Mauser is a German pianist, academic and music manager. In 2016, 2017, and 2018, German courts convicted him as a multiple sex offender.
Friedhelm Döhl was a German composer and professor of music.
Max Beckschäfer is a German organist, composer and academic who taught at the Hochschule für Musik und Theater München and the Hochschule für Musik Augsburg-Nürnberg. He received commissions from the Munich Biennale, the concert series Klangspuren, the Dresdner Kreuzchor, the Palucca-Ballettschule Dresden and Die Singphoniker. He wrote an organ version of Reger's Hebbel-Requiem.
Lyndon Jeffrey Frank Watts is an Australian bassoonist. He is principal bassoonist of the Münchner Philharmoniker and an academic teacher.
Klaus Schedl is a German composer.
Jörg Duda is a German composer of classical music.
Reinhard Febel is a German composer, notable for his operas. He is also a music theorist and a university professor at the Hochschule für Musik, Theater und Medien Hannover and the Mozarteum.
Edgar Krapp is a German organist and music professor. Krapp is a member of the Board of the Neue Bachgesellschaft in Leipzig and the Bavarian Academy of Fine Arts.
Nélida Béjar is a Spanish composer based in Germany. She studied Music at the Hochschule für Musik und Theater München and Composition with Wilfried Hiller at Richard Strauss Conservatory in Munich. In 2012 she received a PhD in Composition at Trinity College, Dublin, where she studied with Donnacha Dennehy.
Nils Mönkemeyer is a German violist and academic teacher. He has recorded several CDs, of viola literature and arrangements for the viola, making it a respected solo instrument. He has been awarded several international prizes.
Hermann Danuser is a Swiss-German musicologist.
Oliver Korte is a German composer, music theorician, musicologist and College professor.
Johannes Korndörfer is a German music theorist, church musician and composer.
Ludwig Holtmeier is a German music theorist and piano player.
Eckehard Kiem was a German music theorist, university professor and composer.
Wilhelm Stross was a German violinist and composer. He was professor at the Hochschule für Musik und Theater München and the Hochschule für Musik und Tanz Köln as well as first violin of the Stross Quartet.
Lars Woldt is a German operatic bass and voice teacher.