Berthe Ostyn | |
---|---|
Born | 23 February 1906 |
Occupation | Actress |
Years active | 1929-1934 (film) |
Berthe Ostyn was a German film actress active in the 1930s. [1]
Lee Garmes, A.S.C. was an American cinematographer. During his career, he worked with directors Howard Hawks, Max Ophüls, Josef von Sternberg, Alfred Hitchcock, King Vidor, Nicholas Ray and Henry Hathaway, whom he had met as a young man when the two first came to Hollywood in the silent era. He also co-directed two films with legendary screenwriter Ben Hecht: Angels Over Broadway and Actor's and Sin.
The Blonde Nightingale is a 1930 German musical film directed by Johannes Meyer and starring Ernst Behmer, Else Elster and Erich Kestin.
The Great Longing is a 1930 German comedy film directed by Steve Sekely in his directorial debut and starring Camilla Horn, Theodor Loos, and Harry Frank. It was shot at the EFA Studios in Berlin. The film's sets were designed by the art directors Hans Sohnle and Otto Erdmann. It was distributed by the German branch of Universal Pictures.
The Son of the White Mountain is a 1930 German mystery romance film directed by Mario Bonnard and Luis Trenker and starring Trenker, Maria Matray and Renate Müller. It was part of the popular series of Mountain films of the era. A separate French-language version was also released.
Kiki is a 1932 French-German musical comedy film directed by Carl Lamac and starring Anny Ondra, Hermann Thimig and Berthe Ostyn. It is based on the 1918 play Kiki by André Picard. The film's sets were designed by the art director Heinz Fenchel. A separate French-language version was made, also starring Ondra.
André Dubosc (1866–1935) was a French stage and film actor.
Jeanne Helbling was a French film actress and a prominent member of the French Resistance during World War II.
The Champion Shot is a 1932 German comedy film directed by Franz Seitz and starring Weiß Ferdl, Max Adalbert and Hugo Schrader.
Charles Redgie was a French-based film actor who appeared in thirty six productions between 1930 and 1939. He starred in the French-language film Captain Craddock (1931) and its English-language version Monte Carlo Madness (1932). Several of his performances were made in films made by the French subsidiary of the German studio UFA.
René Hervil (1881–1960) was a French actor, screenwriter and film director. Most of his films were made during the silent era. He directed the Maud series of films between 1912 and 1915 starring the Anglo-French actress Aimée Campton.
Duty Is Duty is a 1931 German comedy film directed by Carl Boese and starring Fritz Spira, Ralph Arthur Roberts, and Maly Delschaft.
Léon Belières (1880–1952) was a French film actor.
Transit Camp or Temporary Shelter is a 1932 French-German drama film directed by Max Reichmann and starring Ivan Koval-Samborsky, Berthe Ostyn and Meg Lemonnier. It was made as a polyglot film with each actor speaking in their own language. It is set amongst the travelling circus community.
Pierre Maudru (1892–1992) was a French screenwriter. He also directed three films. He was the son of the silent era director Charles Maudru.
Joan Wyndham (1911–2000) was a British actress. She appeared in leading roles in several films of the 1930s such as The Fortunate Fool.
Headfirst into Happiness is a 1931 German comedy film directed by Hans Steinhoff and starring Jenny Jugo, Fritz Schulz and S. Z. Sakall. A separate French-language version Everybody Wins was also produced. Such Multiple-language versions were common during the early years of sound before dubbing became more widespread.
Everyone Asks for Erika is a 1931 German musical comedy film directed by Frederic Zelnik and starring Lya Mara, Alexander Murski and Walter Janssen. The film's sets were designed by the art director Robert Neppach.
I Go Out and You Stay Here is a 1931 German comedy film directed by Hans Behrendt and starring Camilla Horn, Berthe Ostyn, and Hermine Sterler. A separate French-language film was also produced.
Hélène Robert (1910–1981) was a French film actress.
The Paw is a 1931 German thriller film directed by Hans Steinhoff and starring Charlotte Susa, Hans Rehmann, and Fritz Rasp. It was made as a co-production with the Italian Cines Studios. The film's sets were designed by the art director Daniele Crespi. A separate Italian version The Man with the Claw was also made.