Inntravel Short Film Award presented at the 2014 Berwick Film & Media Arts Festival
Berwick Film & Media Arts Festival (BFMAF) is an annual festival with a focus on new cinema and artists' moving image. The festival programme takes place across Berwick-upon-Tweed in the North East of England, UK and includes exhibitions, film screenings, live events, school screenings and family activities.
The festival was established in 2005 by its current Chairman Professor Huw Davies[1] and artist Marcus Coates. Peter Taylor has been Festival Director since January 2015. As an Arts Council England National Portfolio organisation, BFMAF receives regular funding from Arts Council England.[2]
BFMAF 2021
The 17th edition of the Festival will take place in Berwick and online 10–30 September 2021.[3]
BFMAF 2020
The 16th edition of the Festival took place online from Thursday 17 September – Sunday 11 October 2020.
BFMAF 2020 featured a new online platform where artists and filmmakers’ work were expanded through conversation, new writing and podcasts over three weeks. Audiences throughout the UK and filmmakers and arts professionals from across the globe were invited to share in a Festival programme that embodied a pluralist and accessible cinema.
Access to the Festival was on a pay what you can basis in the UK with professional accreditation available worldwide.
BFMAF 2019
The 15th Berwick Film & Media Arts Festival took place 19–22 September 2019.
The programme included the Berwick New Cinema Competition that screened 23 works by a total of 27 artists across five screening programmes. The winning film the names have changed, including my own and truths have been altered by Onyeka Igwe was selected by the competition jurors Callum Hill (winner of the 2018 Berwick New Cinema Award); Hyun Jin Cho (film curator, Korean Cultural Centre UK); and Julian Ross (programmer, Locarno Film Festival & International Film Festival Rotterdam).
Alongside the cinema programmes, BFMAF 2019 also featured 12 exhibitions that repopulated Berwick's town walls, historic buildings and town centre. This included a screening of Cinématon–one of the world's longest films (at over 200 hours) across five disused and empty shop fronts around the high street.
BFMAF's 2019 exhibition programme included Animistic Apparatus, a curatorial project initiated by May Adadol Ingawanij with Julian Ross which drew on inspirations from Southeast Asia, exhibiting Camera Trap by Chris Chong Chan Fui and Fireworks (Archives) by Apichatpong Weerasethakul.
Alongside Lav Diaz’s UK Premiere of The Halt, which included an introduction from the filmmaker, Animistic Apparatus presented an overnight outdoors screening of Diaz's 485-minute film A Lullaby to the Sorrowful Mystery.
The 2019 BFMAF Artist in Profile Marwa Arsanios presented her moving image work in two screenings and led a seminar that examined the different stages of creating a work, from research to writing, through performance and film.
The Fantastika film series considered the many ways filmmakers have utilised fairytales, folktales and fables in their work over the past sixty years. Curated by BFMAF Associate Programmer Herb Shellenberger, the series was in international in scope, with films from Colombia, Georgia, Niger, Yugoslavia and more. Elena Gorfinkel (King's College, London) curated the Kira Muratova retrospective, the critically acclaimed titan of Russian language cinema.
The Propositions strand included a presentation of Aura Satz's work, curator Steffanie Ling presented a survey of the 16mm films of Canadian artist and Berwick New Cinema Award winner Julia Feyrer, Holly Argent's lecture-performance and Rabz Lansiquot presented a dialogue between the works of Black British artists Zinzi Minott and Judah Attille.[clarification needed]
In 2019, BFMAF also presented a month-long, multi-part exhibition Double Ghosts that featured the work of George Clark in The Gymnasium Gallery. Exploring the status and potential of unrealised and fragmented histories, the exhibition drew together 35mm film, sound recordings, script fragments, photography and archival material filmed and gathered in Chile, France and Taiwan.
BFMAF 2018
The 14th Berwick Film & Media Arts Festival took place 20–23 September 2018. It featured the third edition of the Berwick New Cinema Competition which featured 14 films, all made after 1 January 2017. It included the first major UK retrospective of filmmakers Shireen Seno and John Torres, whose studio, film laboratory, library and platform Los Otros is based in Manila, Philippines. A new programme strand 'Propositions' gave four filmmakers, Jessica Sarah Rinland, Sky Hopinka, Morgan Quaintance and Giles Bailey an opportunity to develop an expanded presentation of their work.
Another programme strand at the 2018 festival was 'Screening the Forest' curated by Dr Graiwoot Chulphongsathorn: a series that took nature as its point of departure and presented films from Japan, Myanmar, South Korea, Taiwan, Thailand, Vietnam and the Philippines.
The BFMAF 2018 Artist in Profile was Sophia Al-Maria who presented a screening of her films in the cinema programme alongside an exhibition of her film The Magical State at the Magazine venue.
BFMAF 2018 also presented Essential Cinema, a retrospective series that took a fresh look at classic works of cinema and overlooked masterpieces. It featured the first screening in 40 years of Tales of the Dumpster Kid by Edgar Reitz & Ula Stöckl, Lips of Blood by Jean Rollin, Some Interviews on Personal Matters by Lana Gogoberidze, the African cinema classic Hyenas by Djibril Diop Mambéty and TERROR NULLIUS by artistic duo Soda_ Jerk.
Alongside the Cinema programmes BFMAF 2018 also featured 11 exhibitions situated in Berwick in various historic and former commercial buildings. This included an exhibition by BFMAF and Berwick Visual Arts resident, Lucy Clout, entitled Solvent Magazine at the Gymnasium Gallery.
The opening film of BFMAF 2018 was Empty Metal by Adam Khalil & Bayley Sweitzer. The festival closed to the joint UK premiere of Shireen Seno's Nervous Translation.
Organised in collaboration with Berwick Visual Arts, the annual residency is an opportunity for an artist with a moving-image-based practice to create new work over a 6-month period in Berwick-upon-Tweed, which is then premiered at the Festival.
2018 Residency In April 2018 Lucy Clout was announced as the 2018 artist in residence. She presented a new body of work titled Solvent Magazine at BFMAF 2018 which included sculptural and video pieces made during her six-month residency with BFMAF and Berwick Visual Arts.
A new film of the same title brought together research about the close readings of bodies. The work uses pleasure and ambiguity as tools to think about the contemporary production of knowledge, evidence and queer reproduction.
2017 Residency In April 2017 Charlotte Prodger was appointed artist in residence, with a proposal to "explore the complex intertwining of landspace, time and identity within the rural context of Northumberland". Prodger works with moving image, sound, sculpture, writing and performance, mining the intertextual relationships between each of these materials.[4]
2016 Residency In May 2016 artist Lucy Parker was selected as artist in residence. Parker's research-led practice adopts collaborative filmmaking methods when making work with a community. During her residency Parker explored the theme of 'X' in two ways: "as the axis on the graph that measures change and as in the X file: a file given minimal-priority status and concerned with unexplained phenomena".[5]
2015 Residency The 2015 residency was undertaken by sound and video artist Paul Rooney.[6] who created a new film, premiered at the Berwick Film and Media Arts Festival that responded to the theme 'Fact or Fiction'.
2014 Residency Video artist Katie Davies became the partnership's second artist in residence.[7] From March 2014 to September 2014, the artist lived and practised in Berwick. Her film, 'The Lawes of the Marches' responded to the festival theme 'Border Crossing' and was premiered at the festival in September 2014.
2013 ResidencyCecilia Stenbom was the first artist to be awarded the artist in residency opportunity. During her residency period (March 2013–September 2013) she created 'The Case', a moving-image piece which premiered[8] at the 9th Berwick Film & Media Arts Festival and responded to the theme 'North by Northeast.'
Berwick New Cinema Award 2016–present
BFMAF hosts the Berwick New Cinema Competition, an annual prize awarded each year to a film in the Competition programme strand of the festival.
The 2019 Berwick New Cinema Award winner was Onyeka Igwe for her film the names have changed, including my own and truths have been altered.
The 2019 jury were Callum Hill (winner of the 2018 Berwick New Cinema Award); Hyun Jin Cho (film curator, Korean Cultural Centre UK); and Julian Ross (programmer, Locarno Film Festival & International Film Festival Rotterdam).
The 2018 Berwick New Cinema Award was given to Callum Hill for her film Crowtrap, one of 14 films featured in the 2018 competition programme.
The Berwick New Cinema Award was designed by Glasgow-based ceramicist Mariella Verkerk and included a £1000 award supported by Outset Scotland
The 2018 jury were 2017 Berwick New Cinema Award winner Sky Hopinka, film producer and distributor Sonali Joshi and artist-filmmaker Gail Pickering.
From 2013 to 2015 the festival's short film award was supported by the independent travel company Inntravel.[9] The award showcased and celebrated short form work being created across the UK and internationally, and was judged by a panel of industry figures and experts. Previous winners of the prize were: Mondial 2010 by Roy Dib from Lebanon (2014)[10] and Premature by Gunhild Enger from Norway (2013).[11]
Canadian artists Julia Feyrer and Tamara Henderson were the 2015 recipients of BFMAF's Inntravel Short Film Award for Consider the Belvedere.[12]
BFMAF 2017
The 13th Berwick Film & Media Arts Festival took place 20–24 September 2017.
The Festival featured artists’ work commissioned for Berwick, exhibitions in non-gallery spaces, brand new cinema, special programmes and retrospectives, in-depth talks with Festival artists, and activities for families and young people.
Cinema screenings included the first ever UK retrospective of Uzbek master Ali Khamraev plus the Berwick New Cinema Competition, with every film a UK, European, International or World premiere.
Another focal point for BFMAF 2017 was Ultramarine: The Sea as Political Space, a dynamic selection of films that reimagined our complex relationship with the sea. Margaret Salmon's new commission Mm celebrating the 50th season of the Berwick Bandits and with a soundtrack from Sacred Paws.
BFMAF 2016: X
In 2016 BFMAF hosted Thomas Beard's retrospective, An Early Clue to the New Direction: Queer Cinema Before Stonewall. All the films in this programme strand were screened from 35mm/16mm prints.
The Berwick New Cinema programme featured UK Premieres of El futuro perfecto by Nele Wohlatz, Maud Alpi's Gorge Cœur Ventre; and If It Was, by Laure Prouvost. World premieres of several films were also presented, including Molly Palmer's Some Shapes Without Edges, Jenny Perlin's Tender Not Approved and Sophie Michael's The Watershow Extravaganza, which also featured as an exhibition.
In 2015, BFMAF appointed a new director, Peter Taylor, following the departure of its long-serving director Melanie Iredale to join Sheffield Doc/Fest as Deputy Director.[13] Taylor took up post in January with the remit to deliver the 11th edition of the festival, themed 'Fact or Fiction'.
BFMAF 2015: Fact or Fiction turned a curious eye to the grey areas between fact and fantasy, documentary and narrative, journalism and propaganda.
The programme featured an expanded roster of moving image installations and screenings. From Moshen Makhmalbaf's Iranian masterpiece Salam Cinema on 35mm to Giff-Gaff, a commissioned series of live events curated by CIRCA Projects.
Artists in profile were Deimantas Narkevičius who presented Once in the XX Century - an exhibition of the artist's oeuvre to date and Seamus Harahan, who presented his newly commissioned ‘Fucking Finland’. A series of films that explored cultural chinks, links and aberrations on the periphery of Europe.
BFMAF 2014: Border Crossing
In 2014, the festival presented its 10th edition[14] informed by the theme 'Border Crossing' (echoing the theme of the inaugural 2005 festival), the dates of the festival were specifically chosen to coincide with the Scottish independence referendum and its theme explored the concept of borders, "setting out to cross and transcend borders in all directions, exploring border identities all over the world." For the first time this year, the festival secured a major corporate sponsor, global strategic outsourcing firm, Mitie.[15]
In the same year, the festival won two awards for its successes in the region. In March 2014 the festival was awarded Best Community Event of the Year by the North East Press[16] and in April, Best Event Northumberland by The Journal Culture Awards.[17]
In 2013, the festival's 9th edition,[19] themed 'North by Northeast' used its programme to explore North East England and Scotland's connections to Northern Europe and to the North Sea.
In 2012, the festival reverted to a run of five consecutive days and took the theme 'Pictures in Motion'[21] to examine the relationship between the still and moving image, attempting to raise questions about the nature of both in a digital world.
In 2011, the three-day 7th edition of the festival, 'Once Upon a Time',[23] explored the enchantment of fairy tales on film, from one of the first examples of the genre, Alice in Wonderland (1903) through to the modern day.
In 2010, the 6th edition of the festival ran over five days and explored the theme 'Stagings', looking at the role of the screen as a stage and featuring, dance on film, music documentary, old classics and live performances.
The 2008 festival was produced in collaboration with Northumberland Lights and as such explored the theme 'Inner States'[28] through light and sound as well as cinema.
The 3rd edition of the festival in 2007 ran for nine days and looked at ways in which artists and filmmakers use overt and conscious self-reference in the work they create with its theme 'Film on Film'.[30] This festival was produced in collaboration with guest curators Rebecca Shatwell (Director, AV Festival) and Iain Pate.
Produced as a smaller event following the positive response from the 2005 inaugural festival, the 2006 Minifest[32] was dedicated to the memory of Chris Anderson who had been an early supporter of the Festival and Chair of the 1st edition steering committee. Following his passing, his family set up the Chris Anderson Award to promote the work of young filmmakers which continues to form part of the festival programme today.
The very first Berwick Film & Media Arts Festival was themed 'Crossing Borders',[34] it reflected Berwick-upon-Tweed's position as a border town, with the history and isolation that comes with a place falling between countries.
Cornerhouse was a centre for cinema and the contemporary visual arts, located next to Oxford Road Station on Oxford Street, Manchester, England, which was active from 1985–2015. It had three floors of art galleries, three cinemas, a bookshop, a bar and a café bar. Cornerhouse was operated by Greater Manchester Arts Centre Ltd, a registered charity.
The Hawai'i International Film Festival (HIFF) is an annual film festival held in the United States state of Hawaii.
Sheffield DocFest, short for Sheffield International Documentary Festival (SIDF), is an international documentary festival and Industry Marketplace held annually in Sheffield, England.
CPH:DOX is the official name for the Copenhagen International Documentary Film Festival, an international documentary film festival established in 2003 and held annually in Copenhagen, Denmark. CPH:DOX has since grown to become one of the largest documentary film festivals in Europe with 114,408 admissions in 2019.
AV Festival is an international festival of contemporary art, film and music, based in Newcastle upon Tyne. A biennial event, the Festival is thematically curated across contemporary artistic practice and wider society.
The Leeds International Film Festival (LIFF) is the largest film festival in England outside London. Founded in 1987, it is held in November at various venues throughout Leeds, West Yorkshire. In 2022, the festival showed 140 films from 78 different countries, shorts and features, both commercial and independent.
The Cambridge Film Festival is the third-longest-running film festival in the UK. The festival historically took place during early July, but now takes place annually during Autumn in Cambridge. It is organised by the registered charity Cambridge Film Trust.
SFFILM, formerly known as The San Francisco Film Society, is a nonprofit arts organization located in San Francisco, California, that presents year-round programs and events in film exhibition, media education, and filmmaker services.
Aberystwyth Arts Centre is an arts centre in Wales, located on Aberystwyth University's Penglais campus. One of the largest in Wales, it comprises a theatre, concert hall, studio and cinema, as well as four gallery spaces and cafés, bars, and shops.
Peggy Ahwesh is an American experimental filmmaker and video artist. She received her B.F.A. at Antioch College. A bricoleur who has created both narrative works and documentaries, some projects are scripted and others incorporate improvised performance. She makes use of sync sound, found footage, digital animation, and Pixelvision video. Her work is primarily an investigation of cultural identity and the role of the subject in various genres. Her interests include genre; women, sexuality and feminism; reenactment; and artists' books. Her works have been shown worldwide, including in San Francisco, New York, Barcelona, London, Toronto, Rotterdam, and Créteil, France. Starting in 1990, she has taught at Bard College as a Professor of Film and Electronic Arts. Her teaching interests include: experimental media, history of the non-fiction film, and women in film.
Mania Akbari is an Iranian filmmaker, artist, writer and actress whose works explore women's rights, marriage, sexual identity, disease and body image. Her style, in contrast to the long tradition of melodrama in Iranian cinema, is rooted in the visual arts and autobiography. Because of the taboo themes frankly discussed in her films and her opposition to censorship, she is considered one of the most controversial filmmakers in Iran. As an actress, she is best known for playing the lead role in Abbas Kiarostami's Ten (2002).
Robin Deacon is an artist, writer and filmmaker. His interdisciplinary practice has spanned a variety of disciplines and themes, including explorations of performer presence and absence, the role of the artist as biographer, the possibility for journalistic approaches to arts practice, and the mapping and ethics of performance re-enactment. He graduated from Cardiff School of Art in 1996, and went on to present his performances and videos at conferences and festivals in the UK and internationally in Europe, USA and Asia. His work has been commissioned and programmed by venues such as The ICA, London (1996), The Young Vic, London (2000), CCCB, Barcelona (2006), Tanzquartier Wien, Vienna (2007) and the Centre d'art Scenique Contemporain Lausanne, Switzerland (2009), Tate Britain, London (2014) and the Barbican Centre, London (2015). He has also been artist in residence at MacDowell, New Hampshire, USA (2017) Sophiensaele, Berlin (2005), Camden Arts Centre London (2006) and Robert Wilson's Watermill Center, New York, USA (2009). He has received a variety of awards and fellowships from organizations such as the Foundation for Contemporary Arts, Delfina Foundation, British Arts Council, Live Art Development Agency and Franklin Furnace Inc. Between 2003 and 2012, he was an Associate Artist of contemporary artists producing organization Artsadmin. From 2004, he was Course Director of the Drama and Performance Studies program at London South Bank University before relocating to the USA in 2011. After ten years spent as Professor and Chair of Performance at the School of the Art Institute of Chicago, Robin returned to the UK in 2021 to take up the role of Artistic Director and CEO of the Spill Festival of Performance.
The Maltings is a cinema and live arts venue located in Berwick-upon-Tweed, Northumberland, UK.
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The Trinidad and Tobago film festival is a film festival in the Anglophone Caribbean. It takes place annually in Trinidad and Tobago in the latter half of September, and runs for approximately two weeks. The festival screens feature-length narrative and documentary films, as well as short and experimental films.
A growing number of film festivals are held in the Arab world to showcase films from the region as well as international standouts. In addition, institutions and organizations in other parts of the world are increasingly honoring the new generation of filmmakers in the Arab world with Arab film festivals.
Videofag was a storefront arts space that operated in Toronto, Ontario's Kensington Market from 2012 - 2016. Founded and run by couple William Ellis and Jordan Tannahill, who converted it from an old barbershop, the space became an influential hub for queer counterculture in the city. A flexible multimedia space, Videofag was designed to serve as a cinema, art gallery, nightclub or theatre space depending on the needs of any individual event. It also doubled as Ellis and Tannahill's home. Videofag often acted as a laboratory, in which artists were gifted residencies to explore new ideas. The space helped develop and premiere several shows that went on to high-profile presentations at major theatres and festivals internationally.
Sonic Acts is an interdisciplinary arts organisation for the research, development and production of works at the intersection of art, science and theory. Sonic Acts is also a leading platform for international projects, research and the commissioning and co-production of new artworks, often working together with local and international partner organisations such as independent and institutional cultural incubators, universities and kindred festivals.
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