No Dance, No Palaver is a short documentary shown in 2017 and 2018. The work received critical review as it told The Aba Women's Riots of 1929[7] and the "visual trauma of the colonial archive" and attempted "to transform the way in which we know the people it contains".[8]
Recent works, 2019
The names have been changed, including my own and truths have been altered was a short story documented by Onyeka in 2019. It was a story about her grandfather told in four different ways. It was centered on African diaspora. In 2023, The Museum of West African Art headed Nigeria Pavilion which was curated at the 2024 Venice Biennale where Onyeka participated alongside Yinka Shonibare, Tunji Adeniyi-Jones, Ndidi Dike, Fatimah Tuggar, Toyin Ojih Odutola, Precious Okoyomon and Abraham Oghobase.[9]
Exhibitions
Onyeka's exhibition include:
A Repertoire of Protest (No Dance, No Palaver), MoMA PS1, New York (2023)[10]
The Miracle on George Green, The High Line, New York, USA (2022)
Igwe, O. (2021). Unbossed and Unbound: How Can Critical Proximity Transfigure British Colonial Moving Images?. United Kingdom: University of the Arts, London.
The Interjection Calendar 008. United Kingdom: Montez Press. April 2023. ISBN9781838376086.
Being Close To, With or Amongst, The Feminist Review (2020)
Hiraeth, or Queering Time in Archives Otherwise (with JD Stokely), Alphaville Journal of Film and Screen Media (2019)
In 2022, Onyeka Igwe was nominated for the Jarman Award[28] and Max Mara Art Prize for Women.[29] In 2021, she won the Foundwork Artist Prize[30] and the 2020 Arts Foundation Futures Award for Experimental Short Film.[31] In 2019, Onyeka won the Berwick New Cinema Awards at Berwick Film & Media Arts Festival. Alongside Seán Elder, Rebecca Moss and AJ Stockwell, She was listed by The Guardian as Also showing Exhibition of the week for Jerwood staging series.[32]
References
↑ Black Film British Cinema II. (2021). United Kingdom: MIT Press. ISBN9781912685639
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