Beto Guedes | |
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Background information | |
Birth name | Alberto de Castro Guedes |
Born | Montes Claros, Minas Gerais, Brazil | August 13, 1951
Genres | Música popular brasileira, Brazilian rock, psychedelic rock, progressive rock |
Occupation(s) | Singer, songwriter |
Instrument(s) | Vocals, guitar |
Years active | 1966–present |
Website | betoguedes |
Alberto de Castro Guedes (born August 13, 1951) is a Brazilian singer, songwriter, and guitarist. [1]
Beto Guedes has been playing in bands since he was a teenager. When he was 18 years old he took part in the V Singers International Festival, with the song "Feira Moderna" composed jointly with Fernando Brant. He formed the musical group Clube da Esquina with Milton Nascimento, Lô Borges, and Fernando Brant. The Minas Gerais folk music tradition was the group's main influence, along with 1960s rock and choro. His next band was 14 Bis. In 1977 he recorded his first album, A Página do Relâmpago Elétrico, which was an unexpected success. In 1978 he issued the LP Amor de Índio, whose title song was Guedes's biggest career success.
Milton Nascimento, also known as Bituca, is a Brazilian singer-songwriter and multi-instrumentalist.
Clube da Esquina was a Brazilian music artists collective, originating in the Brazilian state of Minas Gerais. It is also the name of a double album from 1972. Clube da Esquina mixes rock and roll, progressive rock, bossa nova and jazz styles, with Brazilian folk music and classical music influences. The Beatles and the Platters were also an important influence on Clube da Esquina.
Legião Urbana was a Brazilian rock band formed in 1982 in Brasília, Distrito Federal. The band primarily consisted of Renato Russo, Dado Villa-Lobos (guitar) and Marcelo Bonfá (drums). In its earlier days, Legião Urbana also had a full-time bassist, Renato Rocha, but he left the band due to creative divergences.
Skank was a Brazilian band from Belo Horizonte. Having begun in 1991, they sold approximately 5,200,000 copies of their albums as of 2004. Initially intending to mix dancehall with traditional Brazilian styles, later the band changed its sonority to music closer to Britpop and local movement Clube da Esquina. Their last concert was held on March 26, 2023, at Mineirão, in Belo Horizonte.
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Bob Tostes is a singer, composer and producer of Rádio Guarani FM, Belo Horizonte, Minas Gerais, Brazil. In 1969 he was the leader of a local group of the Musicanossa movement, which was set up in Rio de Janeiro by composer Roberto Menescal. In the same year he was a final contestant of the local phase of the IV Festival Internacional da Canção, with the tunes "Caminhada" and "Noite mais linda". In the 70s he directed and produced FEC - Festival Estudantil da Canção which counted with the participation of the novices Lô Borges, Beto Guedes, Flávio Venturini, Toninho Horta, Túlio Mourão, Tavinho Moura and Ivan Lins. The festival unveiled the song Clube da Esquina. Bob Tostes graduated in Law from UFMG - the local state-owned university in 1971 and registered for the Communication Course at [Pontifícia Universidade Católica de Minas Gerais]. In the 70s he composed soundtracks for children plays put up by the "Teatro de Equipe" including "O Cavalinho Azul" by Maria Clara Machado and "Casaco Encantado", which was directed by Priscila Freire. He also wrote for musical columns in newspapers, Diário da Tarde and Diário do Comércio in 1960, 1970 and 1980. In the 90s he published essays in the "Pensar" section of the major newspaper Estado de Minas.
Lô Borges is a Brazilian songwriter, singer, and guitarist. He was one of the founders of Clube da Esquina, a group of musicians that originated in the Brazilian state of Minas Gerais. He co-authored with Milton Nascimento the album Clube da Esquina in 1972, which was a milestone in Brazilian popular music. Among his most famous compositions are "Paisagem da Janela", "Para Lennon e McCartney", "Clube da Esquina No. 2", "Trem de Doido", and "O Trem Azul".
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Clube da Esquina is a 1972 double album by the Brazilian music artists collective Clube da Esquina, credited to Milton Nascimento and Lô Borges. Considered an important record in the history of Brazilian music, it features arrangements by Eumir Deodato and Wagner Tiso, and conductions by Paulo Moura. The album garnered attention for its engaged compositions and miscellany of sounds.
Lô Borges is the debut solo album by Brazilian songwriter Lô Borges.