Bev Doolittle | |
---|---|
Born | Bev Doolittle February 10, 1947 |
Known for | Painting |
Bev Doolittle (born February 10, 1947) is an American artist working mainly in watercolor paints. She creates paintings of the American West that feature themes of Native American life, wild animals, horses, and landscapes. [1] [2]
Doolittle attended college at the Art Center College of Design in Los Angeles, where she met her husband, Jay Doolittle. [3] The Doolittles, after a brief career as graphic artists, became "traveling artists" and drove in a motorhome around the American southwest, painting scenes of the landscape as they went. It was during this period that Bev's paintings of the American Western landscape and its wildlife began to develop and soon after, she began to portray Native Americans—often including them alongside animal themes.
Doolittle's paintings and prints are collected by those interested in Western themes. Realistic Western art has conventionally been dominated by oil painting, and Doolittle was instrumental in bringing watercolors into the genre.
Doolittle has co-authored and illustrated several books. She has long been interested in the plight of Native Americans, wild animals, and ecological and environmental issues and her books and paintings focus on these issues.
She refers to her style as "camouflage technique" in which certain details of her art can be seen in more than one way. For example, in The Forest Has Eyes, the rocks and waterfalls seen close up appear as the faces of Native Americans when viewed from a distance. In Mesa Ruins, close-up viewing appears to show the Mesa Verde Canyon Anasazi dwellings, although from a distance it gives an impression of the eye and nose of a Native American male. In Shoshone Crossing, the snow-filled meadow in which horseback riders are crossing appears from farther away to be the shape of a running horse. Her twenty-four set collection of paintings of dark-brown horses set against light brown rocks and white snow, from a distance and arranged in order spell out the words Hide and Seek. [4]
Rosa Bonheur was a French artist known best as a painter of animals (animalière). She also made sculptures in a realist style. Her paintings include Ploughing in the Nivernais, first exhibited at the Paris Salon of 1848, and now in the Musée d'Orsay in Paris, and The Horse Fair, which was exhibited at the Salon of 1853 and is now in the Metropolitan Museum of Art in New York City. Bonheur was widely considered to be the most famous female painter of the nineteenth century.
Chinese painting is one of the oldest continuous artistic traditions in the world. Painting in the traditional style is known today in Chinese as guó huà, meaning "national painting" or "native painting", as opposed to Western styles of art which became popular in China in the 20th century. It is also called danqing. Traditional painting involves essentially the same techniques as calligraphy and is done with a brush dipped in black ink or coloured pigments; oils are not used. As with calligraphy, the most popular materials on which paintings are made are paper and silk. The finished work can be mounted on scrolls, such as hanging scrolls or handscrolls. Traditional painting can also be done on album sheets, walls, lacquerware, folding screens, and other media.
Winslow Homer was an American landscape painter and illustrator, best known for his marine subjects. He is considered one of the foremost painters of 19th-century America and a preeminent figure in American art in general.
Charles Marion Russell, also known as C. M. Russell, Charlie Russell, and "Kid" Russell, was an American artist of the American Old West. He created more than 2,000 paintings of cowboys, Native Americans, and landscapes set in the western United States and in Alberta, Canada, in addition to bronze sculptures. He is known as "the cowboy artist" and was also a storyteller and author. He became an advocate for Native Americans in the west, supporting the bid by landless Chippewa to have a reservation established for them in Montana. In 1916, Congress passed legislation to create the Rocky Boy Reservation.
James Browning Wyeth is an American realist painter, son of Andrew Wyeth, and grandson of N.C. Wyeth. He was raised in Chadds Ford Township, Pennsylvania, and is artistic heir to the Brandywine School tradition — painters who worked in the rural Brandywine River area of Delaware and Pennsylvania, portraying its people, animals, and landscape.
Horses have appeared in works of art throughout history, frequently as depictions of the horse in battle. The horse appears less frequently in modern art, partly because the horse is no longer significant either as a mode of transportation or as an implement of war. Most modern representations are of famous contemporary horses, artwork associated with horse racing, or artwork associated with the historic cowboy or Native American tradition of the American West. In the United Kingdom, depictions of fox hunting and nostalgic rural scenes involving horses continue to be made.
Anne Chu was born in 1959 in New York City. Her parents came from China, and her father was a mathematics professor at Columbia University. When she was in middle school, her family moved to Westchester County, north of the city. She graduated from the Philadelphia College of Art in 1982 and received an MFA from Columbia University in 1985.
Leiko Ikemura is a Japanese-Swiss artist who works in a variety of mediums, including oil painting, sculpture, and watercolor. She divides her time between Cologne and Berlin, teaching painting at the Hochschule der Künste in Berlin. Active on the international art scene since the 1970s, she is known for her work within the Neo-Expressionism movement of the 1980s, as well as her continually evolving style. Much of her oeuvre features elements of symbolism, involving the creation of magical universes blend elements of her animals, humans, and plants. Her work has been featured in a number of solo exhibitions in Japan and Europe, and is held in the permanent collections of major institutions such at the Centre Pompidou, Kunstmuseum Basel, Kunstmuseum Bern, Kunsthaus Zurich, and the National Museum of Modern Art, Tokyo. In 2023, she had her first solo exhibition in Mexico at the Museo de Arte de Zapopan.
George Winter was an English-born landscape and portrait artist who immigrated to the United States in 1830 and became an American citizen in northern Indiana's Wabash River valley. Winter was one of Indiana's first professional artists. In addition, he is considered the state's most significant painter of the first half of the nineteenth century. Winter is especially noted for his sketches, watercolors, and oil portraits that provide a visual record of the Potawatomi and Miami people in northern Indiana from 1837 to the 1840s, as well as other figures drawn from his firsthand observations on the American frontier.
Mildred Anne Butler was an Irish artist, who worked in watercolour and oil of landscape, genre and animal subjects. Butler was born and spent most of her life in Kilmurry, Thomastown, County Kilkenny and was associated with the Newlyn School of painters.
The Heart of the Andes is a large oil-on-canvas landscape painting by the American artist Frederic Edwin Church (1826–1900). It depicts an idealized landscape in the South American Andes, where Church traveled on two occasions. Measuring more than five feet high and almost ten feet wide, its New York City exhibition in 1859 was a sensation, establishing Church as the foremost landscape painter in the United States.
Beulah Elizabeth Hazelrigg Brown was a Hoosier painter, educator, and textile designer who is best known for her bold, colorful, abstract patterns for fabrics, as well as figure, genre, landscapes, and floral still-life paintings in watercolor, her preferred media. Winter snow scenes, which she began painting in 1949, were another of her specialties. She also made decorative naïve paintings in her later years.
Ledger art is narrative drawing or painting on paper or cloth, predominantly practiced by Plains Indian, but also from the Plateau and Great Basin. Ledger art flourished primarily from the 1860s to the 1920s. A revival of ledger art began in the 1960s and 1970s. The term comes from the accounting ledger books that were a common source of paper for Plains Indians during the late 19th century.
Olly and Suzi are two British artists who specialise in collaborative painting of endangered wildlife. Olly and Suzi met at Saint Martin's School of Art in London, in 1987, and developed their unique art making technique on an exchange to Syracuse University in New York from 1988 to 1989. Here they decided to graduate with a joint degree, despite protests from the board of directors.
The culture of the U.S. state of South Dakota exhibits influences from many different sources. American Indians, the cultures of the American West and Midwest, and the customs and traditions of many of the state's various immigrant groups have all contributed to South Dakota art, music, and literature.
Mont Sainte-Victoire is a series of oil paintings by French artist Paul Cézanne, depicting the French mountain Montagne Sainte-Victoire.
Kate Cory was an American photographer and artist. She studied art in New York, and then worked as commercial artist. She traveled to the southwestern United States in 1905 and lived among the Hopi for several years, recording their lives in about 600 photographs.
Claude Coats was an American artist, background artist, animator and set designer, known for his work with the Walt Disney Animation Studios and Walt Disney Imagineering. His pioneering work with the company helped define the character of animated films, and later, immersive installations with his designs for Disneyland. Coats, known as "The Gentle Giant" was inducted a Disney Legend in 1991.
Dana Tiger is a Muscogee artist of Seminole and Cherokee descent from Oklahoma. Her artwork focuses on portrayals of strong women. She uses art as a medium for activism and raising awareness. Tiger was inducted into the Oklahoma Women's Hall of Fame in 2001.
Gina Knee Brook, née Gina Schnauffer, and better known as Gina Knee, (1898–1982), was a twentieth century American artist. She lived and worked in New Mexico, the American South and Long Island, New York.