Big Time Vaudeville was a series of black-and-white 9- to 10-minute short films resembling the Vitaphone Varieties and also produced by Warner Brothers and Vitaphone (at the Brooklyn studios in New York). These consisted of four to six vaudeville acts and are historically interesting with many performers rarely seen on film.
In 1934, Warner Bros. released four Pepper Pots titled “Vaudeville Reel” that featured several acrobatic acts, dancers, singers and comedians appearing on a stage, much like a vaudeville show. Their success prompted the studio to fashion a new series using the same set-up.
Since few of the performers appearing in these became household names, they were seldom reissued after their initial run and were rarely seen on television. The more familiar performers also appeared in other Vitaphone-Warner shorts, including the eccentric Chaz Chase, Eddie Peabody and a pre-radio Edgar Bergen. The latter starred in the most frequently shown today title, Bring on the Girls, with both he and “dummy” Charlie McCarthy commenting on the different acts.
A listing of titles, with Joseph Henabery handling several as director, and Samuel Sax producing:
Title | Release, [1] or copyright date [2] | Performers |
---|---|---|
Vitaphone Casino (All Star Vaudeville / Vaudeville Reel #5) | © June 22, 1935 | features Paul Duke, Babs Ryan & Brothers, Buster West, the Radio Rubes; (filmed October 1934) |
Vitaphone Varieties | November 16, 1935 | Six Symphonettes, Al Loyal's Stallions, Louis Prima & Hal Sherman |
Vitaphone Headliners | December 4, 1935 | Nick Lucas, 4 Mullen Sisters, Eddie Stuart, O'Donnell & Blair |
Vitaphone Troupers | January 4, 1936 [3] | Four Trojans, Aunt Jemima (Tess Gardella), Benny Ross & Maxine Stone, the Buccaneers |
Vitaphone Billboard | February 15, 1936 | Liazeed Arabs, Jane Lee & Katherine Lee, the Keller Sisters & Lynch, Joe Peanuts |
Vitaphone Celebrities | © March 2, 1936 | James Evans, the Remington Singers, Clifford & Marion, Florence Mayo & Pansy |
Vitaphone Spotlight | March 7, 1936 | the Five Elgins, the Balabanow Accordion Revue, Frank Conville, Helen Reynolds & her Skating Champions |
Vitaphone Highlights | April 4, 1936 | Ferry Conway, Kingsley & Case, Eddie Peabody, Monroe & Grant |
Vitaphone Hippodrome | © May 11, 1936 | the Kluting's Entertainers (animal act), Johnny Lee & 3 Sees, Molly Picon, the Michon Brothers |
Vitaphone Entertainers | © July 28, 1936 | Sylvia Foos, Gautier's Toy Shop, Hunter & Percival, Mangan's Internationals |
Vitaphone Topnotchers | © August 8, 1936 | Ben Bayer, the Three Marshalls, the Six Danvilles, Charles Kemper & Company |
Vitaphone Gayeties | September 15, 1936 | Jack Pepper, the DeLong Sisters, Allen & Kent, Will Morris & Bobby |
Vitaphone Internationals | October 27, 1936 | Pallenberg's Doberman Pinschers (dog act), Holtz & Lee, Ming & Toy, Berke's Country Boys, The Three Rayes |
Vaudeville Is Back | November 14, 1936 | John Perkins, 4 Creeden Girls, Jane & Joe McKenna, the Maxelos |
Vitaphone Stage Show | © December 7, 1936 | Pallenberg's bicycle riding bears, Four Comets (skaters), Landt Trio & White, Nash & Fately |
Vaud-Villains | December 23, 1936 | Marty May, the Three Wiles, the Kitaros, Rose King |
Reel Vaudeville | January 23, 1937 | Harry Rose, Three Queens, Carroll & Howe, Bee Hee Rubyatee Troupe |
Bedtime Vaudeville | January 30, 1937 | Eddie Grady, Joyce Haber & Budy Matthews, Wesley Catri, Dickie Monahan, Muriel Weber; (filmed January 1936, held over a year) |
Bring on the Girls | March 6, 1937 | Edgar Bergen (& Charlie McCarthy), Jerry Goff, Jack Kerr, Torelli's Circus animals & Alice Murphy's Quintuplets |
Vitaphone Diversions | April 3, 1937 | Five Juggling Jewels, Dave Monahan, Brown, Rich & Hall, Smith & Dale |
Nickel Low-Down | May 1, 1937 | Charles Kemper & Stooges, Paul Robinson & the Horton Boys, Dunn Brothers & Dotty, Le Paul |
Vitaphone Funsters | May 29, 1937 | the Three Swifts, Andy & Louise Carr, Johnny Burke, the Three Reddingtons |
Vaude-Festival | June 26, 1937 | Je Biviano, Bob Dupont, Ross & Bennett, Fritz & Jean Hubert |
Vaudeville Hits | July 10, 1937 | Lee Manning & Mitzi, the Byrne Sisters, Jules & Clifton, Elaine Arden & Company |
Vitaphone Broadwayites | August 21, 1937 | La Varre & Brother, Chester Fredericks & LaNelle Avery, Medley & Duprey, the Muriel Abbott Dancers |
Rambling 'Round Radio Row is a series of short subjects, produced by Jerry Wald, and released by the Vitaphone division of Warner Brothers. The final film in the series, released 1934, was #3 of the second season, and starred Morton Downey, Baby Rose Marie, The Harmoniacs, and Harriet Lee.
André de la Varre was a leading travelogue filmmaker from a prominent family who started as a 17-year-old visiting Europe with a recently acquired movie camera at the end of World War I. Born Franklin LaVarre, he was the brother of noted Westerns actor John Merton, the journalist/explorer William LaVarre, and the international businessman Claude LaVarre.
The Grouch Club is a talk show broadcast on CBS Radio West Coast on Mondays between October 17, 1938 and April 25, 1939, followed on Sundays at 6:30 PM on NBC Red Network April 16, 1939 through January 21, 1940. Jack Lescoulie hosted as “grouchmaster”, listening to people who wanted to complain about any problem in their life. Among the “grouchies” featured were familiar radio personalities : Jack Albertson, Arthur Q. Bryan, Emory Parnell, Ned Sparks, Don Brody, Mary Milford, Phil Kramer and Eric Burtis. Beth Wilson was a key singer and the hosts were Neil Reagan and Jim Barry. A key producer was a top movie screenwriter Owen Crump. Roland Kibbee was among the writers. The show was created by Nat Hiken.
Scope Gem was a marketing series title that Warner Brothers used for documentary film shorts produced in Warnercolor and the wide-screen CinemaScope format. Most of these were travelogues.
World Wide Adventures is a generalized name applied to Warner Bros. live-action short films of the 1960s. Usually, the trade magazines like BoxOffice only listed the one-reelers under this heading, with the longer films simply dubbed “specials.” For the most part, this was a handy marketing logo for a wide range of shorts of the documentary genre.
Edward M. Newman (1870–1953) was a film producer of many documentary film shorts released by Warner Brothers and edited at Vitaphone studios in Brooklyn, New York in the 1930s. These were mostly of the travelogue genre. He was born in Cleveland, Ohio on March 16, 1870. His parents were Hungarian immigrants. He died in Los Angeles, California on April 16, 1953.
The “Vitaphone Color Parade” was a series of documentary short films produced by Warner Bros.
The name “Technicolor Adventure” was used by Warner Bros. to define its one-reel film shorts that were not part of the Sports Parade, also shot in Technicolor in the 1940s. Most were travelogues or human interest documentary films. Gordon Hollingshead produced most of them, with music scores provided by Howard Jackson.
The Sports Parade was a short film series of Warner Bros. that was regularly shown before the main studio feature, along with another Warner-Vitaphone short, Joe McDoakes comedy and/or Looney Tunes and Merrie Melodies cartoons. The average running time of each film was between nine and eleven minutes.
The Sport Slants and its follow-up “Sports Thrills” were a series of documentary film shorts produced by Warner Brothers and hosted by the top sports caster of the 1930s, Ted Husing.
Vitaphone Varieties is a series title used for all of Warner Bros.', earliest short film "talkies" of the 1920s, initially made using the Vitaphone sound on disc process before a switch to the sound-on-film format early in the 1930s. These were the first major film studio-backed sound films, initially showcased with the 1926 synchronized scored features Don Juan and The Better 'Ole. Although independent producers like Lee de Forest's Phonofilm were successfully making sound film shorts as early as 1922, they were very limited in their distribution and their audio was generally not as loud and clear in theaters as Vitaphone's. The success of the early Vitaphone shorts, initially filmed only in New York, helped launch the sound revolution in Hollywood.
Technicolor Special was a common term used for Hollywood studio produced color short films of the 1930s and 1940s that did not belong to a specified series.
The Big V Comedies were two-reel comedy film shorts produced by Warner Bros. and Vitaphone between 1931 and 1938, contemporary of the more famous Hal Roach, Mack Sennett and Columbia Pictures comedies.
Broadway Brevities are two-reel musical and dramatic film shorts produced by Warner Bros. between 1931 and 1943. The series continued as Warner Specials in later years.
The Melody Masters were a series of first-rate big band musical film shorts produced by Warner Brothers, under the supervision of Samuel Sax at their Vitaphone studio in New York between 1931 and 1939, and in Burbank, California with producer Gordon Hollingshead in charge between 1940 and 1946.
The Naggers was a series of 18 film short films produced by Warner Brothers at the Vitaphone studio in Brooklyn, New York. These featured Jack Norworth and Dorothy Adelphi as an arguing husband and wife in a variety of domestic settings. This basic premise predated the popular radio series The Bickersons and many future TV marital comedies.
Vitaphone Pictorial Revue was a series of 9-11 minute newsreel oriented (documentary) film shorts produced by Vitaphone and Warner Brothers.
Warner Featurettes were an imprint for featurettes released by Warner Brothers.
The Swell Head is a 1928 American romantic musical short starring Eddie Foy Jr. and Bessie Love, directed by Foy's brother Bryan. Variety mused that "this may be the first backstage sound short."