Bill Fick is a printmaker living and working in Durham, North Carolina. Fick is the director of Cockeyed Press, which specializes in the production of satirical linocut prints and book production. [1] He is also a member of the Outlaw Printmakers. Fick, along with Beth Grabowski authored a book, Printmaking: A Complete Guide to Materials & Processes [2] in 2009.
Fick was born on October 19, 1963, in Lirik, Sumatra, Indonesia. His family moved to the United States when he was young and he received his B.A. from Duke University in 1986 and his M.F.A. from University of North Carolina-Greensboro in 1990. [1]
Fick is the Lecturing Fellow of Art at Duke University. He has exhibited in several solo and group shows nationally and internationally including the Czech Republic, New Zealand, and Finland. In addition, throughout his career, Fick has acted as a visiting artist, artist in residence, and professor to several art schools across the country.
Fick's work can be found in the collections of the Fogg Art Museum, Cambridge, Massachusetts; The New York Public Library, New York City; and the Zimmerli Art Museum, Rutgers University. In 1993 Fick was awarded a National Endowment for the Arts Visual Artist Fellowship and in 1995 a North Carolina Arts Council Artist Fellowship.
Fick is associated with a movement within contemporary American printmaking known as "Outlaw Printmaking",a group that includes Tom Huck, Richard Mock, Dennis Mcnett, Sue Coe, Sean Starwars, Michael Barnes, and Cannonball Press.
Printmaking is the process of creating artworks by printing, normally on paper, but also on fabric, wood, metal, and other surfaces. "Traditional printmaking" normally covers only the process of creating prints using a hand processed technique, rather than a photographic reproduction of a visual artwork which would be printed using an electronic machine ; however, there is some cross-over between traditional and digital printmaking, including risograph.
Linocut, also known as lino print, lino printing or linoleum art, is a printmaking technique, a variant of woodcut in which a sheet of linoleum is used for a relief surface. A design is cut into the linoleum surface with a sharp knife, V-shaped chisel or gouge, with the raised (uncarved) areas representing a reversal of the parts to show printed. The linoleum sheet is inked with a roller, and then impressed onto paper or fabric. The actual printing can be done by hand or with a printing press.
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Vitreography is a fine art printmaking technique that uses a 3⁄8-inch-thick (9.5 mm) float glass matrix instead of the traditional matrices of metal, wood or stone. A print created using the technique is called a vitreograph. Unlike a monotype, in which ink is painted onto a smooth glass plate and transferred to paper to produce a unique work, the vitreograph technique involves fixing the imagery in, or on, the glass plate. This allows the production of an edition of prints.
Glen Alps (1914-1996) was a printmaker and educator who is credited with having developed the collagraph. A collagraph is a print whose plate is a board or other substrate onto which textured materials are glued. The plate may be inked for printing in either the intaglio or the relief manner and then printed onto paper. Although the inventor of the process is not known, Alps made collagraphy his primary art form and coined the word "collagraph" in 1956. He disseminated the techniques he developed for making collagraphs during his long career as both an artist and a teacher.
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The Outlaws of Printmaking, also known as "The Outlaws" and "Outlaw Printmakers" are a collective of printmaking artists that exists internationally. The idea of "Outlaw Printmakers" formed from a show in New York at Big Cat Gallery in 2000. Tony Fitzpatrick, the owner of the Big Cat Press which is associated with the gallery, decided to call a show there "Outlaw Printmaking" to reflect attitudes of the printmakers involved in a non-academic approach to prints. As pointed out by Sean Starwars, the Southern Graphic Council print conference was happening at the same time as that show in NYC across the water in New Jersey. A handful of artists from the conference attended the show.). At that conference the core group now known as the Outlaw Printmakers formed, adopting the name from the show and continuing their own events, happenings and shows outside of the academic norm. The core members are Bill Fick, Tom Huck, The Hancock Brothers, Sean Star Wars, Dennis McNett and Cannonball Press. Many of the core artists associated with the movement cite the printmaker/artist Richard Mock as a primary influence. Mock's political and social narrative prints appeared in the New York Times op-ed pages for more than a decade in the 1980s and early 1990s. Later the group grew to include Carlos Hernandez, Drive By Press, Ryan O'Malley, Artemio Rodriguez, Kathryn Polk, Erica Walker, Derrick Riley, and Julia Curran.
Mauricio Leib Lasansky was an Argentine artist and educator known both for his advanced techniques in intaglio printmaking and for a series of 33 pencil drawings from the 1960s titled "The Nazi Drawings." Lasansky, who migrated to and became a citizen of the United States, established the school of printmaking at the University of Iowa, which offered the first Master of Fine Arts program in the field in the United States. Sotheby's identifies him as one of the fathers of modern printmaking.
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