Bill Fick is a printmaker living and working in Durham, North Carolina. Fick is the director of Cockeyed Press, which specializes in the production of satirical linocut prints and book production. [1] He is also a member of the Outlaw Printmakers. Fick, along with Beth Grabowski authored a book, Printmaking: A Complete Guide to Materials & Processes [2] in 2009.
Fick was born on October 19, 1963, in Lirik, Sumatra, Indonesia. His family moved to the United States when he was young and he received his B.A. from Duke University in 1986 and his M.F.A. from University of North Carolina-Greensboro in 1990. [1]
Fick is the Lecturing Fellow of Art at Duke University. He has exhibited in several solo and group shows nationally and internationally including the Czech Republic, New Zealand, and Finland. In addition, throughout his career, Fick has acted as a visiting artist, artist in residence, and professor to several art schools across the country.
Fick's work can be found in the collections of the Fogg Art Museum, Cambridge, Massachusetts; The New York Public Library, New York City; and the Zimmerli Art Museum, Rutgers University. In 1993 Fick was awarded a National Endowment for the Arts Visual Artist Fellowship and in 1995 a North Carolina Arts Council Artist Fellowship.
Fick is associated with a movement within contemporary American printmaking known as "Outlaw Printmaking",a group that includes Tom Huck, Richard Mock, Dennis Mcnett, Sue Coe, Sean Starwars, Michael Barnes, and Cannonball Press.
Printmaking is the process of creating artworks by printing, normally on paper, but also on fabric, wood, metal, and other surfaces. "Traditional printmaking" normally covers only the process of creating prints using a hand processed technique, rather than a photographic reproduction of a visual artwork which would be printed using an electronic machine ; however, there is some cross-over between traditional and digital printmaking, including risograph.
Linocut, also known as lino print, lino printing or linoleum art, is a printmaking technique, a variant of woodcut in which a sheet of linoleum is used for a relief surface. A design is cut into the linoleum surface with a sharp knife, V-shaped chisel or gouge, with the raised (uncarved) areas representing a reversal of the parts to show printed. The linoleum sheet is inked with a roller, and then impressed onto paper or fabric. The actual printing can be done by hand or with a printing press.
Marie Watt is a contemporary artist living and working in Portland, Oregon. Enrolled in the Seneca Nation of Indians, Watt has created work primarily with textile arts and community collaboration centered on diverse Native American themes.
Robert Hamilton Blackburn was an African-American artist, teacher, and master printmaker.
Stanley William Hayter was an English painter and master printmaker associated in the 1930s with surrealism and from 1940 onward with abstract expressionism. Regarded as one of the most significant printmakers of the 20th century, in 1927 Hayter founded the influential Atelier 17 studio in Paris. Since his death in 1988, it has been known as Atelier Contrepoint. Among the artists who frequented the atelier were Pablo Picasso, Alberto Giacometti, Joan Miró, Alexander Calder, Marc Chagall, Nemesio Antúnez, Jackson Pollock, Mark Rothko, Wassily Kandinsky, Mauricio Lasansky, K.R.H. Sonderborg, Flora Blanc, Carl Heywood, and Catherine Yarrow.
Harry Gottlieb was an American painter, screen printer, lithographer, and educator.
Edmond Casarella was an American printmaker, painter, and sculptor based in the New York metropolitan area. He developed the innovative use of a layered cardboard printing matrix that could be carved like a woodcut, enabling the inexpensive creation of large-scale works.
Krishna Reddy was an Indian master printmaker, sculptor, and teacher. He was considered a master intaglio printer and known for viscosity printing.
Vitreography is a fine art printmaking technique that uses a 3⁄8-inch-thick (9.5 mm) float glass matrix instead of the traditional matrices of metal, wood or stone. A print created using the technique is called a vitreograph. Unlike a monotype, in which ink is painted onto a smooth glass plate and transferred to paper to produce a unique work, the vitreograph technique involves fixing the imagery in, or on, the glass plate. This allows the production of an edition of prints.
Glen Alps (1914-1996) was a printmaker and educator who is credited with having developed the collagraph. A collagraph is a print whose plate is a board or other substrate onto which textured materials are glued. The plate may be inked for printing in either the intaglio or the relief manner and then printed onto paper. Although the inventor of the process is not known, Alps made collagraphy his primary art form and coined the word "collagraph" in 1956. He disseminated the techniques he developed for making collagraphs during his long career as both an artist and a teacher.
Warrington Wickham Colescott Jr. was an American artist, he is best known for his satirical etchings. He was a master printmaker and operated Mantegna Press in Hollandale, Wisconsin, with his wife and fellow artist Frances Myers. Colescott died on 10 September 2018, at the age of 97.
Sean Starwars is a printmaker living and working in Laurel, Mississippi. He is a relief printmaking artist specializing in woodcut printmaking. He is also a member of the Outlaw Printmakers.
The Outlaws of Printmaking, also known as "The Outlaws" and "Outlaw Printmakers" are a collective of printmaking artists that exists internationally. The idea of "Outlaw Printmakers" formed from a show in New York at Big Cat Gallery in 2000. Tony Fitzpatrick, the owner of the Big Cat Press which is associated with the gallery, decided to call a show there "Outlaw Printmaking" to reflect attitudes of the printmakers involved in a non-academic approach to prints. As pointed out by Sean Starwars, the Southern Graphic Council print conference was happening at the same time as that show in NYC across the water in New Jersey. A handful of artists from the conference attended the show.). At that conference the core group now known as the Outlaw Printmakers formed, adopting the name from the show and continuing their own events, happenings and shows outside of the academic norm. The core members are Bill Fick, Tom Huck, The Hancock Brothers, Sean Star Wars, Dennis McNett and Cannonball Press. Many of the core artists associated with the movement cite the printmaker/artist Richard Mock as a primary influence. Mock's political and social narrative prints appeared in the New York Times op-ed pages for more than a decade in the 1980s and early 1990s. Later the group grew to include Carlos Hernandez, Drive By Press, Ryan O'Malley, Artemio Rodriguez, Kathryn Polk, Erica Walker, Derrick Riley, and Julia Curran.
Mauricio Leib Lasansky was an Argentine artist and educator known both for his advanced techniques in intaglio printmaking and for a series of 33 pencil drawings from the 1960s titled "The Nazi Drawings." Lasansky, who migrated to and became a citizen of the United States, established the school of printmaking at the University of Iowa, which offered the first Master of Fine Arts program in the field in the United States. Sotheby's identifies him as one of the fathers of modern printmaking.
William (Bill) Laing is a Scottish/Canadian artist based in Calgary, Alberta. He is known for his printmaking and sculpture.
Clare Romano (1922–2017) was an internationally known American printmaker and painter with works in the Metropolitan Museum of Art, the Museum of Modern Art, the Smithsonian American Art Museum, the Cooper Hewitt, Smithsonian Design Museum and other major collections. As an advocate, innovator, and educator in the field of printmaking, Romano has co-authored in collaboration with her husband, John Ross, The Complete Printmaker (1972), The Complete Collagraph (1980), and several other printmaking manuals that have become standard texts for universities. They founded their High Tide Press for artists books in 1991.
Luther McKinley Stovall was an American visual artist who resided in Washington, D.C.
Althea Murphy-Price is an American artist who specializes in printmaking, and Professor of Art at University of Tennessee at Knoxville. Her work "contemplates the power of hair as a signifier of cultural self-identity."
Malcolm Haynie Myers was an American painter, printmaker and professor known primarily for his Intaglio-style engravings. His work is included in numerous museum collections.
Lisa Bulawsky is a contemporary artist known for her works on paper, temporary public art, and printmaking.
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