William Woollcott Marx (born January 8, 1937) is an American pianist, arranger, and composer. [1] He is the adopted son of actors Harpo Marx and Susan Fleming.
Marx was placed in the Children's Home Society in Los Angeles by his birth parents when he was eight months old, and four months later he was adopted by Harpo Marx and his wife, Susan Fleming. [1] He attended the Juilliard School, where he studied composition. [2] He studied with composer Mario Castelnuovo-Tedesco. [3] He began working in entertainment when he was 12 years old, when he was put in charge of his father's props for shows, including his harp. At 16, he became the arranger and musical conductor for his father. [1]
Marx's compositions include concertos for alto saxophone, flute, harp, piano, and violin. [2] He also composed symphonies and scores for films, [4] including the score for the film Weekend Pass (1984). [5]
Marx transcribed music that his father composed, because the elder Marx did not read music. The two worked together on two albums that Harpo recorded in the early 1960s. [6] He also composed and arranged for recording artists in both jazz and popular music. [2]
In 1961, Marx signed with Vee-Jay Records. [7] His projects there included arranging cover versions of music for four albums by the Castaway Strings. [8] In 1967, he began writing music for commercials. [9]
In the 1970s, he composed for several low-budget horror movies, including Scream Blacula Scream , Terror at Red Wolf Inn , and Count Yorga, Vampire. For these projects, he often collaborated with lyricist Marilyn Lovell. He continued his work on films outside the horror genre throughout the 1980s, such as arranging music for John Cassavetes' Big Trouble . [10]
As a performer, Marx has played in jazz clubs, lounges, and theaters. [4] In the late 1980s, Marx and harpist Carrol McLaughlin toured the United States, giving performances and promoting Harpo Speaks, his father's autobiography. [2] Their concerts featured "exact renditions of songs that Harpo played" and included a segment in which they dressed as Harpo and Chico Marx. [11] They also recorded an album, From Harpo With Love. The duo's schedule for one spring included 42 venues in 21 states over a seven-week span. [12]
In the early 1990s, Los Angeles magazine named Marx the most popular lounge pianist in that city. [4] In 2002, he received a star at 265 S. Palm Canyon Drive on the Palm Springs Walk of Stars. [13] Marx still plays as a lounge pianist in and around Palm Springs and Rancho Mirage to this day. [14]
Julius Henry "Groucho" Marx was an American comedian, actor, writer, and singer who performed in film, television, radio, stage, and vaudeville. He was a master of quick wit and is generally considered to have been one of America's greatest comedians.
The Marx Brothers were an American family comedy act that was successful in vaudeville, on Broadway, and in 14 motion pictures from 1905 to 1949. Five of the Marx Brothers' fourteen feature films were selected by the American Film Institute (AFI) as among the top 100 comedy films, with two of them, Duck Soup (1933) and A Night at the Opera (1935), in the top fifteen. They are widely considered by critics, scholars and fans to be among the greatest and most influential comedians of the 20th century. The brothers were included in AFI's 100 Years... 100 Stars list of the 25 greatest male stars of Classical Hollywood cinema, the only performers to be included collectively.
Arthur "Harpo" Marx was an American comedian, actor, mime artist, and harpist, and the second-oldest of the Marx Brothers. In contrast to the mainly verbal comedy of his brothers Groucho and Chico, Harpo's comic style was visual, being an example of vaudeville, clown and pantomime traditions. He wore a curly reddish blond wig and was silent in all his movie appearances, instead blowing a horn or whistling to communicate. Marx frequently employed props such as a horn cane constructed from a lead pipe, tape, and a bulbhorn.
Herbert Manfred "Zeppo" Marx was an American comedic actor, theatrical agent and engineer. He was the youngest and last survivor of the five Marx Brothers. He appeared in the first five Marx Brothers feature films from 1929 to 1933, and then left the act for careers as an engineer and theatrical agent.
Susan Alva Fleming was an American actress and the wife of comic actor Harpo Marx and sister in law to Groucho, Chico, Zeppo and Gummo. Fleming was known as the "Girl with the Million Dollar Legs" for a role she played in the W. C. Fields film Million Dollar Legs (1932). Her big stage break, which led to her Hollywood career, was as a Ziegfeld girl, performing in Rio Rita.
Alvin Morris, known professionally as Tony Martin, was an American actor and popular singer.
Axel Stordahl was an American arranger who was active from the late 1930s through the 1950s. He is perhaps best known for his work with Frank Sinatra in the 1940s at Columbia Records. With his sophisticated orchestrations, Stordahl is credited with helping to bring pop arranging into the modern age.
Rhonda Fleming was an American film and television actress and singer. She acted in more than 40 films, mostly in the 1940s and 1950s, and became renowned as one of the most glamorous actresses of her day, nicknamed the "Queen of Technicolor" because she photographed so well in that medium.
Earle Harry Hagen was an American composer who created music for films and television. His best-known TV themes include The Dick Van Dyke Show, I Spy, That Girl and The Mod Squad. He is also remembered for composing and whistling the theme to The Andy Griffith Show; writing the instrumental song "Harlem Nocturne" used as the theme for television's Mickey Spillane's Mike Hammer; and co-writing the theme song to Tim Conway's Western comedy Rango.
Jester Joseph Hairston was an American composer, songwriter, arranger, choral conductor and actor. He was regarded as a leading expert on black spirituals and choral music. His notable compositions include "Amen," a gospel-tinged theme from the film Lilies of the Field and a 1964 hit for the Impressions, and the Christmas song "Mary's Boy Child."
Shelton "Shelly" Glen Berg is an American classical and jazz pianist and music educator. He is the dean of the Frost School of Music at the University of Miami in Coral Gables, Florida and the school's Patricia L. Frost Professor of Music.
The Palm Springs Walk of Stars is a walk of fame in downtown Palm Springs, California, where "Golden Palm Stars", honoring various people who have lived in the greater Palm Springs area, are embedded in the sidewalk pavement. The walk includes portions of Palm Canyon Drive, Tahquitz Canyon Way, La Plaza Court and Museum Drive. Among those honored are presidents of the United States, showbusiness personalities, literary figures, pioneers and civic leaders, humanitarians and Medal of Honor recipients.
Russell Morgan was an American big band leader and arranger during the 1930s and 1940s. He was best known for being one of the composers of the song "You're Nobody till Somebody Loves You", with Larry Stock and James Cavanaugh, and was the first to record it in 1944.
John Conte was an American stage, film and TV actor, and television station owner.
Ron Oden is an American politician. In November 2003, he was elected the first gay African-American mayor of Palm Springs, California, after serving eight years on the city council. He became the first Black openly gay man to be a mayor of a U.S. city. He was also "the first gay African-American elected to lead a California city." In December 2017, Palm Springs elected "America's first all-LGBTQ city council."
Ol' Brown Ears Is Back is an album released by The Jim Henson Company through BMG Kidz in 1993. The album consists of 14 songs recorded by American puppeteer Jim Henson as the Muppet character Rowlf the Dog. Although released three years after Henson's death, the tracks were recorded in 1984. It was released in CD and cassette form, with the latter including a poster.
Giraffes on Horseback Salad, also called The Surrealist Woman, was a screenplay written in 1937 by Salvador Dalí for the Marx Brothers. It was to be a love story between a Spanish aristocrat named "Jimmy" and a "beautiful surrealist woman, whose face is never seen by the audience". Dalí considered that the central theme of the film would be "the continuous struggle between the imaginative life as depicted in the old myths and the practical and rational life of contemporary society" and hoped that the film score could be written by Cole Porter.
Richard Henry Marx was an American jazz pianist and arranger. He also composed for film, television, and commercials.
Muriel Pollock was an American songwriter, composer, pianist, and organist. She wrote and performed music for Broadway shows, radio programs, children's plays, and piano rolls.
Mary Ann Edwards was an American actress.