Bill Marx is a theater critic based in Boston, Massachusetts. Marx served as theater and arts critic for WBUR from 1982 to 2006 [1] and as the host of a podcast dedicated to books in translation for WGBH (FM) and Public Radio International's The World (radio program) from 2007 to 2011. [2]
Since 1982, Marx has also written about arts and culture for print, broadcast, and online media outlets including The Boston Globe , The Boston Phoenix , The Washington Post Book World, The Nation , The Boston Review , [3] the Los Angeles Times , [4] Boston Magazine , Columbia Journalism Review , [5] Parnassus , Ploughshares, TheaterWeek , The Village Voice , Tab Communications, and The Boston Ledger.
Marx won United Press International and Associated Press awards for his radio reviews of Boston theater. He has been a finalist for the National Book Critics Circle Award three times. [6] Under's Marx's leadership, WBUR Online Arts also won an Online Journalism Award for Specialty Journalism (Small Site).
Since 2007, Marx has been a full-time lecturer at Boston University, [7] teaching courses on the history of American arts criticism and the contemporary novel for the Boston University College of Fine Arts and Boston University College of Arts and Sciences. [8]
As Editor in Chief of The Arts fuse, [9] a non-profit web magazine Marx launched in July 2007, [10] Marx helped increase editorial coverage of the arts and culture across Greater Boston and New England with in-depth criticism, previews, interviews, and commentary covering dance, film, food, literature, music, television, theater, video games, and visual arts. The Arts Fuse has published more than 1,700 articles from 60 expert writers and critics. The web magazine serves as a next generation platform for arts and culture consumers across New England and beyond. [11]
Marx began publishing The Arts Fuse in reaction to the declining arts coverage in newspapers, magazines, radio, and television, creating a site that could experiments with professional online arts criticism, looking at new and innovative ways to use online platforms to evolve cultural conversations and bring together critics, readers, and artists. [12]
The Arts Fuse's writers currently include Harvey Blume ( The New York Times , [13] The Boston Globe, Wired, Agni), J. R. Carroll (WKCR, Crawdaddy!, WBUR Online Arts site), Debra Cash (The Boston Globe, WBUR), Franklin Einspruch (New Criterion, Weekly Dig, Big Red & Shiny [14] ), Steve Elman (The Boston Globe, The Boston Phoenix, WBUR), Helen Epstein (author of six books of literary non-fiction), and many more.
In 2011, The Arts Fuse received a grant from Mass Humanities for its Judicial Review, an online, in-depth, and interactive discussion of the issues raised by the arts on The Arts Fuse. [15] The Arts Fuse also won CBS Boston's Most Valuable Blogger Award in 2011. [16]
Marx's professional affiliations include for the Best Translated Book Awards, Fiction judge, beginning in 2010, on the Boston Theater Critics Association's Awards Committee from 1994 to 2006, and on the National Book Critics Circle's board of directors from 1995 to 1997.
The Boston Globe is an American daily newspaper founded and based in Boston, Massachusetts. The newspaper has won a total of 26 Pulitzer Prizes, and had an average print circulation of 68,806. The Boston Globe is the oldest and largest daily newspaper in Boston.
The Pulitzer Prize for Criticism has been presented since 1970 to a newspaper writer in the United States who has demonstrated 'distinguished criticism'. Recipients of the award are chosen by an independent board and officially administered by Columbia University. The Pulitzer Committee issues an official citation explaining the reasons for the award.
The Phoenix was the name of several alternative weekly periodicals published in the United States of America by Phoenix Media/Communications Group of Boston, Massachusetts, including the Portland Phoenix and the now-defunct Boston Phoenix, Providence Phoenix and Worcester Phoenix. These publications emphasized local arts and entertainment coverage as well as lifestyle and political coverage. The Portland Phoenix, although it is still publishing, is now owned by another company, New Portland Publishing.
WBUR-FM is a public radio station located in Boston, Massachusetts, owned by Boston University. It is the largest of three NPR member stations in Boston, along with WGBH and WUMB-FM and produces several nationally distributed programs, including On Point, Here and Now and Open Source. WBUR previously produced Car Talk, Only a Game, and The Connection. RadioBoston, launched in 2007, is its only purely local show. WBUR's positioning statement is "Boston's NPR News Station".
Terrance Alan Teachout was an American author, critic, biographer, playwright, stage director, and librettist.
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Robert Sanford Brustein is an American theatrical critic, producer, playwright, writer, and educator. He founded both the Yale Repertory Theatre in New Haven, Connecticut, and the American Repertory Theatre in Cambridge, Massachusetts, where he remains a creative consultant, and was the theatre critic for The New Republic. He comments on politics for the Huffington Post.
Patricia Smith is an American poet, spoken-word performer, playwright, author, writing teacher, and former journalist. She has published poems in literary magazines and journals including TriQuarterly, Poetry, The Paris Review, Tin House, and in anthologies including American Voices and The Oxford Anthology of African-American Poetry. She is on the faculties of the Stonecoast MFA Program in Creative Writing and the Low-Residency MFA Program in Creative Writing at Sierra Nevada University.
The Real Paper was a Boston-area alternative weekly newspaper with a circulation in the tens of thousands. It ran from August 2, 1972, to June 18, 1981, often devoting space to counterculture and alternative politics of the early 1970s. The offices were in Cambridge, Massachusetts.
Emily Rooney is an American journalist, TV talk show and radio host and former news producer. She hosted the weekly program Beat the Press on WGBH-TV. until its cancellation on August 13, 2021.
David M. Wedge is a New York Times-bestselling author, journalist, podcast host and award-winning former reporter for the Boston Herald.
WGBH is a public radio station located in Boston, Massachusetts. WGBH is a member station of National Public Radio (NPR) and affiliate of Public Radio Exchange (PRX), which merged with Public Radio International, and American Public Media (APM). The license-holder is WGBH Educational Foundation, which also owns company flagship WGBH-TV and WGBX-TV, along with WGBY-TV in Springfield.
Ethan Gilsdorf is an American writer, poet, performer, editor, critic, teacher and journalist.
Elena Zoubareva is a Russian American soprano specializing in opera and classical crossover. Zoubareva is also a voice expert and a creator of the FitVoice program
The New England Center for Investigative Reporting (NECIR) is a nonprofit investigative newsroom housed at WGBH News in Boston, Massachusetts. It was founded in 2009 by investigative journalists Joe Bergantino and Maggie Mulvihill, and was based at Boston University until July 2019.
The Arts Fuse is an online arts magazine covering cultural events in Greater Boston, as well as Connecticut, Maine, Massachusetts, New Hampshire, Rhode Island, Vermont, and New York.
Tim Riley reviews pop and classical music for NPR, and has written for The New York Times, truthdig, the Huffington Post, the Washington Post, Slate.com and Salon.com. He was trained as a classical pianist at Oberlin College and Eastman School of Music.
Sacha Pfeiffer is an American Pulitzer Prize-winning investigative journalist and radio host. In November 2018, she joined NPR as an investigations correspondent.
Gail Pool is an American writer and critic, whose work has focused on books, the culture of magazines, and travel.
Moby-Dick is a stage musical in four parts with lyrics, music and book by Dave Malloy. An adaptation of the classic 1851 novel by Herman Melville, the musical made its world premiere in December 2019 at the American Repertory Theatre in Cambridge, Massachusetts, directed by Rachel Chavkin.
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