The Rolling Stones are an English rock band formed in London in 1962. Active across seven decades, they are one of the most popular and enduring bands of the rock era. In the early 1960s, the band pioneered the gritty, rhythmically driven sound that came to define hard rock. Their first stable line-up consisted of vocalist Mick Jagger, guitarist Keith Richards, multi-instrumentalist Brian Jones, bassist Bill Wyman, and drummer Charlie Watts. During their early years, Jones was the primary leader. Andrew Loog Oldham became their manager in 1963 and encouraged them to write their own songs. The Jagger–Richards partnership became the band's primary songwriting and creative force.
McKinley Morganfield, known professionally as Muddy Waters, was an American blues singer and musician who was an important figure in the post-World War II blues scene, and is often cited as the "father of modern Chicago blues". His style of playing has been described as "raining down Delta beatitude".
"Jumpin' Jack Flash" is a song by the English rock band the Rolling Stones, released as a non-album single in 1968. Called "supernatural Delta blues by way of Swinging London" by Rolling Stone magazine, the song was seen as the band's return to their blues roots after the baroque pop and psychedelia heard on their preceding albums Aftermath (1966), Between the Buttons (1967) and especially Their Satanic Majesties Request (1967). One of the group's most popular and recognisable songs, it has been featured in films and covered by numerous performers, notably Thelma Houston, Aretha Franklin, Tina Turner, Peter Frampton, Johnny Winter, Leon Russell and Alex Chilton. To date, it is the band's most-performed song; they have played it over 1,100 times in concert.
Charles Robert Watts was an English musician who was the drummer of the Rolling Stones from 1963 until his death in 2021.
Ian Andrew Robert Stewart was a British keyboardist and co-founder of the Rolling Stones. He was removed from the lineup in May 1963 at the request of manager Andrew Loog Oldham who felt he did not fit the band's image. He remained as road manager and pianist for over two decades until his death, and was posthumously inducted into the Rock and Roll Hall of Fame along with the rest of the band in 1989.
William George Wyman is an English musician who was the bass guitarist with the rock band the Rolling Stones from 1962 to 1993. Wyman was part of the band's first stable lineup and performed on their first 19 albums. Since 1997, he has performed as the vocalist and bass guitarist for Bill Wyman's Rhythm Kings. He was inducted to the Rock and Roll Hall of Fame as a member of the Rolling Stones in 1989. Wyman briefly returned to recording with the Rolling Stones in 2023.
Michael Kevin Taylor is an English guitarist, best known as a former member of John Mayall's Bluesbreakers (1967–1969) and the Rolling Stones (1969–1974). As a member of the Stones, he appeared on Let It Bleed (1969), Get Yer Ya-Ya's Out! The Rolling Stones in Concert (1970), Sticky Fingers (1971), Exile on Main St. (1972), Goats Head Soup (1973) and It's Only Rock 'n Roll (1974).
Kings of Rhythm are an American music group formed in the late 1940s in Clarksdale, Mississippi and led by Ike Turner through to his death in 2007. Turner would retain the name of the band throughout his career, although the group has undergone considerable line-up changes over time.
Let It Bleed is the eighth studio album by the English rock band the Rolling Stones, released on 28 November 1969 by London Records in the United States and on 5 December 1969 by Decca Records in the United Kingdom. Released during the band's 1969 American Tour, it is the follow-up to Beggars Banquet (1968), and like that album is a return to the group's more blues-oriented approach that was prominent in the pre-Aftermath (1966) period of their career. Additional sounds on the album draw influence from gospel, country blues and country rock.
Out of Our Heads is the third studio album by the English rock band the Rolling Stones, released in two editions with different covers and track listings. In the US, London Records released it on 30 July 1965 as the band's fourth American album, while Decca Records released its UK edition on 24 September 1965 as the third British album.
"Brown Sugar" is a song recorded by the English rock band the Rolling Stones. Written primarily by Mick Jagger, it is the opening track and lead single from their ninth studio album, Sticky Fingers (1971). It became a number one hit in both the United States and Canada. In the United Kingdom and Ireland, it charted at number two. In the United States, Billboard ranked it as the number 16 song for 1971.
The Rolling Stones Rock and Roll Circus was a British concert film hosted by and featuring the Rolling Stones, filmed on 11–12 December 1968. It was directed by Michael Lindsay-Hogg, who proposed the idea of a "rock and roll circus" to Jagger. The show was filmed on a makeshift circus stage with Jethro Tull, The Who, Taj Mahal, Marianne Faithfull, and the Rolling Stones. John Lennon and his fiancee Yoko Ono performed as part of a one-shot supergroup called The Dirty Mac, featuring Eric Clapton on guitar, Mitch Mitchell on drums, and the Stones' Keith Richards on bass. The recently formed Led Zeppelin had been considered for inclusion, but the idea was rejected.
Got Live If You Want It! is an album of mostly live recordings by the English rock band the Rolling Stones. It was released in November 1966 by London Records in the United States. With its release, the label attempted to fill a marketing gap between the Stones' studio albums and capitalise on their popularity in the US market, which was heightened that year by a famously successful North American concert tour supporting their hit album Aftermath (1966).
Christopher Kenneth Kimsey is an English musician, engineer, and record producer, best known for his work with the Rolling Stones.
"No Expectations" is a song by English rock band the Rolling Stones featured on their 1968 album Beggars Banquet. It was first released as the B-side of the "Street Fighting Man" single in August 1968. The song was recorded in May 1968. Brian Jones' acoustic slide guitar on the recording represents one of his last major contributions before leaving the band.
"Spoonful" is a blues song written by Willie Dixon and first recorded in 1960 by Howlin' Wolf. Called "a stark and haunting work", it is one of Dixon's best known and most interpreted songs. Etta James and Harvey Fuqua had a pop and R&B record chart hit with their duet cover of "Spoonful" in 1961, and it was popularized in the late 1960s by the British rock group Cream.
"Goin' Home" is a song recorded by the English rock band the Rolling Stones. Written by Mick Jagger and Keith Richards, it was the longest popular music song at the time, coming in at 11 minutes and 35 seconds, and was the first extended rock improvisation released by a major recording act. It was included as the sixth track on side one of the United Kingdom version and the fifth track on side two of the American version of the band's 1966 studio album Aftermath.
The Rolling Stones' 1969 Tour of the United States took place in November 1969. With Ike & Tina Turner, Terry Reid, and B.B. King as the supporting acts, rock critic Robert Christgau called it "history's first mythic rock and roll tour", while rock critic Dave Marsh wrote that the tour was "part of rock and roll legend" and one of the "benchmarks of an era." In 2017, Rolling Stone magazine ranked the tour among The 50 Greatest Concerts of the Last 50 Years.
The London Howlin' Wolf Sessions is an album by blues musician Howlin' Wolf released in 1971 on Chess Records, and on Rolling Stones Records in Britain. It was one of the first super session blues albums, setting a blues master among famous musicians from the second generation of rock and roll, in this case Eric Clapton, Steve Winwood, Charlie Watts, and Bill Wyman. It peaked at #79 on the Billboard 200.
"Diddley Daddy" is a song by Bo Diddley. The song was issued as a single on Checker Records in June 1955. His second single, it followed on the heels of the success of the eponymous "Bo Diddley." The song spent four weeks on the Billboard R&B chart in the summer of 1955, peaking at No. 11.
