Billboard Top R&B Records of 1949 is made up of two year-end charts compiled by Billboard magazine ranking the year's top rhythm and blues records based on record sales and juke box plays. [1]
Retail year-end [1] | Juke box year-end [1] | Title | Artist(s) | Label |
---|---|---|---|---|
1 | 1 | "The Hucklebuck" | Paul Williams | Savoy |
2 | 2 | "Trouble Blues" | Charles Brown | Aladdin |
3 | 3 | "Saturday Night Fish Fry" | Louis Jordan | Decca |
4 | 5 | "Ain't Nobody's Business" | Jimmy Witherspoon | Supreme |
5 | 6 | "Little Girl, Don't Cry" | Bull Moose Jackson | King |
6 | 7 | "Tell Me So" | The Orioles | Jubilee |
7 | 4 | "Drinkin' Wine Spo-Dee-O-Dee" | Stick McGhee & Buddies | Atlantic |
8 | 13 | "Hold Me, Baby" | Amos Milburn | Aladdin |
9 | 7 | "Chicken Shack Boogie" | Amos Milburn | Aladdin |
10 | 11 | "Boogie Chillen'" | John Lee Hooker | Modern |
11 | 16 | "Baby Get Lost" | Dinah Washington | Mercury |
12 | 12 | "Rockin' at Midnight" | Roy Brown | DeLuxe |
13 | 15 | "Wrapped Up in a Dream" | Do Ray & Me | Commodore |
14 | 14 | "Bewildered" | Amos Milburn | Aladdin |
15 | 10 | "All She Wants to Do Is Rock" | Wynonie Harris | King |
16 | 9 | "Bewildered" | Red Miller Trio | Bullet |
17 | 19 | "Close Your Eyes" | Herb Lance | Sittin' In |
18 | NR | "Drinkin' Wine, Spo-Dee-O-Dee" | Wynonie Harris | King |
19 | NR | "The Hucklebuck" | Roy Milton | Specialty |
20 | 20 | "Confession Blues" | Maxin Trio (Ray Charles) | Downbeat |
21 | 18 | "Broken Hearted" | Eddie Williams | Supreme |
22 | 21 | "The Deacon's Hop" | Big Jay McNeely | Savoy |
23 | NR | "In the Middle of the Night" | Amos Milburn | Aladdin |
24 | 23 | "Blue and Lonesome" | Memphis Slim | Miracle |
25 | 24 | "D'Natural Blues" | Lucky Millinder | RCA Victor |
26 | 25 | "Roomin' House Boogie" | Amos Milburn | Aladdin |
27 | 17 | "Pot Likker" | Todd Rhodes Orchestra | King |
28 | NR | "Sneaking Around" | Rudy Render | London |
29 | 29 | "Hobo Blues" | John Lee Hooker | Modern |
30 | NR | "Cole Slaw" | Louis Jordan | Decca |
NR | 22 | "Beans and Cornbread" | Louis Jordan | Decca |
NR | 26 | "A Little Bird Told Me" | Paula Watson | Supreme |
NR | 27 | "It's Midnight" | Little Willie Littlefield | Modern |
NR | 28 | "Back Street" | Eddie Chamblee | Miracle |
NR | 29 | "Texas Hop" | Pee Wee Crayton | Modern |
Rhythm and blues, frequently abbreviated as R&B or R'n'B, is a genre of popular music that originated within African-American communities in the 1940s. The term was originally used by record companies to describe recordings marketed predominantly to African Americans, at a time when "rocking, jazz based music ... [with a] heavy, insistent beat" was becoming more popular. In the commercial rhythm and blues music typical of the 1950s through the 1970s, the bands usually consisted of a piano, one or two guitars, bass, drums, one or more saxophones, and sometimes background vocalists. R&B lyrical themes often encapsulate the African-American history and experience of pain and the quest for freedom and joy, as well as triumphs and failures in terms of societal racism, oppression, relationships, economics, and aspirations.
"Bewitched (Bothered and Bewildered)" is a show tune and popular song from the 1940 Rodgers and Hart musical Pal Joey. It is part of the Great American Songbook. The song was introduced by Vivienne Segal on December 25, 1940, in the Broadway production during Act I, Scene 6, and again in Act II, Scene 4, as a reprise. Segal also sang the song on both the 1950 hit record and in the 1952 Broadway revival. It was performed by Carol Bruce in the 1954 London production.
The Billboard Hot 100 is the music industry standard record chart in the United States for songs, published weekly by Billboard magazine. Chart rankings are based on sales, online streaming, and radio airplay in the U.S.
The Billboard charts tabulate the relative weekly popularity of songs and albums in the United States and elsewhere. The results are published in Billboard magazine. Billboard biz, the online extension of the Billboard charts, provides additional weekly charts, as well as year-end charts. The two most important charts are the Billboard Hot 100 for songs and Billboard 200 for albums, and other charts may be dedicated to a specific genre such as R&B, country, or rock, or they may cover all genres. The charts can be ranked according to sales, streams, or airplay, and for main song charts such as the Hot 100 song chart, all three data are used to compile the charts. For the Billboard 200 album chart, streams and track sales are included in addition to album sales.
"(Ghost) Riders in the Sky: A Cowboy Legend" is a cowboy-styled country/western song written in 1948 by American songwriter, film and television actor Stan Jones.
"Red Roses for a Blue Lady" is a 1948 popular song by Sid Tepper and Roy C. Bennett. It has been recorded by a number of performers. Actor-singer John Laurenz (1909–1958) was the first to record the song for Mercury Records. It rose to #2 on the weekly “Your Hit Parade” radio survey in the spring of 1949. The original 78rpm single was issued on Mercury 5201 - Red Roses For A Blue Lady by John Laurenz.
Billboard Year-End charts are cumulative rankings of entries in Billboard magazine charts in the United States in any given chart year. Several hundred Year-End charts are now published by Billboard, the most important of which are the single or album charts based on Hot 100 and Billboard 200 respectively.
"Lovesick Blues" is a Tin Pan Alley song, composed by Cliff Friend, with lyrics by Irving Mills. It first appeared in the 1922 musical "Oh, Ernest", and was recorded that year by Elsie Clark and Jack Shea. Emmett Miller recorded it in 1925 and 1928, followed by country music singer Rex Griffin in 1939. The recordings by Griffin and Miller inspired Hank Williams to perform the song during his first appearances on the Louisiana Hayride radio show in 1948. Receiving an enthusiastic reception from the audience, Williams decided to record his own version despite initial push back from his producer Fred Rose and his band.
Hymne à l'amour, or Hymn to Love, is a 1949 French song with words by Édith Piaf and music by Marguerite Monnot. It was first sung by Piaf that year and recorded by her in the 1950s for Columbia records.
Top Latin Albums is a record chart published by Billboard magazine and is labeled as the most important music chart for Spanish language, full-length albums in the American music market. Like all Billboard album charts, the chart is based on sales. Nielsen SoundScan compiles the sales data from merchants representing more than 90 percent of the U.S. music retail market. The sample includes sales at music stores, the music departments of electronics and department stores, direct-to-consumer transactions, and Internet sales of physical albums or digital downloads. A limited array of verifiable sales from concert venues is also tabulated. To rank on this chart, an album must have 51% or more of its content recorded in Spanish. Listings of Top Latin Albums are also shown on Telemundo's music page through a partnership between the two companies.
"I Love You Because" is a song written and recorded by country music singer-songwriter Leon Payne in 1949. The song has been covered by several artists throughout the years, including hit cover versions by Al Martino in 1963 and Jim Reeves in 1964.
"Rudolph, the Red-Nosed Reindeer" is a song by songwriter Johnny Marks based on the 1939 story Rudolph the Red-Nosed Reindeer published by the Montgomery Ward Company. Gene Autry's recording hit No. 1 on the U.S. charts the week of Christmas 1949.
The Billboard Top Folk Records of 1948 is a year-end chart compiled Billboard magazine ranking the year's top folk records based on record sales. In 1948, country music records were included on, and dominated, the Billboard folk records chart.
The Billboard Top Folk Records of 1949 is made up of two year-end charts compiled by Billboard magazine ranking the year's top folk records based on record sales and juke box plays. In 1949, country music records were included on, and dominated, the Billboard folk records chart.
Billboard Top Race Records of 1948 is a year-end chart compiled by Billboard magazine ranking the year's top race records based on record sales.Billboard assigned point totals to each record based on its sales.
"Don't Burn the Candle at Both Ends" is a song written by Benny Carter, Irving Gordon, and Louis Jordan. It was performed by Louis Jordan and his Tympany Five, recorded in December 1947 and released on the Decca label. The "B" side of the record was "We Can't Agree".
"The Echo of Your Footsteps" is a country music song written by Jenny Lou Carson and sung by Eddy Arnold, billed as "Eddy Arnold, The Tennessee Plowboy and His Guitar". It was released in 1949 on the RCA Victor label. The "B" side was "One Kiss Too Many".