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Bingo Durango was an eighties alternative pop/rock group that drew heavily on the sound of sixties psychedelia. The band's releases were characterized by layered arrangements, dreamy melodies, and the fluid guitar of Scott Mather.
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Bingo Durango was an eighties alternative pop/rock group that drew heavily on the sound of sixties psychedelia. The band's releases were characterized by layered arrangements, dreamy melodies, and the fluid guitar of Scott Mather.
Bingo Durango crystallized around a guitar driven, New York quintet in the mid-eighties. The band came to the attention of ex-Roxy Music bassist and Smiths’ producer John Porter. An LP's worth of tracks mixed at London's Matrix Studios with the assistance of Billy Bragg producer Kenney Jones, were later deemed unsuitable for release.
Instead, the band retired to a Boston studio with engineer Gene Bodio to record the four-song EP Bingo Durango. Courted by a number of American labels, Bingo Durango suffered the death of drummer Allan Shutter in a tragic accident.
The untimely death of Shutter sent the band into a tailspin only partially rectified by subsequent Live fanclub release and 1990's Bingo Durango, a collection of trenchant power pop that showcased a debt to The Beatles and XTC. The later band would prove of increasing importance to the Bingo Durango discography.
Signed by Germany's Jarmusic, the home of such psychedelic performers as Martin Newell and future Broadway icon David Yazbek, the band released the assured Fool Romeo. Housed in a collectible tin box, the EP showed Bingo Durango moving in a more experimental direction. Two of the EP's four tracks were mixed by Steve Eigner, best known for his association with boy band 98 Degrees and Grammy Award winning R&B/hip hop artists Nelly and Mary J. Blige.
The band's 2000 swansong, Coming Down, included contributions from XTC guitarist/keyboardist Dave Gregory and cover art by American painter Greg Spalenka, who had also created the gatefold sleeve for the band's self-titled 1990 release. Spalenka would gain subsequent acclaim for his conceptual art work on such feature films as The Ant Bully , The Golden Compass , and The Chronicles of Narnia: The Voyage of the Dawn Treader .
XTC were an English rock band formed in Swindon in 1972. Fronted by songwriters Andy Partridge and Colin Moulding, the band gained popularity during the rise of punk and new wave in the 1970s, later playing in a variety of styles that ranged from angular guitar riffs to elaborately arranged pop. Partly because the group did not fit into contemporary trends, they achieved only sporadic commercial success in the UK and US, but attracted a considerable cult following there and in Japan. They have since been recognised for their influence on post-punk, Britpop and later power pop acts.
The Church are an Australian rock band formed in Sydney in 1980. Initially associated with new wave, neo-psychedelia, and indie rock, their music later came to feature slower tempos and surreal soundscapes reminiscent of dream pop and post-rock. Glenn A. Baker has written that "From the release of the 'She Never Said' single in November 1980, this unique Sydney-originated entity has purveyed a distinctive, ethereal, psychedelic-tinged sound which has alternatively found favour and disfavour in Australia." The Los Angeles Times has described the band's music as "dense, shimmering, exquisite guitar pop".
Andrew John Partridge is an English singer, songwriter, and record producer who founded the rock band XTC. He and Colin Moulding each acted as a songwriter and frontman for XTC, with Partridge writing and singing about two-thirds of the group's material. While the band were a formative punk group, Partridge's music drew heavily from 1960s songwriters, and his style gradually shifted to more traditional pop, often with pastoral themes. The band's only UK top 10 hit, "Senses Working Overtime" (1982), was written by Partridge.
Oranges & Lemons is the 11th studio album and the second double album by the English band XTC, released 27 February 1989 on Virgin Records. It is the follow-up to 1986's Skylarking. The title was chosen in reference to the band's poor financial standing at the time, while the music is characterised as a 1980s update of 1960s psychedelia. It received critical acclaim and became the band's highest-charting album since 1982's English Settlement, rising to number 28 in the UK and number 44 in the US.
Black Sea is the fourth studio album by the English rock band XTC, released 12 September 1980 on Virgin Records. It is the follow-up to the previous year's Drums and Wires, building upon its focus on guitars and expansive-sounding drums, but with more economical arrangements written with the band's subsequent concert performances in mind, avoiding overdubs unless they could be performed live.
English Settlement is the fifth studio album and first double album by the English rock band XTC, released 12 February 1982 on Virgin Records. It marked a turn towards the more pastoral pop songs that would dominate later XTC releases, with an emphasis on acoustic guitar, 12-string electric guitar and fretless bass. In some countries, the album was released as a single LP with five tracks deleted. The title refers to the Uffington White Horse depicted on the cover, to the "settlement" of viewpoints, and to the Englishness that the band felt they "settled" into the record.
David Charles Gregory is an English guitarist from Swindon, best known for his work with the rock band XTC. He was a member of the group between the single "Life Begins at the Hop" (1979) and early sessions for the album Apple Venus Volume 1 (1999), contributing guitar, keyboards, and occasional string arrangements.
Yo! Check Out This Ride! EP is an EP by American band The Aquabats, independently recorded and released by The Aquabats themselves in 2004.
Nonsuch is the 12th studio album by the English band XTC, released 27 April 1992 on Virgin Records. The follow-up to Oranges & Lemons (1989), Nonsuch is a relatively less immediate and more restrained sounding album, carrying the band's psychedelic influences into new musical styles, and displaying a particular interest in orchestral arrangements. The LP received critical acclaim, charted at number 28 in the UK Albums Chart, and number 97 on the US Billboard 200, as well as topping Rolling Stone's College album chart.
Screaming Life is the debut EP by the American rock band Soundgarden, released in October 1987 through Sub Pop Records. Screaming Life was later combined with the band's next EP, Fopp (1988), and released as the Screaming Life/Fopp compilation album in 1990.
White Music is the first studio album by the English band XTC, released on 20 January 1978. It was the follow-up to their debut, 3D EP, released three months earlier. White Music reached No. 38 in the UK Albums Chart and spawned the single "Statue of Liberty", which was banned by the BBC for the lyric "In my fantasy I sail beneath your skirt". In April 1978, the group rerecorded "This Is Pop" as their third single.
Drums and Wires is the third studio album by the English rock band XTC, released 17 August 1979 on Virgin Records. It is a more pop-oriented affair than the band's previous, Go 2 (1978), and was named for its emphasis on guitars ("wires") and expansive-sounding drums. The album was their first issued in the United States and their first recorded with guitarist Dave Gregory, who had replaced keyboardist Barry Andrews earlier in 1979. It features a mix of pop, art rock, new wave and punk styles with much rhythmic interplay between XTC's two guitarists.
Skylarking is the ninth studio album by the English rock band XTC, released 27 October 1986 on Virgin Records. Produced by American musician Todd Rundgren, it is a loose concept album about a nonspecific cycle, such as a day, a year, the seasons, or a human being’s life. The title refers to a type of bird (skylark), as well as the Royal Navy term "skylarking", which means "fooling around". It became one of XTC's best-known albums and is generally regarded as their finest work.
Apple Venus Volume 1 is the 13th studio album by the English rock band XTC, released in February 1999. It was the first on the band's own Idea Records label through Cooking Vinyl and distributed in the United States by TVT Records. The album relies heavily on strings, acoustic guitars and keyboards, expanding upon the more orchestral approach developed on the group's previous LP Nonsuch (1992). Apple Venus Volume 1 was met with critical acclaim and moderate sales, peaking at number 42 on the UK Albums Chart and number 106 on the US Billboard 200.
The Big Express is the seventh studio album by English rock band XTC, released on 15 October 1984 by Virgin Records. It is an autobiographical concept album inspired by the band's hometown of Swindon and its railway system, the Swindon Works. In comparison to its predecessor Mummer (1983), which had a modest, pastoral approach to production, the album features a bright, uptempo sound marked by studio experimentation and denser arrangements, setting a template that they further developed on subsequent albums.
25 O'Clock is the debut record by English rock band the Dukes of Stratosphear and the eighth studio album by XTC, released on April Fools Day 1985 through Virgin Records. It was publicised as a long-lost collection of recordings by a late 1960s group, but actually consisted of new tracks recorded by Andy Partridge, Colin Moulding, and Dave Gregory of XTC with Gregory's brother Ian.
David Michael Riley was an American musician who was the bassist in the punk rock band Big Black from 1985 until the band's dissolution in 1987. Riley moved to Chicago in 1982 from Detroit, where he had worked as a recording engineer. He played on Big Black's two studio albums, Atomizer (1986) and Songs About Fucking (1987), as well as their Headache EP (1987), several singles, and two live albums. After Big Black, Riley recorded tracks with several other artists before being incapacitated by a stroke in 1993, losing the ability to walk. He became a blogger, and published a book in 2006 titled Blurry and Disconnected: Tales of Sink-or-Swim Nihilism. He died in late 2019 from squamous cell carcinoma.
3D EP is the debut record by English rock band XTC, released on 7 October 1977 through Virgin Records. The songs were recorded and mixed at Abbey Road Studios with production and engineering by John Leckie. "I'm Bugged" and "New Town Animal in a Furnished Cage" were also recorded at these sessions and these versions later appeared on their debut LP White Music (1978). Promotional videos were made for "Science Friction", "She's So Square" and "Dance Band". These same songs appeared on the White Music CD as bonus tracks.
The Mommyheads are an indie pop band who played from around 1987 through 1998, disbanded for a decade, and then reformed in 2008. Starting in New York City as the brainchild of singer Adam Cohen, the band produced a string of quirky and highly inventive releases on various independent labels, most notably Simple Machines. Their music has been compared to XTC. They relocated to San Francisco in 1990. The band signed to Geffen Records in 1997, producing a single album for the label before breaking up in 1998. They reunited to record a new CD in 2008.
The Dukes of Stratosphear were an English rock band formed in 1984 by Andy Partridge, Colin Moulding, Dave Gregory, and Ian Gregory. Modeled after psychedelic pop groups from the 1960s, the Dukes were initially publicised by Virgin Records as a mysterious new act, but were actually an XTC spin-off band. They recorded only two albums: 25 O'Clock (1985) and Psonic Psunspot (1987). In the UK, the records outsold XTC's then-current albums The Big Express (1984) and Skylarking (1986).