Bioscope may refer to:
Digital cinema refers to adoption of digital technology within the film industry to distribute or project motion pictures as opposed to the historical use of reels of motion picture film, such as 35 mm film. Whereas film reels have to be shipped to movie theaters, a digital movie can be distributed to cinemas in a number of ways: over the Internet or dedicated satellite links, or by sending hard drives or optical discs such as Blu-ray discs.
A movie theater, cinema, or cinema hall, also known as a movie house, picture house, the movies, the pictures, picture theater, the silver screen, the big screen, or simply theater is a building that contains auditoria for viewing films for entertainment. Most, but not all, movie theaters are commercial operations catering to the general public, who attend by purchasing a ticket.
IMAX is a proprietary system of high-resolution cameras, film formats, film projectors, and theaters known for having very large screens with a tall aspect ratio and steep stadium seating.
Shutter may refer to:
Cinerama is a widescreen process that originally projected images simultaneously from three synchronized 35mm projectors onto a huge, deeply curved screen, subtending 146° of arc. The trademarked process was marketed by the Cinerama corporation. It was the first of a number of novel processes introduced during the 1950s, when the movie industry was reacting to competition from television. Cinerama was presented to the public as a theatrical event, with reserved seating and printed programs, and audience members often dressed in their best attire for the evening.
A movie projector is an opto-mechanical device for displaying motion picture film by projecting it onto a screen. Most of the optical and mechanical elements, except for the illumination and sound devices, are present in movie cameras. Modern movie projectors are specially built video projectors.
Birt Acres was an American and British photographer and film pioneer. Among his contributions to the early film industry are the first working 35 mm camera in Britain (Wales), and Birtac, the first daylight loading home movie camera and projector. He also directed a number of early silent films.
Hiralal Sen is generally considered one of India's first filmmakers. In 1903, he filmed the popular Alibaba and Forty Thieves, the first full-length Indian film. A noted photographer, he is also credited with creating India's first advertising films and quite possibly India's first political film. A fire in 1917 destroyed all of his films.
William Haggar was a British pioneer of the cinema industry. Beginning his career as a travelling entertainer, Haggar, whose large family formed his theatre company, later bought a Bioscope show and earned his money in the fairgrounds of south Wales. In 1902 he began making his own short fictional films, making him one of the earliest directors in Britain. His films were shown worldwide and his short Desperate Poaching Affray is believed to have influenced early narrative drama in American film, especially in chase genre. As a director Haggar is recognised for his use of editing and the depth of staging in his melodramas and crime films.
Central Studios was an Indian film studio in the neighbourhood of Singanallur, Coimbatore in Tamil Nadu, started by B.Rangaswamy Naidu and other prominent industrialists like Swamikannu Vincent of Coimbatore in 1935 to make Tamil and other South Indian language movies. The studio was a major hub of Tamil movie production and notable for its association with many early day Tamil Movie Superstars, directors and script writers etc. and many making their career debuts here. The studio is best remembered for movies like Sivakavi, Velaikari and Haridas.
Jamshedji Framji Madan, professionally known as J. F. Madan, was an Indian theatre and film magnate who was one of the pioneers of film production in India, an early exhibitor, distributor and producer of films and plays. He accumulated his wealth on the Parsi theatre district scene in Bombay in the 1890s where he owned two theatre companies. He moved to Calcutta in 1902 where he founded Elphinstone Bioscope Company, and began producing and exhibiting silent movies including Jyotish Sarkar's Bengal Partition Movement in 1905. He expanded his empire considerably after acquiring rights to Pathé Frères films. He produced Satyavadi Raja Harishchandra in 1917 and Bilwamangal in 1919. Satyavadi Raja Harishchandra was the first feature film to be shot in Calcutta. Elphinstone merged into Madan Theatres Limited in 1919 which brought adapted many of Bengali's most popular literary works to the stage. Madan Theatres was a major force in Indian theatre throughout the 1920s and 1930s.
A film – also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick – is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it.
Chittajallu Pullayya was an Indian film director and screenwriter. He is one of the earliest film personalities in Telugu cinema being associated with the industry right from the silent era.
The Bioscop is a movie projector developed in 1895 by German inventors and filmmakers Max Skladanowsky and his brother Emil Skladanowsky (1866–1945).
The Cinema of South India refers collectively to the six distinct film industries based in Southern region of India — namely Tamil, Telugu, Tulu, Kannada, Konkani, and Malayalam. Although these industries developed independently for a long period of time, gross exchange of artists and technicians, as well as globalisation helped in shaping this unique identity.
Rajatava Dutta is an Indian actor who appears in Bengali, Hindi and English films. He is often regarded as one of the most celebrated and respected Bengali actors of his generation. On one hand, he has received popularity for playing negative characters in commercially successful films like MLA Fatakeshto, Paglu, Boss etc; on the other hand he has gained critical praise for his versatile acting performances in critically acclaimed films like Paromitar Ekdin, Open Tee Bioscope etc and in the web-series Byadh. He is a judge on the Zee Bangla reality show Mirakkel.
The Bioscope Man is the third novel of Indian author Indrajit Hazra. It is set in Calcutta and stitches early 20th century Indian cultural and cinema history with the farcical story of Abani Chatterjee to conduct a darkly comic investigation of the phenomena of pretending, lying and acting. It was published by Penguin Books India on 1 May 2008, and was translated into French the following year by Marc Amfreville. The French translation was entitled Le Roi du Cinéma Muet and was published by Le Cherche Midi.
Kattukkaran Varunny Joseph who is known as "Father of Malayalam cinema and theater industry" was an industrialist who established the former film exhibiting company in Kerala named Royal Exhibitors. He started Jose Theatre in Thrissur which is the first permanent theatre in Kerala and Davison Theatre in Kozhikode under Royal Exhibitors. He had established the first electrically operated film projector Jose Electrical Bioscope at Ollur, Thrissur city in 1913.
Ahindra Choudhury (1896-1974) was an Indian actor, director, theatre personality and the co-founder of Photo Play Syndicate, a Kolkata-based art organization for bioscope shows. A winner of the Sangeet Natak Akademi Award in 1958, Choudhury was honoured by the Government of India in 1963 with the award of Padma Shri, the fourth highest Indian civilian award, for his services to the nation.
Naangu Killadigal is 1969 Indian Tamil-language crime comedy film edited and directed by L. Balu. The film has an ensemble cast including Jaishankar, Anandan, Thengai Srinivasan, Suruli Rajan, Bharathi, Pushpamala and Kumari Padmini. It revolves around four men producing a film, raising funds by committing crimes.