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Pulp magazines were inexpensive fiction magazines that were published from 1896 to the late 1950s. The term "pulp" derives from the cheap wood pulp paper on which the magazines were printed. In contrast, magazines printed on higher-quality paper were called "glossies" or "slicks". The typical pulp magazine had 128 pages; it was 7 inches (18 cm) wide by 10 inches (25 cm) high, and 0.5 inches (1.3 cm) thick, with ragged, untrimmed edges.
Murray Leinster was a nom de plume of William Fitzgerald Jenkins, an American writer of science fiction. He wrote and published more than 1,500 short stories and articles, 14 movie scripts, and hundreds of radio scripts and television plays.
Edmond Moore Hamilton was an American writer of science fiction during the mid-twentieth century.
Doc Savage is a fictional character of the competent man hero type, who first appeared in American pulp magazines during the 1930s and 1940s. Real name Clark Savage Jr., he is a doctor, scientist, adventurer, detective, and polymath who "rights wrongs and punishes evildoers." He was created by publisher Henry W. Ralston and editor John L. Nanovic at Street & Smith Publications, with additional material contributed by the series' main writer, Lester Dent. The illustrations were by Walter Baumhofer, Paul Orban, Emery Clarke, Modest Stein, and Robert G. Harris.
Argosy, later titled The Argosy, Argosy All-Story Weekly and The New Golden Argosy, was an American pulp magazine from 1882 through 1978, published by Frank Munsey until its sale to Popular Publications in 1942. It is the first American pulp magazine. The magazine began as a children's weekly story–paper entitled The Golden Argosy. In the era before the Second World War, Argosy was regarded as one of the "Big Four" pulp magazines, - the most prestigious publications in the pulp market, that many pulp magazine writers aspired to publish in. John Clute, discussing the American pulp magazines in the first two decades of the twentieth century, has described The Argosy and its companion The All-Story as "the most important pulps of their era."
Planet Stories was an American pulp science fiction magazine, published by Fiction House between 1939 and 1955. It featured interplanetary adventures, both in space and on some other planets, and was initially focused on a young readership. Malcolm Reiss was editor or editor-in-chief for all of its 71 issues. Planet Stories was launched at the same time as Planet Comics, the success of which probably helped to fund the early issues of Planet Stories. Planet Stories did not pay well enough to regularly attract the leading science fiction writers of the day, but occasionally obtained work from well-known authors, including Isaac Asimov and Clifford D. Simak. In 1952 Planet Stories published Philip K. Dick's first sale, and printed four more of his stories over the next three years.
Men's adventure is a genre of magazine that was published in the United States from the 1940s until the early 1970s. Catering to a male audience, these magazines featured pin-up girls and lurid tales of adventure that typically featured wartime feats of daring, exotic travel or conflict with wild animals. These magazines were also colloquially called "armpit slicks", "men's sweat magazines" or "the sweats", especially by people in the magazine publishing or distribution trades.
The first Golden Age of Science Fiction, often recognized in the United States as the period from 1938 to 1946, was an era during which the science fiction genre gained wide public attention and many classic science fiction stories were published. In the history of science fiction, the Golden Age follows the "pulp era" of the 1920s and 1930s, and precedes New Wave science fiction of the 1960s and 1970s. The 1950s are a transitional period in this scheme; however, Robert Silverberg, who came of age in the 1950s, saw that decade as the true Golden Age.
The term adult comics typically denotes comic books, comic magazines, comic strips or graphic novels with content of an erotic, violent, or sophisticated nature marketed by publishers toward adult readers. They are sometimes restricted to purchase by legal adults, especially erotic comics which include sexually explicit material.
Adventure fiction is a genre of fiction that usually presents danger, or gives the reader a sense of excitement.
Gnome Press was an American small-press publishing company primarily known for publishing many science fiction classics. Gnome was one of the most eminent of the fan publishers of SF, producing 86 titles in its lifespan — many considered classic works of SF and Fantasy today. Gnome was important in the transitional period between Genre SF as a magazine phenomenon and its arrival in mass-market book publishing, but proved too underfunded to make the leap from fan-based publishing to the professional level. The company existed for just over a decade, ultimately failing due to inability to compete with major publishers who also started to publish science fiction. In its heyday, Gnome published many of the major SF authors, and in some cases, as with Robert E. Howard's Conan series and Isaac Asimov's Foundation series, was responsible for the manner in which their stories were collected into book form.
Robert Edward Weinberg was an American author, editor, publisher, and collector of science fiction. His work spans several genres including non-fiction, science fiction, horror, and comic books.
William Murray is an American novelist, journalist, and short-story and comic-book writer. Much of his fiction has been published under pseudonyms. With artist Steve Ditko he co-created the superhero Squirrel Girl.
Blue Book was a popular 20th-century American magazine with a lengthy 70-year run under various titles from 1905 to 1975. It was a sibling magazine to The Red Book Magazine and The Green Book Magazine.
Tales of Wonder was a British science fiction magazine published from 1937 to 1942, with Walter Gillings as editor. It was published by The World's Work, a subsidiary of William Heinemann, as part of a series of genre titles that included Tales of Mystery and Detection and Tales of the Uncanny. Gillings was able to attract some good material, despite the low payment rates he was able to offer; he also included many reprints from U.S. science fiction magazines. The magazine was apparently more successful than the other genre titles issued by The World's Work, since Tales of Wonder was the only one to publish more than a single issue.
Adventure was an American pulp magazine that was first published in November 1910 by the Ridgway company, an subsidiary of the Butterick Publishing Company. Adventure went on to become one of the most profitable and critically acclaimed of all the American pulp magazines. The magazine had 881 issues. The magazine's first editor was Trumbull White, he was succeeded in 1912 by Arthur Sullivant Hoffman (1876–1966), who would edit the magazine until 1927.
Ramble House is a small American publisher founded by Fender Tucker and Jim Weiler in 1999. The press specializes in reprints of long-neglected and rare crime fiction novels, modern crime fiction, 'weird menace' / 'shudder pulps' - short story collections from rare pulp magazines, and scholarly works by noted authors on the crime fiction genre, and a host of other diverse books of a collectible or curious nature. Apart from its main publishing arm, Ramble House has two imprints: Surinam Turtle Press and Dancing Tuatara Press, headed by author Richard A. Lupoff and John Pelan respectively.
The Thrill Book was a U.S. pulp magazine published by Street & Smith in 1919. It was intended to carry "different" stories: this meant stories that were unusual or unclassifiable, which in practice often meant the stories were fantasy or science fiction. The first eight issues, edited by Harold Hersey, were a mixture of adventure and weird stories. Contributors included Greye La Spina, Charles Fulton Oursler, J. H. Coryell, and Seabury Quinn. Hersey was replaced by Ronald Oliphant with the July 1 issue, probably because Street & Smith were unhappy with his performance.
Marvel Science Stories was an American pulp magazine that ran for a total of fifteen issues in two separate runs, both edited by Robert O. Erisman. The publisher for the first run was Postal Publications, and the second run was published by Western Publishing; both companies were owned by Abraham and Martin Goodman. The first issue was dated August 1938, and carried stories with more sexual content than was usual for the genre, including several stories by Henry Kuttner, under his own name and also under pseudonyms. Reaction was generally negative, with one reader referring to Kuttner's story "The Time Trap" as "trash". This was the first of several titles featuring the word "Marvel", and Marvel Comics came from the same stable in the following year.
Science-fiction and fantasy magazines began to be published in the United States in the 1920s. Stories with science-fiction themes had been appearing for decades in pulp magazines such as Argosy, but there were no magazines that specialized in a single genre until 1915, when Street & Smith, one of the major pulp publishers, brought out Detective Story Magazine. The first magazine to focus solely on fantasy and horror was Weird Tales, which was launched in 1923, and established itself as the leading weird fiction magazine over the next two decades; writers such as H.P. Lovecraft, Clark Ashton Smith and Robert E. Howard became regular contributors. In 1926 Weird Tales was joined by Amazing Stories, published by Hugo Gernsback; Amazing printed only science fiction, and no fantasy. Gernsback included a letter column in Amazing Stories, and this led to the creation of organized science-fiction fandom, as fans contacted each other using the addresses published with the letters. Gernsback wanted the fiction he printed to be scientifically accurate, and educational, as well as entertaining, but found it difficult to obtain stories that met his goals; he printed "The Moon Pool" by Abraham Merritt in 1927, despite it being completely unscientific. Gernsback lost control of Amazing Stories in 1929, but quickly started several new magazines. Wonder Stories, one of Gernsback's titles, was edited by David Lasser, who worked to improve the quality of the fiction he received. Another early competitor was Astounding Stories of Super-Science, which appeared in 1930, edited by Harry Bates, but Bates printed only the most basic adventure stories with minimal scientific content, and little of the material from his era is now remembered.
References
- 1 2 3 Gorman, Ed. "Black Dog Books: An Interview with Publisher Tom Roberts". New Improved Gorman (blog). March 18, 2010. Retrieved 2010-12-25.
- ↑ Truesdale, Dave. "The Silver Menace by Murray Leinster". Review of Murray Leinster, The Silver Menace and A Thousand Degrees Below Zero. Tangent (TangentOnline.com). September 12, 2010. Retrieved 2010-12-25.
Other sources:
- McNulty, Thomas. "Pulp Fiction Renaissance". Antique Trader . August 2010.
- Strock, Ian Randall. "Early pulp mag Adventure is the basis for two new series from Black Dog Books". SFScope. June 2010. Archived 2012-07-10.
