Black Lolita | |
---|---|
Directed by | Stephen Gibson |
Written by | Mike Brown Stephen Gibson |
Produced by | Stephen Gibson (Producer) Parker Johnson (Executive producer) |
Starring | Yolanda Love Ed Cheatwood Susan Ayers Joey Ginza |
Cinematography | Stephen Gibson |
Music by | Steve Dexter |
Distributed by | Cinema Epoch, Parliament, Pathfinder Pictures, Phaedra Cinema |
Release date |
|
Running time | 85 mins |
Country | United States |
Language | English |
Black Lolita is a 3D blaxploitation film directed by Stephen Gibson. It was released in 1975 under that title. Some time later, new footage was added to create another film, which was released under the title of Wildcat Women. It is about a singer who returns to her home town to fight the gangsters who have taken it over. It stars Yolanda Love, Ed Cheatwood, Susan Ayers and Joey Ginza.
A beautiful singer whose career is on the rise finds out that her relatives are being harassed by criminals. She returns to her hometown to take revenge on them. [1] [2] She puts together a team to take them on, and Buddha, the criminal boss who murdered her uncle, from whom he was trying to extort money. [3] [4]
The film is also called Bad Lolita, and was released in 1975. The original was released in 3D. [5] [6] It was announced in the January 20, 1975 issue of Box that the film was possibly the first black action movie to be filmed in 3D and that it was scheduled to open in Chicago in the near future. [7]
At the time when the film was made, Blaxploitation films were still very popular. Producer / director Stephen Gibson thought that some other films of that genre, like the Rudy Ray Moore films, weren't that good, and he thought he could work in that area as long as he delivered. He didn't do enough market research, and the film sank. [8] The film played at Detroit's Grand Circus theater where popcorn was thrown at the screen and seats were damaged. [9] Because he owned the picture, Gibson only had to worry about getting back his own money. He decided to change the title and shoot extra footage and other footage to add the story. The finished product was a different film altogether. It was called Wildcat Women. Black Lolita and Wildcat Women are actually two different films. [10]
The music for the film was composed by Joe Greene, Marva Farmer and Steve Dexter. [11] Additional music was provided by The Charades. The two songs they contributed were the title song and the love theme [12]
The film was screened at the Plaza in Detroit in June 1975, and was doubled with Quadroon , which explored the status of mixed-race women in early 1800s New Orleans. [13] Also in Detroit, it screened at the Grand Circus where it didn't do well. [14]
3D films are motion pictures made to give an illusion of three-dimensional solidity, usually with the help of special glasses worn by viewers. They have existed in some form since 1915, but had been largely relegated to a niche in the motion picture industry because of the costly hardware and processes required to produce and display a 3D film, and the lack of a standardized format for all segments of the entertainment business. Nonetheless, 3D films were prominently featured in the 1950s in American cinema, and later experienced a worldwide resurgence in the 1980s and 1990s driven by IMAX high-end theaters and Disney-themed venues. 3D films became increasingly successful throughout the 2000s, peaking with the success of 3D presentations of Avatar in December 2009, after which 3D films again decreased in popularity. Certain directors have also taken more experimental approaches to 3D filmmaking, most notably celebrated auteur Jean-Luc Godard in his film Goodbye to Language.
Shampoo is a 1975 American comedy film directed by Hal Ashby, and starring Warren Beatty, Julie Christie, Goldie Hawn, Lee Grant, Jack Warden, Tony Bill, and Carrie Fisher in her film debut. Co-written by Beatty and Robert Towne, the film follows a promiscuous Los Angeles hairdresser on Election Day 1968, as he juggles his relationships with several women. The film is a satire focusing on the theme of sexual politics and late-1960s sexual and social mores.
A 3D display is a display device capable of conveying depth to the viewer. Many 3D displays are stereoscopic displays, which produce a basic 3D effect by means of stereopsis, but can cause eye strain and visual fatigue. Newer 3D displays such as holographic and light field displays produce a more realistic 3D effect by combining stereopsis and accurate focal length for the displayed content. Newer 3D displays in this manner cause less visual fatigue than classical stereoscopic displays.
House of Wax is a 1953 American period mystery-horror film directed by Andre DeToth. A remake by Warner Bros. of their 1933 film Mystery of the Wax Museum, it stars Vincent Price as a disfigured sculptor who repopulates his destroyed wax museum by murdering people and using their wax-coated remains as displays. The film premiered in New York on April 10, 1953, and had a general release on April 25, making it the first 3D film with stereophonic sound to be presented in a regular theater and the first color 3D feature film from a major American studio.
Robot Monster is a 1953 independently made American black-and-white 3D science fiction film, remembered in later decades as one of the worst movies ever made. It was produced and directed by Phil Tucker, written by Wyott Ordung, and stars George Nader, Claudia Barrett, and George Barrows. The production company was Three Dimensional Pictures, Inc. The film was distributed by Astor Pictures.
I'm Gonna Git You Sucka is a 1988 American blaxploitation parody film written, directed by and starring Keenen Ivory Wayans in his directorial debut. Featured in the film are several noteworthy African-American actors who were part of the genre of blaxploitation: Jim Brown, Bernie Casey, Antonio Fargas and Isaac Hayes. It co-stars John Vernon, Kadeem Hardison, Ja'net Dubois, John Witherspoon, Damon Wayans, Clarence Williams III and Chris Rock, and acts as the film debuts of comedian Robin Harris and brothers Shawn and Marlon Wayans.
A polarized 3D system uses polarization glasses to create the illusion of three-dimensional images by restricting the light that reaches each eye.
Anaglyph 3D is the stereoscopic 3D effect achieved by means of encoding each eye's image using filters of different colors, typically red and cyan. Anaglyph 3D images contain two differently filtered colored images, one for each eye. When viewed through the "color-coded" "anaglyph glasses", each of the two images reaches the eye it's intended for, revealing an integrated stereoscopic image. The visual cortex of the brain fuses this into the perception of a three-dimensional scene or composition.
The Bellboy and the Playgirls is a 1962 American film by Francis Ford Coppola and Jack Hill. The film is a re-edited version of a West German film of 1958 originally titled Mit Eva fing die Sünde an [Sin Began with Eve], directed by Fritz Umgelter with Coppola and Hill shooting nudity inserted into the film for an American release.
Teleview was a system for projecting stereoscopic motion pictures invented by Laurens Hammond, best known as the inventor of the Hammond organ. It made its public debut on 27 December 1922 at the Selwyn Theatre in New York City, the only theater ever equipped with the system. The program included several short films, a live presentation of projected 3D shadows, and the 95-minute feature film M.A.R.S., later re-released in 2D as Radio-Mania.
Leonard Lipton was an American author, filmmaker, lyricist and inventor. At age 19, Lipton wrote the poem that became the basis for the lyrics to the song "Puff, the Magic Dragon". He went on to write books on independent filmmaking and become a pioneer in the field of projected three-dimensional imagery. His technology is used to show 3D films on more than 30,000 theater screens worldwide. In 2021, he published The Cinema in Flux, an 800-page illustrated book on the history of cinema technology.
Blaxploitation is an ethnic subgenre of the exploitation film that emerged in the United States during the early 1970s. The term, a portmanteau of the words "black" and "exploitation", was coined in August 1972 by Junius Griffin, the president of the Beverly Hills–Hollywood NAACP branch. He claimed the genre was "proliferating offenses" to the black community in its perpetuation of stereotypes often involved in crime. The genre does rank among the first after the race films in the 1940s and 1960s in which black characters and communities are the protagonists and subjects of film and television, rather than sidekicks, antagonists or victims of brutality. The genre's inception coincides with the rethinking of race relations in the 1970s.
The Man from M.A.R.S. is a 1922 silent U.S. science fiction film. It is notable for using the 3-D process called Teleview, similar to today's alternating frame 3-D systems. Shown in 3-D only at the Selwyn Theater in New York City, it was previewed as Mars Calling at a trade and press screening on October 13, 1922, premiered as M.A.R.S. on December 27, 1922, and ran through January 20, 1923. A 2-D version was distributed as Radio-Mania in 1923–1924. The film was directed by Roy William Neil and photographed by George J. Folsey.
Ray Zone (1947–2012) was an American film historian, author, artist, and pioneer in methods of converting flat images into stereoscopic images.
3ality Technica, formerly 3ality Digital, was a Burbank, California based company that specialized in high-definition, live-action stereoscopic digital 3D. The company developed production systems, image processing software and other technologies that enabled the creation, post-production and distribution of live-action 3D entertainment.
Arthur Ronald Marks was an American film and television director, writer, producer and distributor best known for his work in the blaxploitation genre, directing films such as Bonnie's Kids, Detroit 9000, Friday Foster, Bucktown, The Monkey Hu$tle and J. D.'s Revenge. He also directed and produced numerous episodes of the American legal drama Perry Mason, as well as episodes of Starsky & Hutch, Mannix, I Spy, My Friend Tony, The Dukes of Hazzard, Steve Canyon, and Young Daniel Boone.
Barrier-grid animation or picket-fence animation is an animation effect created by moving a striped transparent overlay across an interlaced image. The barrier-grid technique originated in the late 1890s, overlapping with the development of parallax stereography (Relièphographie) for 3D autostereograms. The technique has also been used for color-changing pictures, but to a much lesser extent.
The Charades is a doo-wop, r&b group which was mostly active in California in the early to mid-1960s and has released a number of singles on various labels. One of the songs it recorded, which was associated with the surf genre, was "Surf 'n Stomp" on the Northridge label. The band also recorded for Tony Hilder's Impact label, and even had a release on a label owned by Fred Astaire. They had a minor hit with "Please Be My Love Tonight". The group, though it has been through some changes, still continues today, and has a history that spans six decades.
Harry K. Fairall was an American camera operator, inventor and producer, and founder of the Binocular Stereoscopic Film Company, of Loas Angeles, California. He is known for his effort to establish stereoscopic movies in the 1920s, obtaining a series of patents covering the technologies to produce binocular films. His patents covered the process of exposing a celluloid based film reel, covered in a gelatine based emulsion, to a series of images intended for the left eye, through a colour filter, applying a second emulsion coating, and repeating the process for the images intended for the right eye, through a different colour filter. The resulting film, if later projected and viewed through binocular goggles, with matching left and right eye, coloured, lenses, to those used in its production, achieved a simulated 3D experience.