Related Research Articles
3D films are motion pictures made to give an illusion of three-dimensional solidity, usually with the help of special glasses worn by viewers. They have existed in some form since 1915, but had been largely relegated to a niche in the motion picture industry because of the costly hardware and processes required to produce and display a 3D film, and the lack of a standardized format for all segments of the entertainment business. Nonetheless, 3D films were prominently featured in the 1950s in American cinema, and later experienced a worldwide resurgence in the 1980s and 1990s driven by IMAX high-end theaters and Disney-themed venues. 3D films became increasingly successful throughout the 2000s, peaking with the success of 3D presentations of Avatar in December 2009, after which 3D films again decreased in popularity. Certain directors have also taken more experimental approaches to 3D filmmaking, most notably celebrated auteur Jean-Luc Godard in his film Goodbye to Language.
Shampoo is a 1975 American comedy film directed by Hal Ashby, and starring Warren Beatty, Julie Christie, Goldie Hawn, Lee Grant, Jack Warden, Tony Bill, and Carrie Fisher in her film debut. Co-written by Beatty and Robert Towne, the film follows a promiscuous Los Angeles hairdresser on Election Day 1968, as he juggles his relationships with several women. The film is a satire focusing on the theme of sexual politics and late-1960s sexual and social mores.
A 3D display is a display device capable of conveying depth to the viewer. Many 3D displays are stereoscopic displays, which produce a basic 3D effect by means of stereopsis, but can cause eye strain and visual fatigue. Newer 3D displays such as holographic and light field displays produce a more realistic 3D effect by combining stereopsis and accurate focal length for the displayed content. Newer 3D displays in this manner cause less visual fatigue than classical stereoscopic displays.
Robot Monster is a 1953 independently made American black-and-white 3D science fiction horror film, remembered in later decades as one of the worst movies ever made. It was produced and directed by Phil Tucker, written by Wyott Ordung, and stars George Nader, Claudia Barrett, and George Barrows. The production company was Three Dimensional Pictures, Inc. The film was distributed by Astor Pictures.
James Milton Kelly was an American athlete, martial artist, and actor. After winning several karate championships, Kelly rose to fame in the early 1970s appearing in various action films within the martial arts and blaxploitation genres. Kelly played opposite Bruce Lee in 1973's Enter the Dragon, and had lead roles in 1974's Black Belt Jones as the title character and Three the Hard Way as Mister Keyes.
A polarized 3D system uses polarization glasses to create the illusion of three-dimensional images by restricting the light that reaches each eye.
Anaglyph 3D is the stereoscopic 3D effect achieved by means of encoding each eye's image using filters of different colors, typically red and cyan. Anaglyph 3D images contain two differently filtered colored images, one for each eye. When viewed through the "color-coded" "anaglyph glasses", each of the two images is visible to the eye it is intended for, revealing an integrated stereoscopic image. The visual cortex of the brain fuses this into the perception of a three-dimensional scene or composition.
The Bellboy and the Playgirls is a 1962 American film by Francis Ford Coppola and Jack Hill. The film is a re-edited version of a West German film of 1958 originally titled Mit Eva fing die Sünde an [Sin Began with Eve], directed by Fritz Umgelter with Coppola and Hill shooting nudity inserted into the film for an American release.
Teleview was a system for projecting stereoscopic motion pictures invented by Laurens Hammond, best known as the inventor of the Hammond organ. It made its public debut on 27 December 1922 at the Selwyn Theatre in New York City, the only theater ever equipped with the system. The program included several short films, a live presentation of projected 3D shadows, and the 95-minute feature film M.A.R.S., later re-released in 2D as Radio-Mania.
Black Shampoo is an American exploitation film directed by Greydon Clark. Released in 1976, the comedy film is considered an example of the blaxploitation and sexploitation subgenres of exploitation film. Produced on a budget of $50,000, the film stars John Daniels as Jonathan Knight, an African American businessman and hairdresser who frequently has sex with his predominantly white female clients, and Tanya Boyd as Brenda, Jonathan's secretary and girlfriend, who was previously in a relationship with a white mob boss, who, out of jealousy towards his ex's new lover, begins to regularly send goons to trash Jonathan's hair salon. The violence escalates as the film progresses.
Leonard Lipton was an American author, filmmaker, lyricist and inventor. At age 19, Lipton wrote the poem that became the basis for the lyrics to the song "Puff, the Magic Dragon". He wrote books on independent filmmaking and become a pioneer in the field of projected three-dimensional imagery. Leonard Lipton developed 3D cinema technology that is used in RealD 3D cinemas. His technology is used to show 3D films on more than 30,000 theater screens worldwide.
In US cinema, Blaxploitation is the film subgenre of action movie derived from the exploitation film genre in the early 1970s, consequent to the combined cultural momentum of the Black civil rights movement, the black power movement, and the Black Panther Party, political and sociological circumstances that facilitated Black artists reclaiming their power of the Representation of the Black ethnic identity in the arts. The term blaxploitation is a portmanteau of the words Black and exploitation, coined by Junius Griffin, president of the Beverly Hills–Hollywood branch of the NAACP in 1972. In criticizing the Hollywood portrayal of the multiracial society of the US, Griffin said that the blaxploitation genre was "proliferating offenses" to and against the Black community, by perpetuating racist stereotypes of inherent criminlality.
The Man from M.A.R.S. is a 1922 silent U.S. science fiction film. It is notable for using the 3-D process called Teleview, similar to today's alternating frame 3-D systems. Shown in 3-D only at the Selwyn Theater in New York City, it was previewed as Mars Calling at a trade and press screening on October 13, 1922, premiered as M.A.R.S. on December 27, 1922, and ran through January 20, 1923. A 2-D version was distributed as Radio-Mania in 1923–1924. The film was directed by Roy William Neil and photographed by George J. Folsey.
Ray Zone (1947–2012) was an American film historian, author, artist, and pioneer in methods of converting flat images into stereoscopic images.
3ality Technica, formerly 3ality Digital, was a Burbank, California based company that specialized in high-definition, live-action stereoscopic digital 3D. The company developed production systems, image processing software and other technologies that enabled the creation, post-production and distribution of live-action 3D entertainment.
The history of film technology traces the development of techniques for the recording, construction and presentation of motion pictures. When the film medium came about in the 19th century, there already was a centuries old tradition of screening moving images through shadow play and the magic lantern that were very popular with audiences in many parts of the world. Especially the magic lantern influenced much of the projection technology, exhibition practices and cultural implementation of film. Between 1825 and 1840, the relevant technologies of stroboscopic animation, photography and stereoscopy were introduced. For much of the rest of the century, many engineers and inventors tried to combine all these new technologies and the much older technique of projection to create a complete illusion or a complete documentation of reality. Colour photography was usually included in these ambitions and the introduction of the phonograph in 1877 seemed to promise the addition of synchronized sound recordings. Between 1887 and 1894, the first successful short cinematographic presentations were established. The biggest popular breakthrough of the technology came in 1895 with the first projected movies that lasted longer than 10 seconds. During the first years after this breakthrough, most motion pictures lasted about 50 seconds, lacked synchronized sound and natural colour, and were mainly exhibited as novelty attractions. In the first decades of the 20th century, movies grew much longer and the medium quickly developed into one of the most important tools of communication and entertainment. The breakthrough of synchronized sound occurred at the end of the 1920s and that of full color motion picture film in the 1930s. By the start of the 21st century, physical film stock was being replaced with digital film technologies at both ends of the production chain by digital image sensors and projectors.
Arthur Ronald Marks was an American film and television director, writer, producer and distributor best known for his work in the blaxploitation genre, directing films such as Bonnie's Kids, Detroit 9000, Friday Foster, Bucktown, The Monkey Hu$tle and J. D.'s Revenge. He also directed and produced numerous episodes of the American legal drama Perry Mason, as well as episodes of Starsky & Hutch, Mannix, I Spy, My Friend Tony, The Dukes of Hazzard, Steve Canyon, and Young Daniel Boone.
Barrier-grid animation or picket-fence animation is an animation effect created by moving a striped transparent overlay across an interlaced image. The barrier-grid technique originated in the late 1890s, overlapping with the development of parallax stereography (Relièphographie) for 3D autostereograms. The technique has also been used for color-changing pictures, but to a much lesser extent.
The Charades is a doo-wop, r&b group which was mostly active in California in the early to mid-1960s and has released a number of singles on various labels. One of the songs it recorded, which was associated with the surf genre, was "Surf 'n Stomp" on the Northridge label. The band also recorded for Tony Hilder's Impact label, and even had a release on a label owned by Fred Astaire. They had a minor hit with "Please Be My Love Tonight". The group, though it has been through some changes, still continues today, and has a history that spans six decades.
References
- ↑ The Paris News , June 8, 1975 - Page 37
- ↑ Letterboxd - Black Lolita 1975 Directed by Stephen Gibson
- ↑ Turner Classic Movies - Black Lolita(1975) Brief Synopsis
- ↑ Nostalgia Central - Black Lolita (1975)
- ↑ Ashley Marcelline's Black Film & Video Guide, Ashley Marcelline, Black Cinema Network, 1994 - Page 23 Black Lolita/Bad Lolita
- ↑ Blaxploitation cinema:
the essential reference guide, Josiah Howard - Page 100 - ↑ American Film Institute - Wildcat Women (1976)
- ↑ 3-D Filmmakers: Conversations with Creators of Stereoscopic Motion Pictures, By Ray Zone - Steve Gibson Page 31 - 33
- ↑ 3D Revolution: The History of Modern Stereoscopic Cinema, By Ray Zone - Page 105
- ↑ 3-D Filmmakers: Conversations with Creators of Stereoscopic Motion Pictures, By Ray Zone - Steve Gibson Page 31 - 33
- ↑ RingosTrack - Black Lolita Soundtrack (1975) OST
- ↑ Tulare Advance-Register, Friday, February 13, 1987 - Page 6 Accent on entertainment, 30 years of The Charades
- ↑ The Paris News, June 8, 1975 - Page 37
- ↑ 3D Revolution: The History of Modern Stereoscopic Cinema, By Ray Zone - Page 105
- ↑ British Film Institute - Black Lolita (1975), Cast & Credits