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The Crisis is the official magazine of the National Association for the Advancement of Colored People (NAACP). It was founded in 1910 by W. E. B. Du Bois (editor), Oswald Garrison Villard, J. Max Barber, Charles Edward Russell, Kelly Miller, William Stanley Braithwaite, and Mary Dunlop Maclean. The Crisis has been in continuous print since 1910, and it is the oldest Black-oriented magazine in the world. Today, The Crisis is "a quarterly journal of civil rights, history, politics and culture and seeks to educate and challenge its readers about issues that continue to plague African Americans and other communities of color."
Jessie Redmon Fauset was an African-American editor, poet, essayist, novelist, and educator. Her literary work helped sculpt African-American literature in the 1920s as she focused on portraying a true image of African-American life and history. Her black fictional characters were working professionals which was an inconceivable concept to American society during this time Her story lines related to themes of racial discrimination, "passing", and feminism. From 1919 to 1926, Fauset's position as literary editor of The Crisis, a NAACP magazine, allowed her to contribute to the Harlem Renaissance by promoting literary work that related to the social movements of this era. Through her work as a literary editor and reviewer, she discouraged black writers from lessening the racial qualities of the characters in their work, and encouraged them to write honestly and openly about the African-American race. She wanted a realistic and positive representation of the African-American community in literature that had never before been as prominently displayed. Before and after working on The Crisis, she worked for decades as a French teacher in public schools in Washington, DC, and New York City. She published four novels during the 1920s and 1930s, exploring the lives of the black middle class. She also was the editor and co-author of the African-American children's magazine The Brownies' Book. She is known for discovering and mentoring other African-American writers, including Langston Hughes, Jean Toomer, Countee Cullen, and Claude McKay.
Black Hebrew Israelites are groups of African Americans who believe that they are the descendants of the ancient Israelites. To varying degrees, Black Hebrew Israelites incorporate certain aspects of the religious beliefs and practices of both Christianity and Judaism, though they have created their own interpretation of the Bible. Many choose to identify as Hebrew Israelites or Black Hebrews rather than Jews in order to indicate their claimed historic connections.
Gwendolyn B. Bennett was an American artist, writer, and journalist who contributed to Opportunity: A Journal of Negro Life, which chronicled cultural advancements during the Harlem Renaissance. Though often overlooked, she herself made considerable accomplishments in art, poetry, and prose. She is perhaps best known for her short story "Wedding Day", which was published in the magazine Fire!! and explores how gender, race, and class dynamics shape an interracial relationship. Bennett was a dedicated and self-preserving woman, respectfully known for being a strong influencer of African-American women rights during the Harlem Renaissance. Throughout her dedication and perseverance, Bennett raised the bar when it came to women's literature and education. One of her contributions to the Harlem Renaissance was her literary acclaimed short novel Poets Evening; it helped the understanding within the African-American communities, resulting in many African Americans coming to terms with identifying and accepting themselves.
Plum Bun: A Novel Without a Moral is a novel by Jessie Redmon Fauset first published in 1928. Written by an African-American woman who, during the 1920s, was for many years the literary editor of The Crisis, it is often seen as an important contribution to the movement that has come to be known as the Harlem Renaissance.
Dorothy West was an American storyteller and short story writer during the time of the Harlem Renaissance. She is best known for her 1948 novel The Living Is Easy, as well as many other short stories and essays, about the life of an upper-class black family.
Georgia Blanche Douglas Camp Johnson, better known as Georgia Douglas Johnson, was an African-American poet, one of the earliest African-American female playwrights, and an important figure of the Harlem Renaissance.
Laura Wheeler Waring was an American artist and educator, best known for her paintings of prominent African Americans that she made during the Harlem Renaissance. She taught art for more than 30 years at Cheyney University in Pennsylvania.
"New Negro" is a term popularized during the Harlem Renaissance implying a more outspoken advocacy of dignity and a refusal to submit quietly to the practices and laws of Jim Crow racial segregation. The term "New Negro" was made popular by Alain LeRoy Locke in his anthology The New Negro.
Alain Leroy Locke was an American writer, philosopher, educator, and patron of the arts. Distinguished in 1907 as the first African-American Rhodes Scholar, Locke became known as the philosophical architect —the acknowledged "Dean"— of the Harlem Renaissance. He is frequently included in listings of influential African Americans. On March 19, 1968, the Rev. Dr. Martin Luther King Jr. proclaimed: "We're going to let our children know that the only philosophers that lived were not Plato and Aristotle, but W. E. B. Du Bois and Alain Locke came through the universe."
The Harlem Renaissance was an intellectual and cultural revival of African American music, dance, art, fashion, literature, theater and politics centered in Harlem, Manhattan, New York City, spanning the 1920s and 1930s. At the time, it was known as the "New Negro Movement", named after The New Negro, a 1925 anthology edited by Alain Locke. The movement also included the new African American cultural expressions across the urban areas in the Northeast and Midwest United States affected by a renewed militancy in the general struggle for civil rights for African Americans that occurred in the wake of civil rights struggles in the then-still-segregated US Armed Forces in WWI and which was further inspired by the NAACP, the Garveyite movement and the Russian Revolution, combined with the Great Migration of African American workers fleeing the racist conditions of the Jim Crow Deep South, Harlem being the final destination of the largest number of those who migrated north.
Arthur Huff Fauset was an American civil rights activist, anthropologist, folklorist, and educator. Born in Flemington, New Jersey, he grew up in Philadelphia, where he attended Central High School.
"The Negro Speaks of Rivers" is a poem by American writer Langston Hughes. Hughes wrote the poem when he was seventeen and crossing the Mississippi River on the way to visit his father in Mexico. It was first published the following year in The Crisis, starting Hughes's literary career. "The Negro Speaks of Rivers" uses rivers as a metaphor for Hughes's life and the broader African-American experience. It has been reprinted often and is considered one of Hughes's most famous and signature works.
Lewis Grandison Alexander was an American poet, actor, playwright, and costume designer who lived in Washington, D.C. and had strong ties to the Harlem Renaissance period in New York. Alexander focused most of his time and creativity on poetry, and it is for this that he is best known.
Mae Virginia Cowdery was an African-American poet based in Philadelphia, Pennsylvania. She is considered part of the wide-ranging artistic efforts inspired by the Harlem Renaissance in New York City.
Nellie Rathbone Bright was an American educator, poet, and author. She taught in Philadelphia public schools, becoming a principal in 1935 and serving until her retirement in 1952. She inspired generations of African-American students.
The Brownies' Book was the first magazine published for African-American children and youth. Its creation was mentioned in the yearly children's issue of The Crisis in October 1919. The first issue was published during the Harlem Renaissance in January 1920, with issues published monthly until December 1921. It is cited as an "important moment in literary history" for establishing black children's literature in the United States.
This article documents the history of African-Americans in Philadelphia.
The Negro in Art: How Shall He Be Portrayed? was the title of a 1926 symposium hosted on the pages of The Crisis, the magazine of the National Association for the Advancement of Colored People (NAACP). Over seven issues, various figures in American literary culture answered seven questions posed by the editors. According to scholar A.B. Christa Schwarz, the symposium's articles are an enduring resource, with relevance to "attitudes toward the black−white literary marketplace on the crucial issue of representation."
Idabelle Yeiser was an African-American woman poet and writer who was part of the New Negro Movement in Philadelphia.
References
- ↑ Kathleen Collins (2004). "Black Opals". In Wintz, Cary D.; Finkelman, Paul (eds.). Encyclopedia of the Harlem Renaissance: A-J. Taylor & Francis. p. 133. ISBN 978-1-57958-457-3.
- ↑ Aberjhani; West, Sandra L., eds. (2003). "Philadelphia and the Harlem Renaissance". Encyclopedia of the Harlem Renaissance. Infobase Publishing. pp. 262–3. ISBN 978-1-4381-3017-0.
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