Black Roots | |
---|---|
Directed by | Lionel Rogosin |
Produced by | Lionel Rogosin |
Starring | Jim Collier, Rev. Gary Davis, Larry Johnson, Flo Kennedy, Rev. Frederick Douglas Kirkpatrick, Wendy Smith |
Cinematography | J. Robert Wagner |
Edited by | Ruth Schell |
Release date |
|
Running time | 60 minutes |
Country | United States |
Language | English |
Black Roots is a film produced and directed by American independent filmmaker Lionel Rogosin. [1] The film gathers a number of African-American folk and blues musicians in a room, where they share stories and songs about the black experience in America. [2] Film editor Carl Lerner is credited as an "associate producer"; and Alan Lomax, along with his daughter Anna, are credited as "musical consultants." Anna Lomax also has the credit of "assistant editor."
Lionel Rogosin reunited with Jim Collier two years later for Black Fantasy . [3]
Blu-ray.com said the film, "is very much a film of its time, both in cinematic style and in subject matter. With today's technology, a budding filmmaker could do far more logistically on Rogosin's limited budget, but few would have Rogosin's eye or his ability to get people to speak openly. Besides, Rogosin captured a socio-psychological landscape that has changed dramatically, just as New York's Bowery has evolved since the filmmaker spent weeks in its back alleys making friends with the regulars. Black Roots captures an essential perspective on America at the height of the civil rights movement. For that alone, it is worth seeing." [4]
Five Easy Pieces is a 1970 American drama film directed by Bob Rafelson, written by Carole Eastman and Rafelson, and starring Jack Nicholson, Karen Black, Susan Anspach, Lois Smith, and Ralph Waite. The film tells the story of surly oil rig worker Bobby Dupea, whose rootless blue-collar existence belies his privileged youth as a piano prodigy. When Bobby learns that his father is dying, he travels to his family home in Washington to visit him, taking along his uncouth girlfriend.
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Cat People is a 1982 American supernatural horror film directed by Paul Schrader and starring Nastassja Kinski, Malcolm McDowell, John Heard, and Annette O'Toole. It is a remake of the 1942 RKO Radio Pictures film of the same name. Giorgio Moroder composed the film's score, including the theme song, which features lyrics and vocals by David Bowie. Wilbur Stark and Jerry Bruckheimer served as executive producers.
Woodstock is a 1970 American documentary film of the watershed counterculture Woodstock Festival which took place in August 1969 near Bethel, New York.
Cathy Lomax is a London artist, curator and director of the Transition Gallery. She is mainly known for her figurative paintings which often focus on the female image and are inspired by 'the seductive imagery of film, fame and fashion'.
Shirley Clarke was an American filmmaker.
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The Beast Within is a 1982 American horror film directed by Philippe Mora and starring Ronny Cox, Bibi Besch, Paul Clemens, L. Q. Jones, Don Gordon, R. G. Armstrong, Logan Ramsey, Katherine Moffat, and Meshach Taylor.
The Thief of Bagdad is a 1940 British Technicolor historical fantasy film, produced by Alexander Korda and directed by Michael Powell, Ludwig Berger and Tim Whelan, with additional contributions by William Cameron Menzies and Korda brothers Vincent and Zoltán. The film stars Indian-born teen actor Sabu, Conrad Veidt, John Justin, and June Duprez. It was released in the US and the UK by United Artists.
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Come Back, Africa is a 1959 film, the second feature-length film written, produced, and directed by American independent filmmaker Lionel Rogosin. The film had a profound effect on African cinema, and remains historically and cultural importance as a document preserving the heritage of the townships in South Africa in the 1950s. It may be classified as reportage, documentary, historical movie or political cinema, since it portrays real events and people. It reveals an interpretation of meaningful social facts and a strong ethical assumption towards human behaviours like racism.
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Lionel Rogosin was an independent American filmmaker. He worked in political cinema, non-fiction partisan filmmaking and docufiction, influenced by Italian neorealism and Robert Flaherty.
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