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Author | Patricia Hill Collins |
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Language | English |
Subject | African-American culture |
Genre | Critical theory |
Publisher | Taylor and Francis |
Publication date | 2004 |
ISBN | 9780415951500 |
Black Sexual Politics: African Americans, Gender and the New Racism by Patricia Hill Collins is a work of critical theory that discusses the way that race, class and gender intersect to affect the lives of African American men and women in many different ways, but with similar results. The book explores the way that new forms of racism can work to oppress black people, while filling them with messages of liberation.
Black Sexual Politics also examines the way a narrow sexual politics based on American ideas/ideals of masculinity, femininity and the appropriate expression of sexuality work to repress gay and hetero, male and female. Collins' work also proposes a liberatory politics for black Americans, centered on honest dialogue about the way stereotypical imagery and limiting racist and sexist ideology have harmed African Americans in the past, and how African Americans might progress beyond these ideas and their manifestations to become active change agents in their own communities.
The book starts from the premise that in order to achieve a more progressive black political agenda, African Americans need to look critically at the way race, class and gender intersect in their lives to create different responses. Looking at the black community as a monolith may prevent us from seeing that African American women are the targets of specific social welfare policies or that African American men are being disproportionately incarcerated. Both of these results stem from racism, but take on a gendered approach.
In Black Sexual Politics, Hill Collins proposes several ideas for black liberation, though the book is focused on getting individuals to find creative ways to challenge racism, sexism and homophobia as it manifests itself in their own communities. One idea that Hill Collins purports is that African Americans need to create and support avenues of self-expression that allow them to tell their own stories about the effects of racism/sexism/homophobia, and to share their emotional and sexual experiences as African American persons. This work is being done, but is largely in its infancy.
Hill Collins also argues that it is critical for African Americans to define new visions of success that resist traditional Western/American views. She argues that equating masculinity with wealth and femininity with submissiveness and financial dependence is harmful to all groups, but especially for African Americans, who have been traditionally locked out of the economic opportunity structure. In a society where black men face threats to their economic well being, and disproportionately are incarcerated and lack access to quality education, any vision of masculinity that suggests that to be a man is to be financially successful puts a great number of black males at odds. Collins argues for a new, more holistic version of success, that includes visions of the importance of personal character apart from economic achievement.
Hill Collins argues that there needs to be a culture of honesty in the black community, whereby black persons can express their ideas and identities in a whole way. If we do not create the space for black people to express their sexual perspectives freely, then we create a space where the silence and deceptiveness that leads to the spread of HIV/AIDS to continue. When we can discuss sexuality from multiple perspectives, we allow people the space to talk about sex and sexuality and feel more comfortable engaging their partners in dialogues about their own sexual history, sexual feelings, and lead to STD testing and full appreciation and connection of one another.
In Black Sexual Politics, Collins expresses the view that the black community will not reach its progressive political agenda, nor will it be able to successfully address social issues such as the HIV/AIDS crisis affecting the black community, if it does not allow marginalized voices like women and LGBT persons to express their perspectives and lifestyles. Collins believes that a group cannot be truly revolutionary or progressive if it works to oppress others. She also believes that a view of the black community that values some identities and expressions over others limits the connectedness that others in that community feel, and prevents issues disproportionately affecting them to be discussed in meaningful ways.
She argues that a narrow black sexual politics that places extreme value on limiting views of the role of the male and the role of the female, and also on the role of appropriate and socially acceptable sexual behavior works to deny LGBT people their agency, and prevents honest dialogue about different types of sexual lifestyles. This can work to the oppression of LGBT people, but also of heterosexual women and men, oppressed by views of sexuality that limit their sexual expression, and thus limit the space for them to talk about their lifestyles in a way that breeds honesty, self-affirmation and prevents the spread of disease.
According to reviews of the book, Collins found importance in taking a deep analysis of sexuality and racism on a global level, using a collection of materials curating history, empirical research, cultural studies, and her keen awareness of social, cultural, and political affairs. She alludes to the stain that was left by racist practices of segregation and exclusion and its legacy pertaining to the evolution of the 21st century. In addition, she addresses the influence that increasing global wealth and power has on the imagining of both racialized and gendered bodies. [2]
Down-low is an African-American slang term specifically used within the African-American community that typically refers to a sexual subculture of Black men who usually identify as heterosexual but actively seek sexual encounters and relations with other men, practice gay cruising, and frequently don a specific hip-hop attire during these activities. They generally avoid disclosing their same-sex sexual activities, even if they have female sexual partner(s), they are married to a woman, or they are single. The term is also used to refer to a related sexual identity. Down-low has been viewed as "a type of impression management that some of the informants use to present themselves in a manner that is consistent with perceived norms about masculine attribute, attitudes, and behavior".
Oppression is malicious or unjust treatment of, or exercise of power over, a group of individuals, often in the form of governmental authority or cultural opprobrium. It is related to regimentation, class, society, and punishment. Oppression may be overt or covert, depending on how it is practiced. Oppression refers to discrimination when the injustice does not target and may not directly afflict everyone in society, but instead targets or disproportionately impacts specific groups of people.
Womanism is a feminist movement, primarily championed by Black feminists, originating in the work of African American author Alice Walker in her 1983 book In Search of Our Mothers' Gardens. Walker coined the term "womanist" in the short story Coming Apart in 1979. Her initial use of the term evolved to envelop a spectrum of issues and perspectives facing black women and others. Walker defined "womanism" as embracing the courage, audacity, and self-assured demeanor of Black women, alongside their love for other women, themselves, and all of humanity. Since its inception by Walker, womanism has expanded to encompass various domains, giving rise to concepts like Africana womanism and womanist theology or spirituality.
Gender expression, or gender presentation, is a person's behavior, mannerisms, and appearance that are socially associated with gender, namely femininity or masculinity. Gender expression can also be defined as the external manifestation of one's gender identity through behavior, clothing, hairstyles, voice, or body characteristics. Typically, a person's gender expression is thought of in terms of masculinity and femininity, but an individual's gender expression may incorporate both feminine and masculine traits, or neither. A person's gender expression may or may not match their assigned sex at birth. This includes gender roles, and accordingly relies on cultural stereotypes about gender. It is distinct from gender identity.
Intersectionality is a sociological analytical framework for understanding how groups' and individuals' social and political identities result in unique combinations of discrimination and privilege. Examples of these factors include gender, caste, sex, race, ethnicity, class, sexuality, religion, disability, height, age, and weight. These intersecting and overlapping social identities may be both empowering and oppressing. However, little good-quality quantitative research has been done to support or undermine the practical uses of intersectionality.
Patricia Hill Collins is an American academic specializing in race, class, and gender. She is a distinguished university professor of sociology emerita at the University of Maryland, College Park. She is also the former head of the Department of African-American Studies at the University of Cincinnati. Collins was elected president of the American Sociological Association (ASA), and served in 2009 as the 100th president of the association – the first African-American woman to hold this position.
LGBT stereotypes are stereotypes about lesbian, gay, bisexual and transgender (LGBT) people based on their sexual orientations, gender identities, or gender expressions. Stereotypical perceptions may be acquired through interactions with parents, teachers, peers and mass media, or, more generally, through a lack of firsthand familiarity, resulting in an increased reliance on generalizations.
From Black Power to Hip-Hop: Racism, Nationalism, and Feminism is a 2006 book by Patricia Hill Collins. Published by Temple University Press, the book is centered around Patricia Hill and her experiences with racism in America. The book also includes experiences from other Black men and women and their responses to it. In the end she offers her take on Black youth and how its changing along with how Black nationalism works today.
Queer heterosexuality is heterosexual practice or identity that is also controversially called queer. "Queer heterosexuality" is argued to consist of heterosexual, cisgender, and allosexual persons who show nontraditional gender expressions, or who adopt gender roles that differ from the hegemonic masculinity and femininity of their particular culture.
Gender policing is the imposition or enforcement of normative gender expressions on an individual who is perceived as not adequately performing, through appearance or behavior, their gender or sex that was assigned to them at birth. According to Judith Butler, rejection of individuals who are non-normatively gendered is a component of creating one's own gender identity.
Black Feminist Thought: Knowledge, Consciousness and the Politics of Empowerment is a 1990 book by Patricia Hill Collins.
Respectability politics, or the politics of respectability, is a political strategy wherein members of a marginalized community will consciously abandon or punish controversial aspects of their cultural-political identity as a method of assimilating, achieving social mobility, and gaining the respect of the majority culture. As a sociological term, it is often pejorative, typically used in a manner critical of the ideology.
The following outline offers an overview and guide to LGBT topics:
Homophobia in ethnic minority communities is any negative prejudice or form of discrimination in ethnic minority communities worldwide towards people who identify as–or are perceived as being–lesbian, gay, bisexual or transgender (LGBT), known as homophobia. This may be expressed as antipathy, contempt, prejudice, aversion, hatred, irrational fear, and is sometimes related to religious beliefs. A 2006 study by the Joseph Rowntree Foundation in the UK found that while religion can have a positive function in many LGB Black and Minority Ethnic (BME) communities, it can also play a role in supporting homophobia.
Gender roles in non-heterosexual communities are a topic of much debate; some people believe traditional, heterosexual gender roles are often erroneously enforced on non-heterosexual relationships by means of heteronormative culture and attitudes towards these non-conformative relationships.
The African-American LGBT community, otherwise referred to as the Black American LGBT community, is part of the overall LGBT culture and overall African-American culture. The initialism LGBT stands for lesbian, gay, bisexual, and transgender.
In feminist theory, heteropatriarchy or cisheteropatriarchy, is a socio-political system where (primarily) cisgender and heterosexual males have authority over other cisgender males, females, and people with other sexual orientations and gender identities. It is a term that emphasizes that discrimination against women and LGBT people is derived from the same sexist social principle.
Scholarship on nationalism and gender explores the processes by which gender affects and is impacted by the development of nationalism. Sometimes referred to as "gendered nationalism," gender and nationalism describes the phenomena whereby conceptions of the state or nation, including notions of citizenship, sovereignty, or national identity contribute to or arise in relation to gender roles.
Esmaa Mohamoud, also known as "E," is an African-Canadian sculptor and installation artist who grew up in London, Ontario, and currently practices in Toronto, Ontario. Her work has been shown at the Royal Ontario Museum, McGill University, The Art Gallery of Ontario, YYZ Artist Outlet, The Drake Devonshire Gallery, Art Lab Gallery at Western University, Georgia Scherman Projects, amongst others.
The practice of drag in Africa allows Africans to challenge gender roles. There were many different expressions of masculinity and femininity in pre-colonial Africa. Colonial powers introduced written laws that enforced rigid gender roles that devalued women and femininity. African drag performers, specifically drag queens, now challenge this strict binary and its subsequent criminalization of queer people. Their performances navigate various intersectionalities of gender, sexuality, and race that are legacies of colonialism. Because of the association of drag with queerness, as well as its inherent challenge of the gendered social structure, drag performances are innately political and often dangerous.