Blake Debassige was a Native Canadian artist of the M'Chigeeng First Nation, [1] born at West Bay on Manitoulin Island in Ontario on June 22, 1956, passed June 13, 2022. [2] A leading member of the "second generation" of Ojibwa artists influenced by Norval Morrisseau, Debassige has broadened the stylistic and thematic range of this group. Debassige's paintings and graphics frequently investigate traditional Anishabek teachings about the nature of cosmic order, the cycles of the seasons, the interdependence of animal, plant and human life and the common principles at work in the world's great spiritual systems. [3] He frequently relates these themes to highly contemporary problems such as the destruction of the environment, the alienation of native youth and family dysfunction. [4]
Debassige married the Cree painter Shirley CheeChoo in 1978.
Norval Morrisseau, also known as Copper Thunderbird, was an Indigenous Canadian artist from the Bingwi Neyaashi Anishinaabek First Nation. He is widely regarded as the grandfather of contemporary Indigenous art in Canada. Known as the "Picasso of the North," Morrisseau created works depicting the legends of his people, the cultural and political tensions between native Canadian and European traditions, his existential struggles, and his deep spirituality and mysticism. His style is characterized by thick black outlines and bright colors. He founded the Woodlands School of Canadian art and was a prominent member of the “Indian Group of Seven."
Selwyn Hanington Dewdney was a Canadian writer, illustrator, artist, activist and pioneer in both art therapy and pictography.
M'Chigeeng First Nation, also known as West Bay, is an Ojibwe First Nation band government in the Manitoulin District of Ontario, Canada. The total registered population as of December 2018, was 2623 people, of which their on-reserve population was 939. The First Nation have reserved for themselves the 3094.7 ha M'Chigeeng 22 Indian Reserve located on Manitoulin Island.
Woodlands style, also called the Woodlands school, Legend painting, Medicine painting, and Anishnabe painting, is a genre of painting among First Nations and Native American artists from the Great Lakes area, including northern Ontario and southwestern Manitoba. The majority of the Woodland artists belong to the Anishinaabeg, notably the Ojibwe, Odawa, and Potawatomi, as well as the Oji-Cree and the Cree.
Christi Marlene Belcourt is a Canadian visual artist and author. She is best known for her acrylic paintings which depict floral patterns inspired by Métis and First Nations historical beadwork art. Belcourt's work often focuses on questions around identity, culture, place and divisions within communities.
Jackson Beardy was an Indigenous Oji-Cree Anishinaabe artist born in Canada. His works are characterized by scenes from Ojibwe and Cree oral history and many focus on the relationship between humans and nature. He belonged to the Woodland School of Art and was a prominent member of the Indian Group of Seven. His work has contributed to the recognition of Indigenous contemporary art within Canada.
The Professional Native Indian Artists Incorporation (PNIAI) was a group of First Nations artists from Canada, with one from the United States. Founded in November 1973, they were Indigenous painters who exhibited in the mainstream art world.
Carl Beam, born Carl Edward Migwans, made Canadian art history as the first artist of Native Ancestry (Ojibwe), to have his work purchased by the National Gallery of Canada as Contemporary Art. A major retrospective of his work was organized by the National Gallery of Canada in 2010. He worked in various photographic mediums, mixed media, oil, acrylic, spontaneously scripted text on canvas, works on paper, Plexiglas, stone, cement, wood, handmade ceramic pottery, and found objects, in addition to etching, lithography, and screen process.
Shirley Cheechoo is a Canadian Cree actress, writer, producer, director, and visual artist, best known for her solo-voice or monodrama play Path With No Moccasins, as well as her work with De-Ba-Jeh-Mu-Jig theatre group. Her first break came in 1985 when she was cast on the CBC's first nations TV series Spirit Bay, and later, in 1997, she found a role on the CBC's TV series The Rez.
Carl Ray was a First Nations artist who was active on the Canadian art scene from 1969 until his death in 1978. Considered primarily a Woodlands Style artist. He was a founding member of the Indian Group of Seven. He began painting when he was 30 years old.
Daphne Odjig,, was a Canadian First Nations artist of Odawa-Potawatomi-English heritage. Her paintings are often characterized as Woodlands Style or as the pictographic style.
Susan Andrina Ross CM, was a Canadian painter, printmaker, and illustrator from Port Arthur, Ontario who is best known for her portraits of Native and Inuit peoples as well as Arctic landscapes. Her work is valuable both for its artistry and for its historical significance since she captured many images of a passing way of life. In 2002 she was awarded the Order of Canada in the Visual Arts.
Michelle LaVallee is a Canadian curator, artist, and educator. She is Ojibway and a member of the Chippewas of Nawash Unceded First Nation in Cape Croker, Ontario. She has BFA (2000) and BEd (2004) degrees from York University in Toronto.
Carmen L. Robertson is a writer and scholar of art history and indigenous peoples. She was born in Balcarres, Saskatchewan, of Lakota and Scottish ancestry. She is Canada Research Chair in North American Art and Material Culture in the Faculty of Arts and Social Sciences at Carleton University. Before joining Carleton, Robertson was an associate professor in the Faculty of Media, Art & Performance at the University of Regina (2006-2012). She also served as the Indian Fine Arts department head at the First Nations University of Canada where she taught from 2000-2006. A number of Robertson's writings focus on the Aboriginal Canadian artist Norval Morrisseau. She is past president of the Native Heritage Foundation of Canada.
Barry Ace (artist) (born 1958) is an Anishinaabe (Odawa) photographic and multimedia artist and curator from Sudbury, Ontario. Ace's work includes mixed media paintings, and mixed media textile and sculptural work that combines traditional Anishinaabe textiles and beadwork with found electrical components. Ace has a strong interest in combining traditional and contemporary technologies, aesthetics, and techniques in his artwork.
Anong Beam is an Ojibwe artist and curator from M'Chigeeng First Nation, Ontario.
Ann Beam is a multimedia artist based in M'Chigeeng First Nation, Manitoulin Island. Born Ann Elena Weatherby in 1944 in Brooklyn, New York, she is the spouse of artist Carl Beam. She has a BFA from State University of New York at Buffalo. She taught at the Art Gallery of Ontario in the late 1960s and 1970s and later managed the Neon Raven Art Gallery on Manitoulin Island. Themes covered in her art have been described as "cultural histories of women's labour in building homes, in motherhood, cooking and teaching." She has worked with various mediums, including oil and acrylic, found art, recycled materials, pottery, paper and cloth.
Angus Trudeau was an Anishinaabe artist whose inspiration was drawn from the world of Manitoulin Island, Lake Huron, Ontario where he lived. His paintings and model ships combine memory and history, tradition, and modern art.
Ahmoo Angeconeb was a Canadian Ojibwe artist. His style was influenced by the Woodlands School, but incorporated elements from different cultures and artistic traditions. He travelled widely and found success as an artist in Europe as well as Canada.
Carol Podedworny is a Canadian museum director and curator who advocated for the inclusion of contemporary Indigenous art and for Indigenous voices in Canadian museums in a career spanning over 40 years. Besides post-contact First Nations art, she is interested in contemporary Canadian art, and a diverse range of art history and art, including its material practice. She is the author or co-author of many books, catalogues and essays which investigate these subjects, as well as issues of medical inquiry.
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