Blue Rose (disambiguation)

Last updated

Blue rose is a colored flower.

Blue Rose may refer to:

Related Research Articles

Duke Ellington American composer, pianist and jazz orchestra leader (1899–1974)

Edward Kennedy "Duke" Ellington was an American composer, pianist, and leader of his eponymous jazz orchestra from 1923 through the rest of his life. Born in Washington, D.C., Ellington was based in New York City from the mid-1920s and gained a national profile through his orchestra's appearances at the Cotton Club in Harlem. A master at writing miniatures for the three-minute 78 rpm recording format, Ellington wrote or collaborated on more than one thousand compositions; his extensive body of work is the largest recorded personal jazz legacy, and many of his pieces have become standards. He also recorded songs written by his bandsmen, such as Juan Tizol's "Caravan", which brought a Spanish tinge to big band jazz. At the end of the 1930s, Ellington began a nearly thirty-year collaboration with composer-arranger-pianist Billy Strayhorn, whom he called his writing and arranging companion. With Strayhorn, he composed multiple extended compositions, or suites, as well as many short pieces. For a few years at the beginning of Strayhorn's involvement, Ellington's orchestra featured bassist Jimmy Blanton and tenor saxophonist Ben Webster and reached a creative peak. Some years later following a low-profile period, an appearance by Ellington and his orchestra at the Newport Jazz Festival in July 1956 led to a major revival and regular world tours. Ellington recorded for most American record companies of his era, performed in and scored several films, and composed a handful of stage musicals.

Caravan or caravans may refer to:

Jazz standards are musical compositions that are an important part of the musical repertoire of jazz musicians, in that they are widely known, performed, and recorded by jazz musicians, and widely known by listeners. There is no definitive list of jazz standards, and the list of songs deemed to be standards changes over time. Songs included in major fake book publications and jazz reference works offer a rough guide to which songs are considered standards.

Cootie Williams Musical artist

Charles Melvin "Cootie" Williams was an American jazz, jump blues, and rhythm and blues trumpeter.

Harry Carney Musical artist

Harry Howell Carney was a jazz saxophonist and clarinettist who spent over four decades as a member of the Duke Ellington Orchestra. He played a variety of instruments but primarily used the baritone saxophone, being a critical influence on the instrument in jazz.

"Take the 'A' Train" is a jazz standard by Billy Strayhorn that was the signature tune of the Duke Ellington orchestra.

"In a Sentimental Mood" is a jazz composition by Duke Ellington. He composed the piece in 1935 and recorded it with his orchestra during the same year. Lyrics were written by Manny Kurtz; Ellington's manager Irving Mills gave himself a percentage of the publishing, so the song was credited to all three. Other popular versions in 1935/36 were by Benny Goodman and by Mills Blue Rhythm Band.

<i>Ellington at Newport</i> 1956 live album by Duke Ellington

Ellington at Newport is a 1956 live jazz album by Duke Ellington and his band of their 1956 concert at the Newport Jazz Festival, a concert which revitalized Ellington's flagging career. Jazz promoter George Wein describes the 1956 concert as "the greatest performance of [Ellington's] career... It stood for everything that jazz had been and could be." It is included in the book 1001 Albums You Must Hear Before You Die, which ranks it "one of the most famous... in jazz history". Jazz journalist Scott Yanow wrote that Ellington's performance at the 1956 Newport Jazz Festival caused a sensation that fueled the rest of his career. The original release was partly recreated in the studio after the Ellington Orchestra's festival appearance.

Cat Anderson American jazz trumpeter

William Alonzo "Cat" Anderson was an American jazz trumpeter known for his long period as a member of Duke Ellington's orchestra and for his wide range, especially his ability to play in the altissimo register.

Britt Woodman was an American jazz trombonist.

Harold Ashby was an American jazz tenor saxophonist. He worked with Duke Ellington's band, replacing Jimmy Hamilton in 1968. In 1959, he recorded backing Willie Dixon on the latter's first album, Willie's Blues.

C Jam Blues

"C Jam Blues" is a jazz standard composed in 1942 by Duke Ellington and performed by countless other musicians, such as Dave Grusin, Django Reinhardt, Oscar Peterson, and Charles Mingus.

Tyree Glenn Musical artist

Tyree Glenn, born William Tyree Glenn, was an American trombone and vibraphone player.

"Sophisticated Lady" is a jazz standard, composed as an instrumental in 1932 by Duke Ellington.

"I Let a Song Go Out of My Heart" is a 1938 composition by Duke Ellington, with lyrics added by Irving Mills, Henry Nemo and John Redmond. The song became a number one hit for Ellington in 1938. Other hit versions the same year were by Benny Goodman, Connee Boswell, Hot Lips Page, and Mildred Bailey. It was performed as part of The Cotton Club Parade of 1938.

Jimmy Woode

James Bryant Woode was an American jazz bassist. He played and/or recorded in bands with Flip Phillips, Sarah Vaughan, Ella Fitzgerald, Charlie Parker, Duke Ellington, Coleman Hawkins, Nat Pierce, Sidney Bechet, Billie Holiday, Jaki Byard, Earl Hines, Jimmy Witherspoon, Clark Terry and Miles Davis.

"Just A-Sittin' and A-Rockin'" is a 1941 song written by Billy Strayhorn and Lee Gaines.

Sam Woodyard American drummer

Sam Woodyard was an American jazz drummer.

<i>Blue Rose</i> (album) 1956 studio album by Rosemary Clooney

Blue Rose is the debut studio album by Rosemary Clooney, accompanied by Duke Ellington and his orchestra, released in mono on Columbia Records, catalogue CL 872. Although she had appeared on albums before, it had been in the context of either a musical theater or multiple artist recording. The album also marked the return of Ellington to Columbia after an absence of four years, and was one of the first examples of overdubbing being used as an integral part of the creation, rather than for effects or to correct mistakes.

<i>The Great Summit</i> 1961 studio album by Duke Ellington and Louis Armstrong

The Great Summit: The Master Takes is a 2001 Blue Note album by Duke Ellington and Louis Armstrong. It's a reissue of the two Roulette albums Together For The First Time and The Great Reunion from 1961.