" Blue in Green " is a 1959 jazz ballad by Miles Davis.
Blue in Green may also refer to:
Ronald Levin Carter is an American jazz double bassist. His appearances on 2,221 recording sessions make him the most-recorded jazz bassist in history. He has won three Grammy awards, and is also a cellist who has recorded numerous times on that instrument.
Blue Note Records is an American jazz record label owned by Universal Music Group and operated under Capitol Music Group. Established in 1939 by German-Jewish emigrants Alfred Lion and Max Margulis, it derived its name from the blue notes of jazz and the blues. Originally dedicated to recording traditional jazz and small group swing, the label began to switch its attention to modern jazz around 1947. From there, Blue Note grew to become one of the most prolific, influential and respected jazz labels of the mid-20th century, noted for its role in facilitating the development of hard bop, post-bop and avant-garde jazz, as well as for its iconic modernist art direction.
Kind of Blue is the fifth studio album released on Columbia, and twenty-eighth overall, by the American jazz musician, trumpeter, composer, and bandleader Miles Davis. It was recorded on March 2 and April 22, 1959, at Columbia's 30th Street Studio in New York City, and released on August 17 of that same year by Columbia Records. For the recording, Davis led a sextet featuring saxophonists John Coltrane and Julian "Cannonball" Adderley, pianist Bill Evans, bassist Paul Chambers, and drummer Jimmy Cobb, with new band pianist Wynton Kelly appearing on one track – "Freddie Freeloader" – in place of Evans.
Grant Green was an American jazz guitarist and composer.
Henry "Hank" Mobley was an American tenor saxophonist and composer. Mobley was described by Leonard Feather as the "middleweight champion of the tenor saxophone", a metaphor used to describe his tone, that was neither as aggressive as John Coltrane nor as mellow as Lester Young, and his style that was laid-back, subtle and melodic, especially in contrast with players like Coltrane and Sonny Rollins. The critic Stacia Proefrock claimed him "one of the most underrated musicians of the bop era." Mobley's compositions include "Double Exposure," "Soul Station", and "Dig Dis."
Robert Hutcherson was an American jazz vibraphone and marimba player. "Little B's Poem", from the 1966 Blue Note album Components, is one of his best-known compositions. Hutcherson influenced younger vibraphonists including Steve Nelson, Joe Locke, and Stefon Harris.
Portrait in Jazz is the fifth studio album by American jazz pianist Bill Evans as a leader, released in 1960. It is the first of only two studio albums to be recorded with his famous trio featuring bassist Scott LaFaro and drummer Paul Motian.
Lonnie Plaxico is an American jazz double bassist.
North is a 2003 album by English singer-songwriter Elvis Costello. Contrasting with its rock-based predecessor When I Was Cruel (2002), North is an intimate album of ballads and torch songs using classical music and jazz idioms, partially inspired by the dissolution of his marriage to wife Cait O'Riordan and his burgeoning relationship with Diana Krall. It reached No. 44 in the UK Albums Chart, No. 57 in the US chart and No. 1 in the US Traditional Jazz chart.
Blue Alert is a jazz album recorded by Anjani, girlfriend and longtime backing singer of iconic Canadian singer-songwriter and poet Leonard Cohen, who also produced the album and wrote the lyrics. Also on the production team was John Lissauer, known for having previously produced two of Cohen's albums: New Skin for the Old Ceremony (1974) and Various Positions (1984).
Wilton Lewis Felder was an American saxophone and bass player, and is best known as a founding member of the Jazz Crusaders, later known as The Crusaders. Felder played bass on the Jackson 5's hits "I Want You Back" and "ABC" and on Marvin Gaye's "Let's Get It On".
Sylvester Kyner Jr., known as Sonny Red, was an American jazz alto saxophonist and composer associated with the hard bop idiom among other styles.
Russell Malone is an American jazz guitarist. He began working with Jimmy Smith in 1988 and went on to work with Harry Connick, Jr. and Diana Krall throughout the 1990s.
"Blue in Green" is the third tune on Miles Davis' 1959 album, Kind of Blue. One of two ballads on the LP, the melody of "Blue in Green" is very modal, incorporating the presence of the Dorian, Mixolydian, and Lydian modes. This is the only tune on which Cannonball Adderley sits out.
1958 Miles is a compilation album by American jazz musician Miles Davis, released in 1974 on CBS/Sony. Recording sessions for tracks that appear on the album took place on May 26, 1958, at Columbia's 30th Street Studio and September 9, 1958, at the Plaza Hotel in New York City. 1958 Miles consists of three songs featured on side two of the LP album Jazz Track, which was released in November 1959, one song from the same session not appearing in the album, and three recordings from Davis' live performance at the Plaza Hotel with his ensemble sextet. The recording date at 30th Street Studio served as the first documented session to feature pianist Bill Evans performing in Davis' group.
Rough 'n' Tumble is an album by jazz saxophonist Stanley Turrentine issued in 1966 on Blue Note Records. The album reached No. 20 on the Billboard Top Soul Albums chart.
Born to Be Blue may refer to:
First Session is an album by American jazz guitarist Grant Green featuring performances recorded in 1960 and 1961 but not released on the Blue Note label until 2001. The album features the first recordings made by Green for Blue Note which were held back from release in favour of a later recording date which appeared as Grant's First Stand (1961). Green is supported by pianist Wynton Kelly, bassist Paul Chambers and drummer ”Philly” Joe Jones. Also included on the album are two takes from a later 1961 session that feature pianist Sonny Clark, bassist Butch Warren and drummer Billy Higgins.
Street of Dreams is an album by American jazz guitarist Grant Green featuring performances recorded in 1964 and released on the Blue Note label. The street signs featured on the cover photo are at an actual street corner in the North Beach neighborhood of San Francisco. Green is heard with organist Larry Young, vibraphonist Bobby Hutcherson and drummer Elvin Jones.
The Complete Quartets With Sonny Clark is a 1997 compilation album by jazz guitarist Grant Green, collecting together all the tracks from a series of albums he recorded with pianist Sonny Clark in 1961 and '62.