Blumengarten (Utenwarf ) is a flower painting from 1917 by Emil Nolde. It was purchased in 1967 by the Moderna Museet in Stockholm from Ketterer Gallery in Lugano, Switzerland.
The original owner was businessman Otto Nathan Deutsch, who fled from Frankfurt to Amsterdam just before the outbreak of World War II. The painting was then handed over to a German removal company, which later falsely claimed it had been destroyed in a bombing raid. Not knowing that the painting existed, in 1962, the heirs received some compensationfrom German authorities. Five years later it appeared for sale in Lugano. In the early 1990s, the heirs requested from the Moderna Museet that the painting be returned in accordance with the Washington Principles. The museum refused. [1] This was the first case where these principles were tested in Sweden. [2]
In a press release on September 9, 2009, Moderna Museet announced that it had reached an agreement between the museum and the heirs of Otto Nathan Deutsch regarding Blumengarten. The painting had been purchased by a private European collector and then loaned to Moderna Museet for up to five years. Under the agreement, after five years the Moderna Museet would be able to borrow further paintings for up to five years. [3] [4]
Emil Nolde was a German-Danish painter and printmaker. He was one of the first Expressionists, a member of Die Brücke, and was one of the first oil painting and watercolor painters of the early 20th century to explore color. He is known for his brushwork and expressive choice of colors. Golden yellows and deep reds appear frequently in his work, giving a luminous quality to otherwise somber tones. His watercolors include vivid, brooding storm-scapes and brilliant florals.
Moderna Museet, Stockholm, Sweden, is a state museum for modern and contemporary art located on the island of Skeppsholmen in central Stockholm, opened in 1958. In 2009 the museum opened Moderna Museet Malmö in Malmö.
Hilma af Klint was a Swedish artist and mystic whose paintings are considered among the first abstract works known in Western art history. A considerable body of her work predates the first purely abstract compositions by Kandinsky, Malevich and Mondrian. She belonged to a group called "The Five", comprising a circle of women inspired by Theosophy, who shared a belief in the importance of trying to contact the so-called "High Masters"—often by way of séances. Her paintings, which sometimes resemble diagrams, were a visual representation of complex spiritual ideas.
Lars Nittve is a Swedish museum director, curator, art critic and writer. He was the founding Director of Tate Modern in London; former Director of the Moderna Museet in Stockholm; the founding Director of Rooseum – Center for Contemporary Art – in Malmö, Sweden; and Director of the Louisiana Museum of Modern Art in Humlebaek, Denmark.
Sigrid Hjertén was a Swedish modernist painter. Hjertén is considered a major figure in Swedish modernism. Periodically she was highly productive and participated in 106 exhibitions. She worked as an artist for 30 years before dying of complications from a lobotomy for schizophrenia.
Nils Dardel was a 20th-century Swedish Post-Impressionist painter, grandson to famous Swedish painter Fritz von Dardel.
Mamma Andersson is a Swedish contemporary artist. She is based in Stockholm and is married to artist Jockum Nordström.
Otto Torsten Andersson was a Swedish modernist painter, best known for his theme of the realistic depiction of abstract sculptures, and two-dimensional exploration of three-dimensional objects, where the colors seem to be superimposed on a random and perfunctory manner.
Siri Karin Derkert was a Swedish artist and sculptor. She was also a strong advocate for peace, feminism and environmental issues.
Alfred Flechtheim was a German Jewish art dealer, art collector, journalist and publisher persecuted by the Nazis.
Johan Axel Gustaf Törneman was one of Sweden's earliest modernist painters. Born in Persberg, Värmland, in Sweden, he grew to work in several modernist styles, was one of the first Swedish expressionist artists, and became a part of the international avant-garde in art after embracing more abstract art styles in Germany and France that were evolving there during the early 1900s. He created his most famous paintings, Night Café I and II, and Trait, in France in 1905. These night café paintings, made from studies in the Place Pigalle, and in other nightclubs popular with artists such as Café du Rat Mort, are seen as two of Swedish modernism's most important works, and are considered breakthrough work of Swedish modernism.
Einar Jolin was a Swedish painter best known for his decorative and slightly naïve Expressionist style. After studying at Konstfack, Stockholm in 1906 and at the Konstnärsförbundets målarskola, Jolin and his friends Isaac Grünewald and Einar Nerman went to Paris for further studies at Henri Matisse's academy from 1908 to 1914.
Evert Ernst Erland Olof Lundquist was a Swedish painter and graphic artist. He was born in Stockholm, the son of a railway official, Ernst Lundquist and Olga Eugenia Maria Charlotta Lundquist. Lundquist, byway of his mother's family, was a relative of famed singer Johanna Maria "Jenny" Lind and the painter Oscar Björck. He was the youngest of the three children; his brother Edvard was born in 1898 and sister Elsa in 1902. The family home was located in Stockholm at 9 Tegnérgatan. His early life has been described as middle class, proper and calm.
Ulla Wiggen is a Swedish painter. Wiggen is known for her paintings that interpret electronic circuitry and schematic diagrams. In the late 1960s she was also known for her figure paintings.
Moki Cherry was a Swedish interdisciplinary artist and designer who worked in textiles, fashion design, woodworks, painting, collage, ceramics, and set design. Her practice traversed the worlds of art, music, and theater with diverse influences such as Indian art and music, Tibetan Buddhism, fashion, traditional folk arts and dress, abstraction, cartoons, and Pop art. From 1977 she split her time living between Tågarp, Sweden and Long Island City in New York, USA. Moki collaborated with her husband, the American jazz trumpeter, Don Cherry, throughout her lifetime – they performed in concerts as Organic Music, where her artworks were also displayed, and ran workshops for children. Her designs also appeared on Don's album covers and as costumes worn by him in concert.
Alexander Vömel, or Voemel, was a German gallery owner and Nazi party member who took over the gallery of the Jewish art dealer Alfred Flechtheim when it was Aryanized in 1933.
Roman Norbert Ketterer was a German auctioneer, gallery owner and art dealer.
Otto Nathan Deutsch was a Jewish art collector and refugee from Nazis.
Erla S. Haraldsdóttir is an Icelandic visual artist primarily working with painting, drawing, printmaking, and photomontage. She is based in Berlin and Johannesburg.