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Doo-wop is a genre of rhythm and blues music that originated in African-American communities during the 1940s, mainly in the large cities of the United States, including New York, Philadelphia, Pittsburgh, Chicago, Baltimore, Newark, Detroit, Washington, DC, and Los Angeles. It features vocal group harmony that carries an engaging melodic line to a simple beat with little or no instrumentation. Lyrics are simple, usually about love, sung by a lead vocal over background vocals, and often featuring, in the bridge, a melodramatically heartfelt recitative addressed to the beloved. Harmonic singing of nonsense syllables is a common characteristic of these songs. Gaining popularity in the 1950s, doo-wop was "artistically and commercially viable" until the early 1960s, but continued to influence performers in other genres.
The Supremes were an American female singing group and a premier act of Motown Records during the 1960s. Founded as the Primettes in Detroit, Michigan, in 1959, the Supremes were the most commercially successful of Motown's acts and the most successful American vocal group, with 12 number-one singles on the Billboard Hot 100. Most of these hits were written and produced by Motown's main songwriting and production team, Holland–Dozier–Holland. It is said that their breakthrough made it possible for future African American R&B and soul musicians to find mainstream success. Billboard ranked the Supremes as the 16th greatest Hot 100 artist of all time.
The Fleetwoods were an American vocal group from Olympia, Washington whose members were Gary Troxel, Gretchen Christopher, and Barbara Ellis.
The Andantes were an American female session group for the Motown record label during the 1960s. Composed of Jackie Hicks, Marlene Barrow, and Louvain Demps, the group sang background vocals on numerous Motown recordings, including songs by Martha Reeves & the Vandellas, the Temptations, Stevie Wonder, the Four Tops, Jimmy Ruffin, Edwin Starr, the Supremes, the Marvelettes, Marvin Gaye and the Isley Brothers, among others. It is estimated they appeared on 20,000 recordings.
"Duke of Earl" is a 1962 US number-one song, originally recorded by Gene Chandler. It is the best known of Chandler's songs, and he subsequently dubbed himself "The Duke of Earl". The song was penned by Chandler, Bernice Williams, and Earl Edwards. This song was a 2002 inductee into the Grammy Hall of Fame. It has also been selected by The Rock and Roll Hall of Fame as one of the 500 Songs that Shaped Rock and Roll.
"I Can't Dance to That Music You're Playin'" is a 1968 funk-soul single by Motown girl group Martha and the Vandellas.
"Love " is a 1965 pop ballad by Motown girl group Martha and the Vandellas. A rare ballad for the group, whose forte was reportedly uptempo soul dance numbers including "Dancing in the Street" and "Nowhere to Run", the b-side to the group's single, "You've Been in Love Too Long", although the song only peaked at #70 on the Billboard Hot 100 singles chart and #22 on the Billboard Hot R&B singles chart, it was number one on many American urban radio playlists.The song, written and produced by Holland–Dozier–Holland, has the narrator explain why love makes her do things she later regrets. Cash Box described it as a "plaintive, slow-shufflin’ heart-throbber with a nostalgic years-back sound."
Lost and Found: You've Got To Earn It (1962–1968) is a compilation album by The Temptations. Released by Motown Records in 1999, it includes twenty unreleased Temptations records alongside unreleased mixes of "Ain't Too Proud to Beg" and "You've Got to Earn It". Most of the songs were recorded during the group's "Classic 5" era with David Ruffin and Eddie Kendricks as lead singers, although there are some tracks present which were recorded with Ruffin's predecessor, Elbridge Bryant, in the lineup. There's also one track that was recorded with Ruffin's successor, Dennis Edwards.
Annette Beard, also known as Annette Helton or Annette Sterling, is an American R&B and soul singer. Beard is best known for her work with Motown and as an original member of the singing group Martha and the Vandellas during the 1960s. Beard is currently known as a member of the singing group The Original Vandellas.
"A Breathtaking Guy" is a 1963 song written and produced by Smokey Robinson and released first by Motown singing group The Supremes (1963) and later by The Marvelettes (1972). The single was originally released under the title "A Breath Taking, First Sight Soul Shaking, One Night Love Making, Next Day Heartbreaking Guy" by The Supremes, but was shortened after its official release. All three Supremes members - Diana Ross, Florence Ballard and Mary Wilson - sang the chorus with the original title together.
"I Couldn't Cry If I Wanted To" is a 1962 Motown song written by Edward Holland, Jr. and Norman Whitfield. It would later be released as B-sides for singles by The Temptations and Holland himself, both of which were produced by Whitfield.
"Strange Love" is a song that was issued as the third single by Motown singer Mary Wells. The song would be later issued on Wells' second album, The One Who Really Loves You.
"Bad Girl" is a 1959 doo-wop single by The Miracles. Issued locally on the Motown Records label, it was licensed to and issued nationally by Chess Records because the fledgling Motown Record Corporation did not, at that time, have national distribution. It was the first single released on the Motown label – all previous singles from the company were released on Motown's Tamla label. Although The Miracles had charted regionally and on the R&B charts with several earlier songs, including "Got a Job", "I Cry", "I Need a Change", and "(You Can) Depend on Me", "Bad Girl" was their first national chart hit, reaching #93 on the Billboard Hot 100. Written by Miracles lead singer Smokey Robinson and Motown Records' President and Founder Berry Gordy, "Bad Girl" is a sad, remorseful ballad about a young woman, whom Robinson, as the narrator, says "was so good at the start", but who later in the song "is breaking my heart". It is in the popular doo-wop style, as several of The Miracles' songs were during the late 1950s. The record's success, coupled with the distributor's failure to pay Gordy and The Miracles properly for its sales, prompted Robinson to urge Gordy to "go national" with it, meaning that Motown should do its own national distribution of its songs, and eliminate the middleman, to ensure that all money from sales of its records would go directly to the label.
"Let Your Conscience Be Your Guide" is the debuting single for singer Marvin Gaye, released as Tamla 54041, in May 1961. It was also the first release off Gaye's debut album, The Soulful Moods of Marvin Gaye, in which most of the material was the singer's failed attempt at making an 'adult' record compared to Motown's younger R&B sound.
The Original Spinners is the 1967 debut album by The Spinners for Motown Records. The LP includes the group's earliest singles on the label, as well as their first ever single "That's What Girls Are Made For". None of the group's other material from Tri-Phi appear on this album.
The Spinners: Their Early Years is a compilation album featuring The Spinners and other various artist that were signed to the Tri-Phi Records/Harvey Records label(s) from 1961 to 1963. It contains the five singles that the group made while signed at Tri-Phi, and a few tracks where they sang backing vocals for other acts on both labels. The album also contains songs performed by various other acts that didn't make the transition to Motown.
Carlo Mastrangelo was an American doo-wop and progressive rock singer. Born and raised in The Bronx, he lived in an apartment on the corner of 179th St. and Mapes Ave.
Fred Milano was an American doo-wop singer. Born in the Bronx, New York, he was a member of The Belmonts who became successful in the late 1950s as Dion and the Belmonts, and in the early 1960s. The Belmonts got their name from the street that Milano lived on, Belmont Avenue.
"Too Hurt to Cry, Too Much in Love to Say Goodbye" is a 1963 song and single written and composed by Motown's main production team Holland–Dozier–Holland. Credited to the Darnells, the performers on both sides of the single were in fact the Andantes, Holland–Dozier–Holland, Mary Wilson of the Supremes (B-side), and members of the Marvelettes, the Four Tops, and the Temptations. Nobody involved with the production on either side was pleased with the false credit. Whatever the reason it was done, it didn't work as the single only peaked at 17 on the Billboard Bubbling Under Hot 100 charts.
"Say You" is a 1965 soul song, written by Robert Dobyne, Robert Staunton and Charles Jones, and recorded by both The Monitors, who had a charting R&B Hit with the song, and The Temptations.
References
- ↑ Billboard - 24 Feb 1962 - Page 12 "BOBBIE SMITH and the DREAMGIRLS Answer the Duke With the "DUCHESS OF EARL" The hottest selling record in the country deserves an answer and this new exciting record is it! Bobbie Smith and the Dreamgirls deliver this ...!
- ↑ "*DREAM GIRLS (BOBBIE SMITH & THE) - doo-wop". doo-wop.blogg.org. Retrieved 2020-12-06.
- ↑ "HOF: The Andantes - Female Group Inductee". Soul Source. Retrieved 2020-12-06.
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