Bohren & der Club of Gore | |
---|---|
Background information | |
Also known as | Bohren (1992-1993) Bohren und der Club of Gore (1993-1995) |
Origin | Mülheim an der Ruhr, Germany |
Genres | Dark jazz (Jazz noir), [1] ambient |
Years active | 1992–present |
Labels | PIAS Recordings, Ipecac Recordings |
Members | Morten Gass Robin Rodenberg Christoph Clöser |
Past members | Reiner Henseleit Thorsten Benning |
Website | bohrenundderclubofgore.com |
Bohren & der Club of Gore is a German ambient/jazz band from Nordrhein-Westfalen, Germany.
The band was founded in 1992 in Mülheim an der Ruhr, Germany by Thorsten Benning, Morten Gass, Robin Rodenberg and Reiner Henseleit. Originally, group members started out playing in various hardcore punk bands such as 7 Inch Boots (all members since 1988) and Chronical Diarrhoea (Thorsten Benning and Reiner Henseleit). [2] In 1992 they produced a crossover of jazz and ambient, which they self-described as an "unholy ambient mixture of slow jazz ballads, Black Sabbath doom and down-tuned Autopsy sounds". Henseleit left the band in 1996 and was replaced by Christoph Clöser in 1997, replacing the guitar with a saxophone at the same time. [3]
Clarence Leonidas Fender was an American inventor and founder of the Fender Musical Instruments Corporation.
Return to Forever was an American jazz fusion band that was founded by pianist Chick Corea in 1972. The band has had many members, with the only consistent bandmate of Corea's being bassist Stanley Clarke. Along with Weather Report, The Headhunters, and Mahavishnu Orchestra, Return to Forever is often cited as one of the core groups of the jazz-fusion movement of the 1970s. Several musicians, including Clarke, Flora Purim, Airto Moreira and Al Di Meola, came to prominence through their performances on Return to Forever albums.
Hunter Benedict Shepherd is an American musician best known as the bassist of rock band Soundgarden. Shepherd has won two Grammy Awards as a member of Soundgarden.
Jazz bass is the use of the double bass or electric bass guitar to improvise accompaniment ("comping") basslines and solos in a jazz or jazz fusion style. Players began using the double bass in jazz in the 1890s to supply the low-pitched walking basslines that outlined the chord progressions of the songs. From the 1920s and 1930s Swing and big band era, through 1940s Bebop and 1950s Hard Bop, to the 1960s-era "free jazz" movement, the resonant, woody sound of the double bass anchored everything from small jazz combos to large jazz big bands.
Jaga Jazzist is a Norwegian experimental jazz band, that rose to prominence when the BBC named their second album, A Livingroom Hush, the best jazz album of 2002.
Jacob Fred Jazz Odyssey is an American instrumental music group started in Tulsa, Oklahoma in 1994. The band has had 16 different members in 20 years and put out 26 albums under the leadership of keyboardist/composer Brian Haas. The current lineup is Haas on piano, Fender Rhodes and synthesizers, Josh Raymer on drums and Chris Combs on electric guitar, lap steel, and synthesizer.
The Third and the Mortal were a Norwegian rock band from Trondheim, founded in 1992. The band started out as doom metal, mixing distorted guitars and heavy drumming with clean guitars and vocals from Kari Rueslåtten. The band went on to experiment with genres such as progressive rock, jazz, ambient, folk and electronica.
Nucleus was a British jazz-fusion band, which continued in different forms from 1969 to 1989. In 1970, the band won first prize at the Montreux Jazz Festival, released the album Elastic Rock, and performed both at the Newport Jazz Festival and the Village Gate jazz club.
Fifth, is the fifth studio album by the jazz rock band Soft Machine, released in 1972. In the US the album was identified on cover and label by number (5).
Secrets of the Moon were a black metal band from Osnabrück, Germany, founded in 1995.
Man-Child is the fifteenth studio album by jazz pianist Herbie Hancock. The record was released on August 22, 1975 by Columbia Records. It was the final studio album to feature The Headhunters, and a number of guest musicians including saxophonist Wayne Shorter, a full brass section, three different guitarists, and Stevie Wonder on harmonica.
Black Earth is the fourth album by the jazz/ambient band Bohren & der Club of Gore. Black Earth was re-released on the American label Ipecac Recordings in 2004, increasing the band's exposure in the United States. The record has been re-released in 2016 by PIAS Recordings.
Sunset Mission is the third full-length record from Bohren & der Club of Gore. It is their first album to feature sax player Christoph Clöser, more explicitly exploring jazz than earlier recordings.
Gore Motel is the first studio album from Bohren & der Club of Gore. Gore Motel found the band focusing more on minimalistic, ambient, guitar, and bass guitar driven songs rather than the "dark jazz" that they would be known for later in their career.
Geisterfaust is the fifth album by the Jazz/Ambient band Bohren & der Club of Gore. The title translates to "ghostfist" and refers to a booze the band created.
Dolores is the sixth album by the jazz/ambient band Bohren & der Club of Gore.
Midnight Radio is the second full-length album from ambient/jazz band Bohren & der Club of Gore, released in 1997. It is also the last Bohren album to feature guitarist Reiner Henseleit, who was replaced on the band's next album, Sunset Mission, by saxophone player Christoph Clöser.
Out of Payne Comes Love is Freda Payne's sixth American released album, released in 1975. All of the tracks except for "Million Dollar Horse" would be later issued on the collection Lost in Love.
Beileid is an EP by jazz/ambient band Bohren & der Club of Gore, released on June 28, 2011, by Ipecac Recordings. It features a cover of the song "Catch My Heart" by German heavy metal band Warlock. This cover is also the first track by the band to feature vocals.
Norsk Jazzforum or The Norwegian Jazz Forum is a member and interest organization that gathers the Norwegian jazz community, and works to promote the Norwegian jazz in terms of cultural policy and the arts.