Bolivia is a country in South America.
Bolivia may also refer to:
Cedar Anthony Walton Jr. was an American hard bop jazz pianist. He came to prominence as a member of drummer Art Blakey's band, The Jazz Messengers, before establishing a long career as a bandleader and composer. Several of his compositions have become jazz standards, including "Mosaic", "Bolivia", "Holy Land", "Mode for Joe" and "Ugetsu/Fantasy in D".
Leandro "Gato" Barbieri was an Argentine jazz tenor saxophonist who rose to fame during the free jazz movement in the 1960s and is known for his Latin jazz recordings of the 1970s. His nickname, Gato, is Spanish for "cat".
Fenix, Fénix and Fênix all mean phoenix and may refer to:
Vincent Dwayne Herring is an American jazz saxophonist, flautist, composer, and educator. Known for his fiery and soulful playing in the bands of Horace Silver, Freddie Hubbard, and Nat Adderley in the earlier stages of his career, he now frequently performs around the world with his own groups and is heavily involved in jazz education.
Jazz in Spain began with an interest in Dixieland or New Orleans jazz. In that time it evolved into other styles, often influenced by visiting Americans. In 1947 Don Byas introduced Tete Montoliu to bebop, and other efforts to combine jazz with flamenco occurred. Catalan and Galician music have influenced some regions.
Free for All is a jazz album by Art Blakey & the Jazz Messengers released on Blue Note. Recorded in February 1964, it was released the following year. It was originally titled Free Fall.
Lonnie Liston Smith Jr. is an American jazz, soul, and funk musician who played with such jazz artists as Pharoah Sanders and Miles Davis before forming Lonnie Liston Smith and the Cosmic Echoes, recording a number of albums widely regarded as classics in the fusion, smooth jazz and acid jazz genres.
James Lawrence Buffington was an American jazz, studio, and classical hornist.
Mosaic is a studio album by Art Blakey and the Jazz Messengers, released in January 1962 through Blue Note Records. The album's performers included Wayne Shorter, Freddie Hubbard (trumpet), Curtis Fuller (trombone), Cedar Walton (piano), Jymie Merritt (bass) and Art Blakey (drums). They recorded and performed together from 1961 into 1964. Hubbard and Walton became permanent members of the group following the 1961 departures of trumpeter Lee Morgan and pianist Bobby Timmons. The Mosaic recording session featured no alternate takes and, therefore, has yielded no bonus material in reissue.
Hub Cap is an album by trumpeter Freddie Hubbard and was released on the Blue Note label in 1961 as BLP 4073 and BST 84073. It features performances by Hubbard, Julian Priester, Jimmy Heath, Cedar Walton, Larry Ridley and Philly Joe Jones.
Here to Stay is a studio album by American jazz trumpeter Freddie Hubbard recorded on December 27, 1962 but not released on the Blue Note label until 1976 as BN-LA 496-2. It features performances by Hubbard, Cedar Walton, Reggie Workman, Philly Joe Jones, and Wayne Shorter.
The Body & the Soul is an album by trumpeter Freddie Hubbard recorded in 1963 as his second and last release on the Impulse! label. It features performances by Hubbard with an orchestra and string section, and with a septet featuring Curtis Fuller, Eric Dolphy, Wayne Shorter, Cedar Walton, Reggie Workman and Louis Hayes.
Bolivia is an album by the American trumpeter Freddie Hubbard, released on the Music Master label in 1991. It features performances by Hubbard, Ralph Moore, Vincent Herring, Cedar Walton, David Williams, and Billy Higgins.
At Jazz Jamboree Warszawa '91: A Tribute to Miles is a live album by trumpeter Freddie Hubbard recorded in October 1991 and released on the Starburst label in 2000. It features performances by Hubbard, Ronnie Mathews, Don Braden, Jeff Chambers and Ralph Penland.
Chapter One: Latin America is a 1973 album by Gato Barbieri. It was recorded and issued in 1973 on Impulse! Records as AS-9248. The album was re-released in 1997 as part of Latino America, a double CD that also included the album Chapter Two: Hasta Siempre along with unreleased tracks.
Triple Threat is the fourth album by saxophonist Jimmy Heath featuring performances recorded in 1962 originally released on the Riverside label.
Kyoto is an album by Art Blakey's Jazz Messengers, recorded in 1964 and released on the Riverside label.
Trópico or Tropico may refer to:
Bolivia is a live album by Argentinian jazz composer and saxophonist Gato Barbieri featuring performances recorded in New York in 1973 and first released on the Flying Dutchman label.
"Bolivia" is a jazz standard written by American jazz pianist Cedar Walton. It is regarded as his best-known composition.