Bolivia Manta

Last updated
Bolivia Manta
Origin Bolivia
Genres Andean folk, Huayno
Years active1977–present
Labels Auvidis, A.S.P.I.C.
MembersGuido Alcala
Carlos Arguedas
Julio Arguedas
Evert Tito
Michael Evaristo
Betty Castro
Alejandro Cordova
Guillermo Contreras Ramos
Luis Chugar
Helena Meininger
Noemy Flores
Jaime Corihuanca
Oscar Corihuanca
Leo Mamani
Johnny Chambi
Pablo Conde
Felix Capo
Willan Farinango
Pablo Reynaga.
Past membersVictor Colodro Morales

Bolivia Manta is a Bolivian group created in France in 1977 by Carlos and Julio Arguedas that performs traditional music of pre-Hispanic and contemporary music of the Andes, particularly that of the Aymara and Quechua-speaking people of Bolivia and also traditional music of peoples of Peru and Ecuador. Bolivia Manta albums reference Andean folklore, these dances and songs are collected in different parts of Peru, Bolivia and Ecuador, and most tracks are authentic performances of traditional rural music. They perform their music on indigenous flutes, panpipes and drums, as well as stringed instruments introduced since the Spanish conquest. In 1981, the group was awarded the Académie Charles Cros Grand Prix [1] for the album Winayataqui, and in 1985, they received a Laser d'or from the Académie du disque français for the album Pak'cha.

Contents

Discography

Related Research Articles

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Quechua, also called Runasimi in Southern Quechua, is an indigenous language family that originated in central Peru and thereafter spread to other countries of the Andes. Derived from a common ancestral "Proto-Quechua" language, it is today the most widely spoken pre-Columbian language family of the Americas, with the number of speakers estimated at 8–10 million speakers in 2004, and just under 7 million from the most recent census data available up to 2011. Approximately 13.9% of Peruvians speak a Quechua language.

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<span class="mw-page-title-main">Andean music</span> Style of music

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<span class="mw-page-title-main">Culture of Bolivia</span>

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Huayno is a genre of popular Andean music and dance. It is especially common in Peru, Western Bolivia, Northern Argentina and Northern Chile, and is practiced by a variety of ethnic groups, especially the Quechua people. The history of Huayno dates back to colonial Peru as a combination of traditional rural folk music and popular urban dance music. High-pitched vocals are accompanied by a variety of instruments, including quena (flute), harp, siku (panpipe), accordion, saxophone, charango, lute, violin, guitar, and mandolin. Some elements of huayno originate in the music of the pre-Columbian Andes, especially on the territory of the former Inca Empire. Huayno utilizes a distinctive rhythm in which the first beat is stressed and followed by two short beats.

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The Baháʼí Faith in Peru begins with references to Peru in Baháʼí literature as early as 1916, with the first Baháʼís visiting as early as 1919. A functioning community wasn't founded in Peru until the 1930s with the beginning of the arrival of coordinated pioneers from the United States which progressed into finding national Peruvian converts and achieved an independent national community in 1961. The Association of Religion Data Archives estimated some 41,300 Baháʼís in 2010.

References

  1. "./[ Palmares ]\". Archived from the original on 2017-03-09. Retrieved 2014-09-15.