Advanced Chemistry is a German hip hop group from Heidelberg, a scenic city in Baden-Württemberg, South Germany. Advanced Chemistry was founded in 1987 by Toni L, Linguist, Gee-One, DJ Mike MD and MC Torch. Each member of the group holds German citizenship, and Toni L, Linguist, and Torch are of Italian, Ghanaian, and Haitian backgrounds, respectively.
Graffiti is art that is written, painted or drawn on a wall or other surface, usually without permission and within public view. Graffiti ranges from simple written "monikers" to elaborate wall paintings, and has existed since ancient times, with examples dating back to ancient Egypt, ancient Greece, and the Roman Empire.
New Criticism was a formalist movement in literary theory that dominated American literary criticism in the middle decades of the 20th century. It emphasized close reading, particularly of poetry, to discover how a work of literature functioned as a self-contained, self-referential aesthetic object. The movement derived its name from John Crowe Ransom's 1941 book The New Criticism.
William Wimsatt is an American author and political activist. He is the founder of the League of Young Voters, co-founder of Generational Alliance, and the author of three books including Bomb the Suburbs, No More Prisons, and Please Don't Bomb The Suburbs.
Artivism is a portmanteau word combining art and activism, and is sometimes also referred to as Social Artivism.
Kevin Powell is an American writer, activist, and television personality. He is the author of 14 books, including The Education of Kevin Powell: A Boy's Journey into Manhood and When We Free the World published in 2020. Powell was a senior writer during the founding years of Vibe magazine from 1992 to 1996. Powell's activism has focused on ending poverty, advocating for social justice and counteracting violence against women and girls through local, national and international initiatives. He was a Democratic candidate for the United States House of Representatives in Brooklyn, New York, in 2008 and 2010.
Patricia Hill Collins is an American academic specializing in race, class, and gender. She is a distinguished university professor of sociology emerita at the University of Maryland, College Park. She is also the former head of the Department of African-American Studies at the University of Cincinnati. Collins was elected president of the American Sociological Association (ASA), and served in 2009 as the 100th president of the association – the first African-American woman to hold this position.
Albert Johnson, better known by his stage name Prodigy, was an American rapper and record producer.
Rammellzee was a visual artist, gothic futurist "graffiti writer", painter, performance artist, art theoretician, sculptor and a hip-hop musician from New York City, who has been cited as "instrumental in introducing elements of the avant-garde into hip-hop culture".
Hip hop or hip-hop is a culture and art movement that was created by African Americans, starting in the Bronx, New York City. Pioneered from Black American street culture, that had been around for years prior to its more mainstream discovery, it later reached other groups such as Latino Americans and Caribbean Americans. Hip-hop culture has historically been shaped and dominated by African American men, though female hip hop artists have contributed to the art form and culture as well. Hip hop culture is characterized by the key elements of rapping, DJing and turntablism, and breakdancing; other elements include graffiti, beatboxing, street entrepreneurship, hip hop language, and hip hop fashion. From hip hop culture emerged a new genre of popular music, hip hop music.
Hip hop activism is a term coined by the hip hop intellectual and journalist Harry Allen. It is meant to describe an activist movement of the post- baby boomer generation.
DiY-Fest "the touring carnival of Do-it-Yourself mediamaking" was a festival of ultra-independent movies, books, zines, music, poetry, and performance art that ran from 1999 until 2002.
Political hip hop is a subgenre of hip hop music that was developed in the 1980s as a way of turning hip hop into a form of political activism. Political hip hop generally uses the medium of hip hop music to comment on sociopolitical issues and send political messages to inspire action, create social change, or to convince the listener of a particular worldview. It was inspired partially by politically-focused 1970s artists such as The Last Poets and Gil Scott-Heron, as well as the Black Power movement, Black Panther Party and revolutionary politics of the 1960s and 1970s. Various hip hop artists emerged in the late 1980s espousing political messages and providing social and political commentary with KRS-One and his group Boogie Down Productions, and Public Enemy in particular establishing themselves as some of the first predominantly political hip hop groups with albums in 1988. Soon to follow in 1989 and following years were other political rappers, or known as "Conscious rap" including such groups as X-Clan, Poor Righteous Teachers, Paris (rapper), Disposable Heroes of Hiphoprisy and others. The genre has helped to create a new form of social expression for subordinate groups to speak about their exclusions, injustices, and lack of power.
The Bristol underground scene is a cultural movement in Bristol beginning in the early 1980s. The scene was born out of a lack of mainstream clubs catering for the emergence of hip hop music, with street and underground parties a mainstay. Crews formed playing hip hop in disused venues with sound systems borrowed from the reggae scene: City Rockers, 2 Bad, 2 Tuff, KC Rock, UD4, FBI, Dirty Den, Juice Crew, Rene & Bacus, Soul Twins, KC Rock, Fresh 4, and the Wild Bunch were among them. These names were the precursors to the more well known names that came from this scene. It is characterized by musicians and graffiti artists. The scene was influenced by the city's multiculturalism, political activism, and the arts movements of punk, reggae, hip hop, hippies and new age.
"Head Banger", also "Headbanger", is the second single released from EPMD's fourth album, Business Never Personal.
Hip hop feminism is a sub-set of black feminism that centers on intersectional subject positions involving race and gender in a way that acknowledges the contradictions in being a black feminist, such as black women's enjoyment in hip hop music and culture, rather than simply focusing on the victimization of black women in hip hop culture due to interlocking systems of oppressions involving race, class, and gender.
Feminist activism in hip hop is a feminist movement based by hip hop artists. The activism movement involves doing work in graffiti, break dancing, and hip hop music. Hip hop has a history of being a genre that sexually objectifies and disrespects women ranging from the usage of video vixens to explicit rap lyrics. Within the subcultures of graffiti and breakdancing, sexism is more evident through the lack of representation of women participants. In a genre notorious for its sexualization of women, feminist groups and individual artists who identify as feminists have sought to change the perception and commodification of women in hip hop. This is also rooted in cultural implications of misogyny in rap music.
Progressive rap is a broad subgenre of hip hop music that aims to progress the genre thematically with socially transformative ideas and musically with stylistic experimentation. Developing through the works of innovative US hip hop acts during the 1980s and 1990s, it has also been known at various points as conscious, underground, and alternative hip hop.
Adrienne Maree Brown, often styled adrienne maree brown, is a writer, activist and facilitator. From 2006 to 2010, she was executive director of the Ruckus Society. She also co-founded and directed the United States League of Young Voters.
The Faith of Graffiti is a 1974 essay by American novelist and journalist Norman Mailer about New York City's graffiti artists. Mailer's essay appeared in a shorter form in Esquire and as a book with 81 photographs by Jon Naar and design by Mervyn Kurlansky. Through interviews, exploration, and analyses, the essay explores the political and artistic implications of graffiti. The essay was controversial at the time of publication because of its attempt to validate graffiti as an art form by linking it with great artists of the past. Some critics also said Mailer was using the essay as a platform to express his political grievances. Faith grew out of Mailer's existential philosophy of the hip, in which a Hipster is guided by his instincts regardless of consequences or perception, and upholds graffiti as a subversive and healthy check on the status quo. Like several of his other non-fiction narratives, Mailer continued his use of new journalism techniques, adopting a persona, the A-I or "Aesthetic Investigator", to provide both an objective distance from the topic and to engender the text with the creative and critical eye of the novelist.
