Ethel Clayton was an American actress of the silent film era.
Niles Eugene Welch was an American performer on Broadway, and a leading man in a number of silent and early talking motion pictures from the early 1910s through the 1930s.
This Modern Age is a 1931 American pre-Code Metro-Goldwyn-Mayer feature film directed by Nick Grinde and starring Joan Crawford, Neil Hamilton, Pauline Frederick and Albert Conti.
Ace of the Saddle is a 1919 American silent Western film directed by John Ford and featuring Harry Carey. The film is considered to be lost.
Danger, Go Slow is a 1918 American silent comedy film directed by Robert Z. Leonard, and starring Mae Murray, Jack Mulhall and Lon Chaney. Robert Z. Leonard and Mae Murray co-wrote the screenplay together. The film is today considered lost.
Lights and Shadows is a 1914 American silent drama film directed by Joe De Grasse, starring Tom Forman, Pauline Bush and Lon Chaney. The screenplay was written by Ida May Park. A still exists showing Lon Chaney as Bentley, just before he deserts his wife in the film. The picture is now considered to be a lost film.
Emmy of Stork's Nest is a 1915 silent film directed by William Nigh and starring Mary Miles Minter. The film is based on the novel Stork's Nest by J. Breckenridge Ellis and was shot on location in the Pocono Mountains.
A Society Exile (1919) is an American silent film drama directed by George Fitzmaurice and starring Elsie Ferguson, Julia Dean, and William Carleton. The assistant director to Fitzmaurice was William Scully. The film marks the second screen appearance of the actor Henry Stephenson. The film was based upon the play We Can't Be as Bad as All That by Henry Arthur Jones.
His House in Order is a 1920 American silent drama film produced by Famous Players–Lasky and distributed by Paramount Pictures. It was directed by Hugh Ford and starred Elsie Ferguson. It is based on a 1906 West End play by Sir Arthur Wing Pinero which also played in New York where it starred John Drew and Margaret Illington. The story was filmed again in the United Kingdom in 1928 and also titled House in Order.
One Week of Life is a 1919 American silent drama film produced and distributed through Goldwyn Pictures. It was directed by Hobart Henley and starred Pauline Frederick. It is now considered to be a lost film.
More Deadly Than The Male is a 1919 silent film comedy adventure produced by Famous Players–Lasky and released by Paramount Pictures. Robert G. Vignola directed and Ethel Clayton stars.
The Dawn of Understanding is a lost 1918 American silent Western comedy film produced by The Vitagraph Company of America and directed by David Smith. It stars Bessie Love in the first film of her nine-film contract with Vitagraph. It is based on the short story "The Judgement of Bolinas Plain" by 19th-century Western writer Bret Harte.
The Woman on the Index is a lost 1919 American silent drama film directed by Hobart Henley and starring Pauline Frederick and her then husband playwright Willard Mack. It was Frederick's first film at Goldwyn Pictures after coming over from Paramount. It is based on a 1918 Broadway play, The Woman on the Index, that starred Julia Dean.
A Fighting Colleen is a 1919 American silent comedy-drama film directed by David Smith and produced by Vitagraph Company of America. It stars Bessie Love and Charles Spere.
The Broken Butterfly is a 1919 American silent drama film directed by Maurice Tourneur and starring Lew Cody, Mary Alden, and Pauline Starke.
As the Sun Went Down is a 1919 American silent Western film directed by E. Mason Hopper and starring Edith Storey, Lew Cody, and Harry S. Northrup. It was released on February 10, 1919.
Full of Pep is a 1919 American silent comedy film, directed by Harry L. Franklin. It stars Hale Hamilton, Alice Lake, and Alice Knowland, and was released on May 26, 1919.
Passionate Youth is a 1925 American silent drama film directed by Dallas M. Fitzgerald and starring Beverly Bayne, Frank Mayo, and Pauline Garon.
A Bachelor's Wife is a 1919 silent drama film directed by Emmett J. Flynn and starring Mary Miles Minter. As with many of Minter's films, the film is thought to be a lost film. In the weeks before its release, some film magazines listed the feature under its working title “Mary O’Rourke.”
