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| Bonheur, impair et passe | |
|---|---|
| Directed by | Roger Vadim |
| Based on | a play by Francoise Sagan |
| Starring | Danielle Darrieux |
Release date |
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| Language | French |
Bonheur, impair et passe is a 1977 French television film directed by Roger Vadim starring Danielle Darrieux.
It was based on a play by Francoise Sagan.
Angora, a ruined Russian princess, is married to Igor, who, since she deceived him fifteen years ago, disdains her. When Wladimir arrives at her home, everything shatters.
| | This article related to a French film of the 1970s is a stub. You can help Wikipedia by expanding it. |
Roger Vadim Plemiannikov was a French screenwriter, film director and producer, as well as an author, artist and occasional actor. His best-known works are visually lavish films with erotic qualities, such as And God Created Woman (1956), Blood and Roses (1960), Barbarella (1968), and Pretty Maids All in a Row (1971).
Françoise Sagan was a French playwright, novelist, and screenwriter. Sagan was known for works with strong romantic themes involving wealthy and disillusioned bourgeois characters. Her best-known novel was her first, Bonjour Tristesse (1954), which was written when she was a teenager.
Count Jean Bruno Wladimir François-de-Paule Lefèvre d'Ormesson was a French writer and novelist. He authored forty books, was the director of Le Figaro from 1974 to 1977, as well as the dean of the Académie Française, to which he was elected in 1973, until his death, in addition to his service as president of the International Council for Philosophy and Humanistic Studies within UNESCO (1992–1997).
Mon oncle d'Amérique is a 1980 French film directed by Alain Resnais with a screenplay by Jean Gruault. The film juxtaposes a comedy-drama narrative with the ideas of Henri Laborit, the French surgeon, neurobiologist, philosopher and author. Its principal actors are Gérard Depardieu, Nicole Garcia, and Roger Pierre.
Danielle Yvonne Marie Antoinette Darrieux was a French actress of stage, television and film, as well as a singer and dancer.
Coup de chapeau au passé is the 29th full-length release by French singer Dalida. It was released in 1976, and produced by her brother, Bruno "Orlando" Gigliotti.
Une chambre en ville is a 1982 French musical drama film written and directed by Jacques Demy, with music by Michel Colombier, and starring Dominique Sanda, Danielle Darrieux and Michel Piccoli. It is set against the backdrop of a workers' strike in 1955 Nantes. Like Demy's most famous film, The Umbrellas of Cherbourg, it is an operetta-musical in which every line of dialogue is sung. However, unlike Cherbourg, Chambre is closer to tragedy, with a darker, more explicitly political tone.
Étienne Périer was a Belgian film director.
Lady Chatterley's Lover is a 1955 French drama film directed by Marc Allégret who co-wrote screenplay with Philippe de Rothschild and Gaston Bonheur, based on the 1928 novel by D. H. Lawrence. In 1955, the film was banned in New York because it "promoted adultery", but it was released in 1959 after the U.S. Supreme Court reversed a lower court's decision.
Marie-Octobre is a 1959 French drama mystery film directed by Julien Duvivier, based on the eponymous novel by Jacques Robert. It is also known as Secret Meeting The film was remade in 2008 by director Josée Dayan, starring Nathalie Baye.
Counsel for Romance is a 1936 French romantic comedy film directed by Jean Boyer and Raoul Ploquin and starring Danielle Darrieux, Henri Garat and Jean Dax.
Service Entrance is a 1954 French comedy drama film directed and written by Carlo Rim and starring Etchika Choureau, Danielle Darrieux and Robert Lamoureux. It was shot at the Billancourt Studios in Paris and at the Louvre Museum. The film's sets were designed by the art director Serge Piménoff.
Towards Zero is a 2007 French mystery film directed by Pascal Thomas and starring François Morel, Danielle Darrieux and Melvil Poupaud. It is an adaptation of the 1944 novel Towards Zero by Agatha Christie.
Lovers of Paris is a 1957 French film directed by Julien Duvivier and starring Gérard Philipe. It is based on the 1882 novel Pot-Bouille by Émile Zola.
One Step to Eternity is a 1954 French-Italian thriller film directed by Henri Decoin and starring Danielle Darrieux, Michel Auclair and Corinne Calvet. It was shot at the Boulogne Studios in Paris. The film's sets were designed by the art director Jean d'Eaubonne.
Le désordre et la nuit is a 1958 French crime film directed by Gilles Grangier and starring Jean Gabin and Danielle Darrieux. The screenplay is based on the novel Le Désordre et la Nuit by Jacques Robert. The film was released in the United States as Night Affair.
Happy Go Lucky is a 1946 French comedy film directed by Marcel L'Herbier and starring Danielle Darrieux, André Luguet and François Périer. It was shot at the Neuilly Studios in Paris. The film's sets were designed by the art director Jacques Colombier.
Dream Castle is a 1933 comedy film directed by Géza von Bolváry and starring Edith Méra, Lucien Baroux, and Danielle Darrieux. It was produced in Berlin as the French-language version of The Castle in the South and released by UFA's French subsidiary.
Good Lord Without Confession is a 1953 French drama film directed by Claude Autant-Lara and starring Danielle Darrieux, Henri Vilbert and Claude Laydu. It was shot at the Francoeur Studios in Paris. The film's sets were designed by the art director Max Douy. The film premiered at the Venice Film Festival in September 1953 and went on general release in France the following month. Henri Vilbert won the Volpi Cup for Best Actor for his performance.
The Affair of the Poisons is a 1955 French-Italian historical drama film directed by Henri Decoin and starring Danielle Darrieux, Viviane Romance and Paul Meurisse. The film is adapted from the 1907 play of the same title by Victorien Sardou. It was shot in Technicolor at the Boulogne Studios in Paris. The film's sets were designed by the art director Jean d'Eaubonne. The film is set against the backdrop of the real Affair of the Poisons in seventeenth century France, and demonstrates a darker tone than many more nostalgic depictions of the past.