Book of the Dead (Art Institute of Chicago)

Last updated

The Art Institute of Chicago contains a Book of the Dead scroll, an Ancient Egyptian papyrus depicting funerary spells. [1] This scroll of funerary spells serves as a protection from "Second Death". In ancient Egyptian spiritual practice, the term "Second Death" refers to the phenomenon of the body permanently separating from the soul. [2] The Book of the Dead scroll is made of papyrus, a material made of reed plants cultivated on marshy plantations, which is then cut into strips and left to dry in horizontal and vertical rows. The scroll also contains pigments used to inscribe the funerary spells. [3]

Contents

Scene from the Book of the Dead, Third Intermediate Period, Dynasty 21 (1070-946 BC). The Art Institute of Chicago. Scene from the Book of the Dead.jpg
Scene from the Book of the Dead, Third Intermediate Period, Dynasty 21 (1070–946 BC). The Art Institute of Chicago.

Mythology

In Ancient Egyptian spirituality, one can only completely achieve sanctity when confronted with death itself, meaning that the physical body is only one place where a person exists. Destruction of a person's body after death leads to an incomplete passing into the afterlife. Existence itself continues in the afterlife, experiences such as sexual and material pleasure do not stop after death. [3] The Book of the Dead scroll was a culturally common item that is used as a guide into the afterlife. The Book of the Dead was a privately owned item, the spells only gained significance through the use of imagery throughout the text. [2] These scrolls are often also referred to as The Spell(s) for Coming Forth By Day. In order for a person's soul to be continued after death, there are many rituals the community must perform. When performing spells from the Book of the Dead, there is much importance placed on vocalization. The "opening of the mouth ceremony" shows the emphasis placed on the dead being able to talk, ensuring their arrival into the afterlife as well maintain the ability to eat and drink. [2] Osiris is the God of the dead and ruler of the underworld. He is shown with green skin representing fertility, resurrection and rebirth in the afterlife. The importance of one's body being in complete form after death is a reference to Osiris's myth. In his myth, he is cut up into pieces but lives on in the realm of the dead, called the Duat. [4] Osiris is often illustrated in Book of the Dead scrolls because of his direct connection to death and his significance in guiding one into the afterlife. The Book of the Dead is supposed to guide people through the physical landscapes of the Duat. Oftentimes during ones passing into the afterlife, it is hoped that a man or woman may become an Osiris, meaning they have the opportunity to be admitted into an afterlife of higher value such as becoming a spirit alongside Osiris. [4]

Biography

The scroll belonging to the Art Institute of Chicago was found in the tomb of a woman named Taywhenwtmut. The scroll is illustrated very beautifully, suggesting this woman may have been of higher status. [1] The scroll was commissioned to illustrate the God Osiris. This scroll's function has changed since its creation creating the biography. It first served as a guide into the afterlife for Taywhenwtmut, it then functioned as a commodity when sold by the archaeologist. Presently it functions as a contribution to broaden the education of the general public's knowledge on Ancient Egyptian culture and specifically funerary practices at The Art Institute of Chicago. [1]

Donation

The artifact was donated to The Art Institute of Chicago by Henry H. Getty, Charles Hutchinson, Robert H. Flemming, and Norman W. Harris in 1894. These donors have also contributed many other Ancient Egyptian works to the Art Institute of Chicago. Some of which are as follows: Statuette of Imhotep, Egyptian Ptolemaic Period (332-30 B.C.) Bronze h. 11.7 cm (4 5/8 in.), [5] Amulet of the God Horus as a Falcon, Late Period - Ptolemaic Period, (664-30 B.C.) Faience, 6.9 x 2.8 x 6.8 cm (2 3/4 x 1 1/8 x 2 5/8 in.) [6] Ointment Vessel with Lid, New Kingdom, Dynasty 18 (c. 1570–1293 B.C.) Egyptian alabaster and steatite, Vessel: 12.3 x 11.4 x 11.4 cm (4 7/8 x 4 1/2 x 4 1/2 in.); lid: 0.7 x 6.7 x 6.7 cm (5/16 x 2 5/8 x 2 5/8 in.) [7] Around the time of this scroll's donation in 1894, large contributions were made by a few of the men seen as creators of the "advent" of Egyptian artifacts in the Midwest through Anthropological and Archaeological work. John D. Rockefeller, his son John D. Rockefeller Jr., William Rainey Harper, and James Henry Breasted made large contributions to the Egyptian Collections of The Oriental Institute of Chicago in 1890. [8]

Display

The Art Institute of Chicago was founded in 1879. The Art Institute of Chicago collects and preserves items of universal cultural and artistic value in support of public interest and education of the fine arts. The curation of the scroll presented at The Art Institute of Chicago explains that the scroll originated from the 21st Egyptian Dynasty, 1070-946 BC also known as the Third Intermediate Period. [1] The scroll was part of the exhibit; When the Greeks Ruled Egypt. This exhibit was on view through July 27, 2014. The objects of this exhibit are either part of The Art Institute's permanent collection, loans from the University of Chicago, loans from the Oriental Institute, or private loans. This scroll is part of the permanent collection. [9]

See also

Related Research Articles

<span class="mw-page-title-main">Anubis</span> Ancient Egyptian god of funerary rites

Anubis, also known as Inpu, Inpw, Jnpw, or Anpu in Ancient Egyptian, is the god of funerary rites, protector of graves, and guide to the underworld, in ancient Egyptian religion, usually depicted as a canine or a man with a canine head.

<span class="mw-page-title-main">Osiris</span> Ancient Egyptian god of the afterlife

Osiris is the god of fertility, agriculture, the afterlife, the dead, resurrection, life, and vegetation in ancient Egyptian religion. He was classically depicted as a green-skinned deity with a pharaoh's beard, partially mummy-wrapped at the legs, wearing a distinctive atef crown, and holding a symbolic crook and flail. He was one of the first to be associated with the mummy wrap. When his brother Set cut him up into pieces after killing him, Osiris' wife Isis found all the pieces and wrapped his body up, enabling him to return to life. Osiris was widely worshipped until the decline of ancient Egyptian religion during the rise of Christianity in the Roman Empire.

<span class="mw-page-title-main">Ammit</span> Ancient Egyptian Demoness Goddess

Ammit was an ancient Egyptian goddess with the forequarters of a lion, the hindquarters of a hippopotamus, and the head of a crocodile—the three largest "man-eating" animals known to ancient Egyptians. In ancient Egyptian religion, Ammit played an important role during the funerary ritual, the Judgment of the Dead.

<span class="mw-page-title-main">Duat</span> Underworld in Egyptian mythology

The Duat is the underworld in ancient Egyptian mythology. It has been represented in hieroglyphs as a star-in-circle: 𓇽. The god Osiris was believed to be the lord of the underworld. He was the first mummy as depicted in the Osiris myth and he personified rebirth and life after death. The underworld was also the residence of various other gods along with Osiris.

<span class="mw-page-title-main">Ancient Egyptian conception of the soul</span> Mythical concept

The ancient Egyptians believed that a soul was made up of many parts. In addition to these components of the soul, there was the human body.

<i>Book of the Dead</i> Ancient Egyptian funerary text

The Book of the Dead is an ancient Egyptian funerary text generally written on papyrus and used from the beginning of the New Kingdom to around 50 BC. The original Egyptian name for the text, transliterated r(ꜣ)w n(y)w prt m hrw(w), is translated as Book of Coming Forth by Day or Book of Emerging Forth into the Light. "Book" is the closest term to describe the loose collection of texts consisting of a number of magic spells intended to assist a dead person's journey through the Duat, or underworld, and into the afterlife and written by many priests over a period of about 1,000 years. Karl Richard Lepsius introduced for these texts the German name Todtenbuch, translated to English as Book of the Dead.

<span class="mw-page-title-main">Amduat</span> Ancient Egyptian funerary text

The Amduat is an important ancient Egyptian funerary text of the New Kingdom of Egypt. Like many funerary texts, it was found written on the inside of the pharaoh's tomb for reference. Unlike other funerary texts, however, it was reserved only for pharaohs or very favored nobility.

<span class="mw-page-title-main">Canopic jar</span> Jar in which organs are kept

Canopic jars are containers that were used by the ancient Egyptians during the mummification process, to store and preserve the viscera of their owner for the afterlife. They were commonly either carved from limestone or made of pottery. These jars were used by the ancient Egyptians from the time of the Old Kingdom, until the time of the Late Period or the Ptolemaic Period, by which time the viscera were simply wrapped and placed with the body. The viscera were not kept in a single canopic jar: each jar was reserved for specific organs. The term canopic reflects the mistaken association by early Egyptologists with the Greek legend of Canopus – the boat captain of Menelaus on the voyage to Troy – "who was buried at Canopus in the Delta where he was worshipped in the form of a jar". In alternative versions, the name derives from the location Canopus in the western Nile Delta near Alexandria, where human-headed jars were worshipped as personifications of the god Osiris.

<span class="mw-page-title-main">Eye of Horus</span> Ancient Egyptian symbol of protection, royal power and good health

The Eye of Horus, also known as left wedjat eye or udjat eye, specular to the Eye of Ra, is a concept and symbol in ancient Egyptian religion that represents well-being, healing, and protection. It derives from the mythical conflict between the god Horus with his rival Set, in which Set tore out or destroyed one or both of Horus's eyes and the eye was subsequently healed or returned to Horus with the assistance of another deity, such as Thoth. Horus subsequently offered the eye to his deceased father Osiris, and its revitalizing power sustained Osiris in the afterlife. The Eye of Horus was thus equated with funerary offerings, as well as with all the offerings given to deities in temple ritual. It could also represent other concepts, such as the moon, whose waxing and waning was likened to the injury and restoration of the eye.

<span class="mw-page-title-main">Ancient Egyptian funerary practices</span> Elaborate set of funerary practices

The ancient Egyptians had an elaborate set of funerary practices that they believed were necessary to ensure their immortality after death. These rituals included mummifying the body, casting magic spells, and burials with specific grave goods thought to be needed in the afterlife.

<span class="mw-page-title-main">Coffin Texts</span> Collection of ancient Egyptian funerary spells

The Coffin Texts are a collection of ancient Egyptian funerary spells written on coffins beginning in the First Intermediate Period. They are partially derived from the earlier Pyramid Texts, reserved for royal use only, but contain substantial new material related to everyday desires, indicating a new target audience of common people. Coffin texts are dated back to 2100 BCE. Ordinary Egyptians who could afford a coffin had access to these funerary spells and the pharaoh no longer had exclusive rights to an afterlife.

<span class="mw-page-title-main">Opening of the mouth ceremony</span> Ancient Egyptian funerary rite

The opening of the mouth ceremony was an ancient Egyptian ritual described in funerary texts such as the Pyramid Texts. From the Old Kingdom to the Roman Period, there is ample evidence of this ceremony, which was believed to give the deceased their fundamental senses to carry out tasks in the afterlife. Various practices were conducted on the corpse, including the use of specific instruments to touch body parts like the mouth and eyes. These customs were often linked with childbirth, which denoted rebirth and new beginnings. For instance, cutting bloody meat from animals as offerings for the deceased signified the birthing process, which typically involves blood, and represented the commencement of a new life. Additionally, tools like the peseshkef, which resembled the tail of a fish and were originally employed for cutting infants' umbilical cords, further emphasized the idea of "rebirth".

<span class="mw-page-title-main">Four sons of Horus</span> Ancient Egyptian gods

The four sons of Horus were a group of four deities in ancient Egyptian religion who were believed to protect deceased people in the afterlife. Beginning in the First Intermediate Period of Egyptian history, Imsety, Hapy, Duamutef, and Qebehsenuef were especially connected with the four canopic jars that housed the internal organs that were removed from the body of the deceased during the process of mummification. Most commonly, Imsety protected the liver, Hapy the lungs, Duamutef the stomach, and Qebehsenuef the intestines, but this pattern often varied. The canopic jars were given lids that represented the heads of the sons of Horus. Although they were originally portrayed as humans, in the latter part of the New Kingdom, they took on their most distinctive iconography, in which Imsety is portrayed as a human, Hapy as a baboon, Duamutef as a jackal, and Qebehsenuef as a falcon. The four sons were also linked with stars in the sky, with regions of Egypt, and with the cardinal directions.

<span class="mw-page-title-main">Egyptian mythology</span> Myths of the Ancient Egyptians

Egyptian mythology is the collection of myths from ancient Egypt, which describe the actions of the Egyptian gods as a means of understanding the world around them. The beliefs that these myths express are an important part of ancient Egyptian religion. Myths appear frequently in Egyptian writings and art, particularly in short stories and in religious material such as hymns, ritual texts, funerary texts, and temple decoration. These sources rarely contain a complete account of a myth and often describe only brief fragments.

The Book of Traversing Eternity is an ancient Egyptian funerary text used primarily in the Roman period of Egyptian history. The earliest known copies date to the preceding Ptolemaic Period, making it most likely that the book was composed at that time.

<span class="mw-page-title-main">Medjed</span> Ancient Egyptian deity

In Ancient Egyptian religion, Medjed is a minor deity mentioned in certain copies of the Book of the Dead. While not much is known about the deity, his ghost-like depiction in the Greenfield papyrus has earned him popularity in modern Japanese culture, and he has appeared as a character in video games and anime.

<span class="mw-page-title-main">Mask of Tutankhamun</span> Gold mask of Egyptian pharaoh Tutankhamun

The mask of Tutankhamun is a gold funerary mask of the 18th-dynasty ancient Egyptian pharaoh Tutankhamun. After being buried for over 3,000 years, it was excavated by Howard Carter in 1925 from tomb KV62 in the Valley of the Kings and is now in the Egyptian Museum in Cairo. The death mask is one of the best-known works of art in the world and a prominent symbol of ancient Egypt.

<span class="mw-page-title-main">Ancient Egyptian afterlife beliefs</span> Complex rituals

Ancient Egyptian afterlife beliefs were centered around a variety of complex rituals that were influenced by many aspects of Egyptian culture. Religion was a major contributor, since it was an important social practice that bound all Egyptians together. For instance, many of the Egyptian gods played roles in guiding the souls of the dead through the afterlife. With the evolution of writing, religious ideals were recorded and quickly spread throughout the Egyptian community. The solidification and commencement of these doctrines were formed in the creation of afterlife texts which illustrated and explained what the dead would need to know in order to complete the journey safely.

<span class="mw-page-title-main">Gate deities of the underworld</span> Ancient Egyptian deities

The gate deities of the underworld were ancient Egyptian minor deities charged with guarding the gates of the Egyptian underworld.

<span class="mw-page-title-main">Breathing Permit of Hôr</span> Egyptian funerary text used in Mormon scripture

The Breathing Permit of Hôr or Hor Book of Breathing is a Ptolemaic era funerary text written for a Theban priest named Hôr. The breathing permit or Book of Breathing assisted its owner in navigating through the afterlife, being judged worthy and living forever.

References

  1. 1 2 3 4 "Scene from the Book of the Dead | The Art Institute of Chicago". www.artic.edu. Retrieved 2016-03-07.
  2. 1 2 3 Assmann, Jan (2005). "Death and Salvation in Ancient Egypt". Ithaca: Cornell University Press.[ permanent dead link ]
  3. 1 2 Meskell, L. (2001), "The Egyptian Ways of Death." Archeological Papers of the American Anthropological Association, 10: 27–40. doi:10.1525/ap3a.2001.10.1.27
  4. 1 2 Snape, Steven (2010). Ancient Egyptian Tombs: The Culture of Life and Death. Hoboken: Wiley.
  5. "Cleopatra". www.artic.edu. Archived from the original on 2016-10-12. Retrieved 2016-03-15.
  6. "Amulet of the God Horus as a Falcon The Art Institute of Chicago". www.artic.edu. Retrieved 2016-03-15.
  7. "Ointment Vessel with Lid The Art Institute of Chicago". www.artic.edu. Retrieved 2016-03-16.
  8. Troy, Lana. "Ancient Egypt: Treasures from the Collection of the Oriental Institute, University of Chicago." Journal of Near Eastern Studies. 66.2 (2007). Print.
  9. The Art Institute of Chicago. "An Age of Curiosity and Experimentation: When the Greeks Ruled Egypt." Department of Public Affairs. http://www.artic.edu/sites/default/files/press/When-the-Greeks-Ruled_PR-FINAL.pdf Archived 2015-12-05 at the Wayback Machine

Further reading