The Heiress is a 1949 American romantic drama film directed and produced by William Wyler, from a screenplay written by Ruth and Augustus Goetz, adapted from their 1947 stage play of the same title, which was itself adapted from Henry James' 1880 novel Washington Square. The film stars Olivia de Havilland as Catherine Sloper, a naive young woman who falls in love with a handsome young man despite the objections of her emotionally abusive father who suspects the man of being a fortune hunter. Montgomery Clift stars as Morris Townsend, and Ralph Richardson as Dr. Sloper.
Possessed is a 1947 American psychological drama directed by Curtis Bernhardt, starring Joan Crawford, Van Heflin, and Raymond Massey in a tale about an unstable woman's obsession with her ex-lover. The screenplay by Ranald MacDougall and Silvia Richards was based upon a story by Rita Weiman.
Sudden Fear is a 1952 American film noir thriller film starring Joan Crawford and Jack Palance in a tale about a successful woman who marries a murderous man. Directed by David Miller, the screenplay by Lenore J. Coffee and Robert Smith was based upon the novel of the same name by Edna Sherry.
Screaming Mimi is a 1958 American film noir directed by Gerd Oswald and starring Anita Ekberg, Philip Carey and Gypsy Rose Lee. The story originated as a 1949 novel of the same name by Fredric Brown.
Beyond the Forest is a 1949 American film noir directed by King Vidor, and featuring Bette Davis, Joseph Cotten, David Brian, and Ruth Roman. The screenplay is written by Lenore Coffee based on a novel by Stuart Engstrand.
The Damned Don't Cry is a 1950 American film noir crime-drama directed by Vincent Sherman and featuring Joan Crawford, David Brian, and Steve Cochran. It tells of a woman's involvement with an organized crime boss and his subordinates. The screenplay by Harold Medford and Jerome Weidman was based on the story "Case History" by Gertrude Walker. The plot is loosely based on the relationship of Bugsy Siegel and Virginia Hill. The film was directed by Vincent Sherman and produced by Jerry Wald. The Damned Don't Cry is the first of three cinematic collaborations between Sherman and Crawford, the others being Harriet Craig (1950) and Goodbye, My Fancy (1951).
Flamingo Road is a 1949 American film noir drama directed by Michael Curtiz and starring Joan Crawford, Zachary Scott, Sydney Greenstreet and David Brian. The screenplay by Robert Wilder was based on a 1946 play written by Wilder and his wife, Sally, which was based on Robert Wilder's 1942 novel of the same name.
They Won't Believe Me is a 1947 American film noir directed by Irving Pichel and starring Robert Young, Susan Hayward and Jane Greer. It was produced by Alfred Hitchcock's longtime assistant and collaborator, Joan Harrison. The film was made and distributed by Hollywood major studio RKO Pictures.
Scandal Sheet is a 1952 American film noir directed by Phil Karlson. The film is based on the novel The Dark Page by Samuel Fuller, who himself was a newspaper reporter before his career in film. The drama features Broderick Crawford, Donna Reed and John Derek.
Poltergeist III is a 1988 American supernatural horror film co-written and directed by Gary Sherman, and starring Tom Skerritt, Nancy Allen, Heather O'Rourke and Zelda Rubinstein with the latter two reprising their roles from the previous films. The third and final entry in the original Poltergeist film series, it follows young Carol Anne Freeling, who is terrorized by malicious spirits while staying in her aunt and uncle's apartment at Chicago's John Hancock Center.
Beyond a Reasonable Doubt is a 1956 American film noir legal drama directed by Fritz Lang and written by Douglas Morrow. The film stars Dana Andrews, Joan Fontaine, Sidney Blackmer, and Arthur Franz. It was Lang's second film for producer Bert E. Friedlob, and the last American film he directed.
Strait-Jacket is a 1964 American psychological horror film directed and produced by William Castle, written by Robert Bloch and starring Joan Crawford. Its plot follows a woman who, having murdered her husband and his lover decades prior, is suspected of a series of axe murders following her release from a psychiatric hospital.
Guilty Bystander is a 1950 American crime drama film noir directed by Joseph Lerner, and starring Zachary Scott and Faye Emerson. The film was shot on location entirely in New York City. It also marked the last motion picture screen appearances for character actors Mary Boland and J. Edward Bromberg.
Mildred Pierce is a 1945 American melodrama/film noir directed by Michael Curtiz and starring Joan Crawford, Jack Carson, and Zachary Scott, also featuring Eve Arden, Ann Blyth, and Bruce Bennett. Based on the 1941 novel by James M. Cain, this was Crawford's first starring role for Warner Bros., after leaving Metro-Goldwyn-Mayer, and she won the Academy Award for Best Actress. In 1996, Mildred Pierce was deemed "culturally, historically, or aesthetically significant" and selected for preservation in the United States Library of Congress National Film Registry.
Knock on Any Door is a 1949 American courtroom trial film noir directed by Nicholas Ray and starring Humphrey Bogart. The movie was based on the 1947 novel of the same name by Willard Motley. The picture gave actor John Derek his breakthrough role as young hoodlum Nick Romano, whose motto was, "live fast, die young, and have a good looking corpse."
Portrait in Black is a 1960 American neo-noir melodrama film directed by Michael Gordon, and starring Lana Turner and Anthony Quinn. Produced by Ross Hunter, the film was based on the play of the same by name by Ivan Goff and Ben Roberts, who also wrote the screenplay. The film was distributed by Universal-International. This was the final film appearance by actress Anna May Wong.
Something to Live For is a 1952 American drama film starring Joan Fontaine, Ray Milland, and Teresa Wright, directed by George Stevens, and released by Paramount Pictures. The screenplay by Dwight Taylor was the first to focus on the Alcoholics Anonymous program as a means of overcoming an addiction to liquor.
Cry Terror! is a 1958 American crime thriller film starring James Mason, Inger Stevens, and Rod Steiger. The story was written and directed by Andrew L. Stone. Neville Brand, Jack Klugman and Angie Dickinson appear in support.
Bad for Each Other is a 1953 American drama film noir directed by Irving Rapper and starring Charlton Heston, Lizabeth Scott and Dianne Foster. It was produced and distributed by Columbia Pictures. Its genre has been characterized as a "medical melodrama" with a film noir "bad girl".
The Man Who Found Himself, also known as Wings of Mercy, is a 1937 American aviation film based on the unpublished story "Wings of Mercy" by Alice B. Curtis. The film marked the first starring role for 19-year-old Joan Fontaine, who was billed as the "new RKO screen personality", highlighted following the end of the film by a special "on screen" introduction. Unlike many of the period films that appeared to glorify aviation, it is a complex film, examining the motivations of both doctors and pilots.
