The balafon is a kind of xylophone or percussion idiophone which plays melodic tunes, and usually has between 16 and 27 keys. It has been played in Africa since the 12th century according to oral stories; it originated in Mali, according to the Manding history narrated by the griots.
The Music of Mali is, like that of most African nations, ethnically diverse, but one influence predominates; that of the ancient Mali Empire of the Mandinka. Mande people make up 50% of the country's population, other ethnic groups include the Fula (17%), Gur-speakers 12%, Songhai people (6%), Tuareg and Moors (10%) and another 5%, including Europeans. Mali is divided into eight regions; Gao, Kayes, Koulikoro, Mopti, Ségou, Sikasso, Tombouctou and Bamako.
The music of Burkina Faso includes the folk music of 60 different ethnic groups. The Mossi people, centrally located around the capital, Ouagadougou, account for 40% of the population while, to the south, Gurunsi, Gurma, Dagaaba and Lobi populations, speaking Gur languages closely related to the Mossi language, extend into the coastal states. In the north and east the Fulani of the Sahel preponderate, while in the south and west the Mande languages are common; Samo, Bissa, Bobo, Senufo and Marka. Burkinabé traditional music has continued to thrive and musical output remains quite diverse. Popular music is mostly in French: Burkina Faso has yet to produce a major pan-African success.
The music of the Gambia is closely linked musically with that of its neighbor, Senegal, which surrounds its inland frontiers completely. Among its prominent musicians is Foday Musa Suso. Mbalax is a widely known popular dance music of the Gambia and neighbouring Senegal. It fuses popular Western music and dance, with sabar, the traditional drumming and dance music of the Wolof and Serer people.
The Rail Band is a Malian band formed in 1970; it was later known as Super Rail Band, Bamako Rail Band or, most comprehensively and formally, Super Rail Band of the Buffet Hotel de la Gare, Bamako. Its fame was built upon the mid-20th century craze for Latin — especially Cuban — jazz music which came out of Congo in the 1940s. The Rail Band was one of the first West African acts to combine this mature Afro-Latin sound with traditional instruments and styles. In their case, this was built upon the Mande Griot praise singer tradition, along with Bambara and other Malian and Guinean musical traditions. Their distinctive sound came from combining electric guitar and jazz horns with soaring Mandinka and Bamabara lyrical lines, African and western drums, and local instruments such as the kora and the Balafon. At their height of fame in the 1970s, the Rail Band played to sold out venues and even stadia across West Africa, and launched solo careers for many of its members, including the legendary vocalist Salif Keita.
Toumani Diabaté is a Malian kora player. In addition to performing the traditional music of Mali, he has also been involved in cross-cultural collaborations with flamenco, blues, jazz, and other international styles.
Djelimady Tounkara is a Malian musician and one of the foremost guitarists in Africa.
Mah Damba is a traditional griot singer. She comes from a family of griots: her father, Djeli Baba Sissoko, was a griot and her aunt, Fanta Damba, is also considered a top vocalist.
Abdoulaye Diabaté is a singer and guitarist who was born to a griot family in Kela, Mali in 1956. He has at least twenty years of experience in contemporary and popular music.
Bajourou is the name given to a strain of Malian (Mali) pop music usually played at weddings and social gatherings. Though now predominantly electric, its roots were in 60's acoustic music that borrowed patterns from the kora and the donsongoni and transferred them to acoustic guitars. Lyrics moved away from the usual Manding praise songs to more secular, romantic concerns, mainly sung by women like Fanta Sacko who did much to develop and spread the music.
Mamadou Diabaté is a Malian musician known for his work with the kora. He began playing quite early in his life, became known as a musician in the area of Mali in which he lived, and has since moved to the United States, recording several albums.
The culture of Mali derives from the shared experience, as a colonial and post-colonial polity, and the interaction of the numerous cultures which make up the Malian people. What is today the nation of Mali was united first in the medieval period as the Mali Empire. While the current state does not include areas in the southwest, and is expanded far to the east and northeast, the dominant roles of the Mandé peoples is shared by the modern Mali, and the empire from which it took its name.
Ballaké Sissoko is a noted player of the kora. He has worked with Toumani Diabaté and Taj Mahal and several others. He can be heard on Diario Mali. Ballaké's father, Djelimady Sissoko, was a notable musician in his own right.
Kulanjan is a 1999 album by blues artist Taj Mahal and Malian kora-player Toumani Diabaté.
Cheick Hamala Diabate is a musician from Mali, West Africa who has been nominated for a Grammy award. Using Adelphi, Maryland as his home he travels all over the United States, Canada, Europe, and Asia. He has performed at the Kennedy Center, the United States Senate, and the Smithsonian Institution. Cheick Hamala was born into a griot family in Kita, Mali. From a young age he learned to play the ngoni, a stringed instrument related to the American banjo. In addition, Cheick has learned the history of Mali passed down for over 800 years. Cheick has performed internationally.
Circa 1230s-1600s, the MaliEmpire was created in Western Africa along the Niger River. Often associated with being founded by Sunjata Keita, the history of Mali is extremely based on oral history. The story of the founder of Mali, Sunjata Keita, is largely based on oral history. Oral history may be defined as the preservation and interpretation of historical, cultural or personal experiences by way of a speaker. In Mali, such a speaker can be described as a poet, a storyteller, a praise singer or a musician. A large amount of Mali’s history is transferred via oral historians. Such oral historians in Mali are known as griots, Jalis, and Jelis. The origins of oral history in Mali may be traced back to the story of Sunjata Keita. Modern-day oral history in Mali has transformed from the history based griots to a more contemporary musical and negotiator based griots. The current state of oral history in Mali has travelled to other realms like popular culture and politics.
Mamadou Sidiki Diabaté is a prominent Mandé kora player and jeli from Bamako, Mali. He is the 71st generation of kora players in his family and a son to Sidiki Diabaté.
Sacko is a surname, and may refer to:
