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The Bowery Amphitheatre was a building in the Bowery neighborhood of New York City. It was located at 37 and 39 Bowery, across the street from the Bowery Theatre. Under a number of different names and managers, the structure served as a circus, menagerie, theatre, a roller rink, and a branch of the Peniel Mission. The site is now part of Confucius Plaza.
A group of New York businessmen known as the Zoological Institute or the Flatfoots built the structure in 1833 as the site for a menagerie and circus performances. In 1835, the site was converted into an amphitheatre with a stage and a circus ring, and the name changed to the Bowery Amphitheatre. June, Titus, Angevine & Co. took up residence with their equestrian show.
The owners changed the name again in November 1842 to the Amphitheatre of the Republic. John Tryon leased the building the following year, remaining its operator until 1848. Following a performance by the Virginia Minstrels on 6 February 1843, Tryon gave the structure over largely to minstrel shows, renaming it the New Knickerbocker Theatre in 1844.
In 1849, the building once again became a menagerie, this time under the management of June & Titus. The new endeavor failed to perform up to expectations, so in 1851 the amphitheatre became a circus instead. Seth B. Howe's circus company became a standard feature. During the 1852-1853 season, regular acts included the Richard Sands & Co. and John J. Nathans & Co. circuses. The next season saw a return to equestrian exhibitions under the management of Henry P. Madigan and Den W. Stone.
During the summer of 1854, Germans Seigrist and Otto Hoym leased the amphitheatre and rebuilt it. It opened on 20 October 1854 as the Stadt Theater. The Stadt specialized in German-language fare, but it also staged American and English drama. A succession of managers sustained this mixture until the 1863-1864 season, when the Stadt Theater moved to 45 Bowery, where it remained for 8 years, before returning to its original location. Adolf Neuendorff directed the Stadt from 1863 to 1867. In 1871 it was the venue for the first U.S. performance of Richard Wagner's opera Lohengrin . [1] [2]
On September 3, 1864, the theatre at 37 Bowery became known as The Varieties, making variety shows its main draw. This form lasted until mid-October 1865, when A. Montpelier became the manager and owner. He renamed the building Montpelier's Opera House, although he kept its emphasis on variety and melodrama. Montpelier changed the name once more on November 20, 1865. The New National Circus stayed open for six weeks for its final stint as an entertainment venue. The structure was converted into an armory in 1866.[ citation needed ]
After the Stadt returned in 1872, the theater gave the first American performance of Johann Strauss' Die Fledermaus (in German) on November 21, 1874. [3] By 1880 the name was changed to the Windsor Theater (under the management of John A. Stevens), which burnt down in November 1883, but was rebuilt and by 1885 was the Windsor Roller Skating Rink. It reopened as the Windsor Theater on February 8, 1886. [2] [4]
On March 27, 1893, the theatre reopened as a Hebrew theatre under the management of Sigmund Magulesko, Isidore Lindeman, and Joseph Levy. [5]
In December 1897, 39 Bowery became the first East Coast branch of the Peniel Mission. It was directed by A. W. Dennet, who renamed it the Peniel Josephine Mission in honor of his wife. On November 30, 1900, Dennet changed his enterprise to the Ragged Church, which however closed after only two years. The site is now a part of the Confucius Plaza complex. [2]
Lohengrin, WWV 75, is a Romantic opera in three acts composed and written by Richard Wagner, first performed in 1850. The story of the eponymous character is taken from medieval German romance, notably the Parzival of Wolfram von Eschenbach, and its sequel Lohengrin, itself inspired by the epic of Garin le Loherain. It is part of the Knight of the Swan legend.
The Virginia Minstrels or Virginia Serenaders was a group of 19th-century American entertainers who helped invent the entertainment form known as the minstrel show. Led by Dan Emmett, the original lineup consisted of Emmett, Billy Whitlock, Dick Pelham, and Frank Brower.
Jean de Reszke was a Polish dramatic tenor and opera star. Reszke came from a wealthy Polish family with classical and operatic musical traditions. His mother gave him his first singing lessons and provided a home that was a recognized music centre. His sister Josephine and younger brother Édouard performed in Western Europe, and Reszke would perform with each of them throughout his career.
The Black Crook is a work of musical theatre first produced in New York City with great success in 1866. Many theatre writers have cautiously identified The Black Crook as the first popular piece that conforms to the modern notion of a musical. The book is by Charles M. Barras. The music, selected and arranged by Thomas Baker, consists mostly of adaptations, but it included some new songs composed for the piece, notably "You Naughty, Naughty Men". The story is a Faustian melodramatic romantic comedy, but the production became famous for its spectacular special effects and skimpy costumes.
The Bowery Theatre was a playhouse on the Bowery in the Lower East Side of Manhattan, New York City. Although it was founded by rich families to compete with the upscale Park Theatre, the Bowery saw its most successful period under the populist, pro-American management of Thomas Hamblin in the 1830s and 1840s. By the 1850s, the theatre came to cater to immigrant groups such as the Irish, Germans, and Chinese. It burned down four times in 17 years, a fire in 1929 destroying it for good. Although the theatre's name changed several times, it was generally referred to as the "Bowery Theatre".
The Teatro dell'Opera di Roma is an opera house in Rome, Italy. Originally opened in November 1880 as the 2,212 seat Costanzi Theatre, it has undergone several changes of name as well modifications and improvements. The present house seats 1,560.
The Chatham Theatre or Chatham Street Theatre was a playhouse on the southeast side of Chatham Street in New York City. It was located at numbers 143-9, between Roosevelt and James streets, a few blocks south of the Bowery. At its opening in 1839, the Chatham was a neighborhood establishment, which featured big-name actors and drama. By the mid-1840s, it had become primarily a venue for blackface minstrel shows. Frank S. Chanfrau restored some of its grandeur in 1848.
Karan Armstrong was an American operatic soprano, who was celebrated as a singing actress. After winning the Metropolitan Opera National Council Auditions in 1966, she was given small roles at the Metropolitan Opera, and appeared in leading roles at the New York City Opera from 1969, including Conceptión in Ravel's L'heure espagnol, Blonde in Mozart's Die Entführung aus dem Serail, and the title roles in Verdi's La traviata, Offenbach's La belle Hélène and Puccini's La fanciulla del West. After she performed in Europe from 1974, first as Micaëla in Bizet's Carmen, and then as a sensational Salome at the Opéra du Rhin, she enjoyed a career at major opera houses, appearing in several opera recordings and films. Armstrong was for decades a leading soprano at the Deutsche Oper Berlin, where her husband Götz Friedrich was director. She appeared in world premieres, including Gottfried von Einem's Jesu Hochzeit, Luciano Berio's Un re in ascolto and York Höller's Der Meister und Margarita. She was awarded the title Kammersängerin twice.
Frederic Sullivan was an English actor and singer. He originated the role of the Learned Judge in Gilbert and Sullivan's 1875 comic opera Trial by Jury, providing the model for the comic roles in the later Savoy operas.
Adolf Heinrich Anton Magnus Neuendorff, also known as Adolph Neuendorff, was a German-American composer, violinist, pianist and conductor, stage director, and theater manager.
Le pont des soupirs is an opéra bouffe set in Venice, by Jacques Offenbach, first performed in Paris in 1861. The French libretto was written by Hector Crémieux and Ludovic Halévy. Plays, including melodramas, set in Venice were quite common in Paris in the early 19th century; the libretto, by the successful team from Orphée aux enfers, also nods towards the operas La reine de Chypre (1841) and Haydée (1847). Gänzl describes the piece as being in Offenbach's "best bouffe manner", noting a "long list of sparkling and funny musical pieces": the multiple serenade beneath Catarina's balcony, the tale of the loss of the Venetian fleet, the parody of an operatic mad scene for Catarina, and a farcical "quatuor des poignards". Offenbach would return to Venice in the Giulietta act of his final work Les Contes d'Hoffmann.
Les deux aveugles is an 1855 one-act French bouffonerie musicale (operetta) by Jacques Offenbach. The libretto was written by Jules Moinaux and was a condensation of his 3-act Les musiciens ambulants.
The Théâtre des Bouffes-Parisiens is a Parisian theatre founded in 1855 by the composer Jacques Offenbach for the performance of opéra bouffe and operetta. The current theatre is located in the 2nd arrondissement at 4 rue Monsigny with an entrance at the back at 65 Passage Choiseul. In the 19th century the theatre was often referred to as the Salle Choiseul. With the decline in popularity of operetta after 1870, the theatre expanded its repertory to include comedies.
John Joseph Braham, Sr. was an Anglo-American musical theater conductor and composer who introduced the works of Gilbert and Sullivan to the United States and composed some of the earliest original orchestral scores for silent film.
The Cologne Opera is both to the main opera house in Cologne, Germany and to its resident opera company.
Wilhelm Schüchter was a German conductor. He was Generalmusikdirektor in Dortmund from 1962 until his death. He opened the new opera house in 1966 with Der Rosenkavalier by Richard Strauss, and conducted the world premiere of the opera Eli by Walter Steffens after the drama of Nelly Sachs in 1967. He left a legacy of opera recordings, especially of excerpts sung in German.
George Henry Jessop was an Irish playwright, librettist, journalist, and novelist. Born in Ireland and educated at Trinity College Dublin, Jessop began his career as a writer working for magazines in London before moving to California in 1873. There he worked as both a journalist and newspaper editor for five years before beginning a career as a playwright in the United States. His first play, A Gentleman from Nevada (1879), was a success and had a profitable run at Broadway's Fifth Avenue Theatre. This work was eclipsed by his third play, Sam'l of Posen; or, The Commercial Drummer (1881), which brought both fame and fortune to its star, the actor M. B. Curtis, who purchased the rights to the work outright from Jessop. It was notably the first play in the history of American theatre to present a positive portrayal of a Jewish character.
The Broadway Theatre, called the Old Broadway Theatre since its demise, was at 326–30 Broadway, between Pearl and Anthony Streets in Lower Manhattan, New York City. With over 4000 seats, it was the largest theater ever built in New York when it opened. During its brief existence, many prominent performers of the era appeared on its stage. It presented plays, opera, ballet, hippodrama, and circus performances in a space that was reconfigured several times. The operators always struggled to make money, however, and after twelve years the Broadway Theatre was replaced by a more profitable building, for the textile trade.
Walter Hyde was a British tenor, actor and teacher of voice whose career spanned genres from musical theatre to grand opera. In 1901 he sang Borrachio in the premiere of Stanford's Much Ado About Nothing and soon appeared in London's West End in light opera and Edwardian musical comedy. He appeared regularly at the Royal Opera House in Covent Garden between 1908 and 1924, becoming known for roles in Wagner operas, among others, both in Britain and America. He was also in demand as a concert artist. In his later years he was Professor of Voice at the Guildhall School of Music where his students included Geraint Evans and Owen Brannigan.
The Loh-Orchester Sondershausen is an orchestra from Sondershausen founded around 1600. It influenced Music in Germany in the 19th century by helping the music of Richard Wagner and Franz Liszt to achieve a breakthrough.