The fourth wall is a performance convention in which an invisible, imagined wall separates actors from the audience. While the audience can see through this wall, the convention assumes the actors act as if they cannot. From the 16th century onward, the rise of illusionism in staging practices, which culminated in the realism and naturalism of the theatre of the 19th century, led to the development of the fourth wall concept.
A proscenium is the metaphorical vertical plane of space in a theatre, usually surrounded on the top and sides by a physical proscenium arch and on the bottom by the stage floor itself, which serves as the frame into which the audience observes from a more or less unified angle the events taking place upon the stage during a theatrical performance. The concept of the fourth wall of the theatre stage space that faces the audience is essentially the same.
A theatre in the round, arena theatre or central staging is a space for theatre in which the audience surrounds the stage.
A black box theater is a simple performance space, typically a square room with black walls and a flat floor. The simplicity of the space allows it to be used to create a variety of configurations of stage and audience interaction. The black box is a relatively recent innovation in theatre.
In theatre and performing arts, the stage is a designated space for the performance of productions. The stage serves as a space for actors or performers and a focal point for the audience. As an architectural feature, the stage may consist of a platform or series of platforms. In some cases, these may be temporary or adjustable but in theaters and other buildings devoted to such productions, the stage is often a permanent feature.
André Antoine was a French actor, theatre manager, film director, author, and critic who is considered the father of modern mise en scène in France.
A theater, theatre or playhouse, is a structure where theatrical works, performing arts and musical concerts are presented. The theater building serves to define the performance and audience spaces. The facility usually is organized to provide support areas for performers, the technical crew and the audience members, as well as the stage where the performance takes place.
The Empire Theatre is a heritage-listed theatre at 56 & 56A Neil Street, Toowoomba, Toowoomba Region, Queensland, Australia. It was added to the Queensland Heritage Register on May 31, 1994.
Nineteenth-century theatre describes a wide range of movements in the theatrical culture of Europe and the United States in the 19th century. In the West, they include Romanticism, melodrama, the well-made plays of Scribe and Sardou, the farces of Feydeau, the problem plays of Naturalism and Realism, Wagner's operatic Gesamtkunstwerk, Gilbert and Sullivan's plays and operas, Wilde's drawing-room comedies, Symbolism, and proto-Expressionism in the late works of August Strindberg and Henrik Ibsen.
Grand Théâtre de Genève is an opera house in Geneva, Switzerland.
Theater drapes and stage curtains are large pieces of cloth that are designed to mask backstage areas of a theater from spectators. They are designed for a variety of specific purposes, moving in different ways and constructed from various fabrics. Many are made from black or other darkly colored, light-absorbing material. Theater drapes represent a portion of any production's soft goods, a category comprising any non-wardrobe, cloth-based element of the stage or scenery. Theater curtains are often pocketed at the bottom to hold weighty chain or to accept pipes to remove their fullness and stretch them tight.
Metatheatre, and the closely related term metadrama, describes the aspects of a play that draw attention to its nature as drama or theatre, or to the circumstances of its performance.
Proctor's Theatre is a theatre and former vaudeville house located in Schenectady, New York, United States. Many famous artists have performed there, notably Mariah Carey, Britney Spears, Hal Holbrook, Ted Wiles, and George Burns, as well as many others. It has one of the largest movie screens in the Northeast.
The Pikes Peak Center for the Performing Arts is a concert auditorium in Colorado Springs, Colorado. It serves as an entertainment, cultural, educational, and assembly center for the citizens of El Paso County, the Pikes Peak region, and the surrounding area.
There are different types of theatres, but they all have three major parts in common. Theatres are divided into two main sections, the house and the stage; there is also a backstage area in many theatres. The house is the seating area for guests watching a performance and the stage is where the actual performance is given. The backstage area is usually restricted to people who are producing or in the performance.
The Brooklyn Theatre fire was a catastrophic theatre fire that broke out on the evening of December 5, 1876, in the city of Brooklyn. The fire took place at the Brooklyn Theatre, near the corner of Washington and Johnson streets, with over a thousand guests attending. The conflagration killed at least 278 individuals, with some accounts reporting more than 300 dead. 103 unidentified victims were interred in a common grave at Green-Wood Cemetery, marked by an obelisk, while more than two dozen identified victims were interred individually in separate sections at the Cemetery of the Evergreens in Brooklyn.
The Lessing Theater was a theatre in the Mitte district of Berlin, Germany. It opened in 1888 and was destroyed in April 1945 in a bombing raid; its ruins were demolished after World War II.
The Chestnut Street Theatre in Philadelphia, Pennsylvania was the first theater in the United States built by entrepreneurs solely as a venue for paying audiences.
Theatre in the nineteenth century was noted for its changing philosophy, from the Romanticism and Neoclassicism that dominated Europe since the late 18th century, to Realism and Naturalism in the latter half of the 19th century, before it eventually gave way to the rise of Modernism in the 20th century. Scenery in theater at the time closely mirrored these changes and with the onslaught of the Industrial Revolution and technological advancement throughout the century, dramatically changed the aesthetics of the theater.
Theatre in the nineteenth century was noted for its changing philosophy from the Romanticism and Neoclassicism that dominated Europe since the late 18th century to Realism and Naturalism in the latter half of the 19th century before it eventually gave way to the rise of Modernism in the 20th century. Scenery in theater at the time closely mirrored these changes, and with the onset of the Industrial Revolution and technological advancement throughout the century, dramatically changed the aesthetics of the theater.
