A hardcover or hardback book is one bound with rigid protective covers. It has a flexible, sewn spine which allows the book to lie flat on a surface when opened. Following the ISBN sequence numbers, books of this type may be identified by the abbreviation Hbk.
Library binding can be divided into the two major categories of "original" and "after market". The original category is as it says, it was originally bound with the idea that the book would be used in a library setting where the book would receive harder use than those usual trade editions sold to the public.
The dust jacket of a book is the detachable outer cover, usually made of paper and printed with text and illustrations. This outer cover has folded flaps that hold it to the front and back book covers. Often the back panel or flaps are printed with biographical information about the author, a summary of the book from the publisher or critical praise from celebrities or authorities in the book's subject area. In addition to its promotional role, the dust jacket protects the book covers from damage. However, since it is itself relatively fragile, and since dust jackets have practical, aesthetic and sometimes financial value, the jacket may in turn be wrapped in another jacket, usually transparent, especially if the book is a library volume.
Bookworm is a general name for any insect that is said to bore through books.
Shagreen is a type of rawhide consisting of rough untanned skin, historically from a horse's or onager's back, or from shark or ray. In modern times, shagreen is produced from the skins of commercially farmed Asian stingrays.
Book design is the art of incorporating the content, style, format, design, and sequence of the various components and elements of a book into a coherent unit. In the words of the renowned typographer Jan Tschichold (1902–1974), book design, "though largely forgotten today, [relies upon] methods and rules upon which it is impossible to improve, [and which] have been developed over centuries. To produce perfect books, these rules have to be brought back to life and applied". Richard Hendel describes book design as "an arcane subject", and refers to the need for a context to understand what that means.
A treasure binding or jewelled bookbinding is a luxurious book cover using metalwork in gold or silver, jewels or ivory, perhaps in addition to more usual bookbinding material for book-covers such as leather, velvet, or other cloth. The actual bookbinding technique is the same as for other medieval books, with the folios, normally of vellum, stitched together and bound to wooden cover boards. The metal furnishings of the treasure binding are then fixed, normally by tacks, onto these boards. Treasure bindings appear to have existed from at least Late Antiquity, though there are no surviving examples from so early, and Early Medieval examples are very rare. They were less used by the end of the Middle Ages, but a few continued to be produced in the West even up to the present day, and many more in areas where Eastern Orthodoxy predominated. The bindings were mainly used on grand illuminated manuscripts, especially gospel books designed for the altar and use in church services, rather than study in the library.
Goatskin refers to the skin of a goat, which by long term usage, is denoted by the term Morocco leather. Kidskin, used for gloves, shoes and other accessories, is traditionally goatskin, although other leathers such as sheep and kangaroo can be used to make kid.
Traditional Chinese bookbinding, also called stitched binding, is the method of bookbinding that the Chinese, Koreans, Japanese, and Vietnamese used before adopting the modern codex form.
In bookbinding, a dos-à-dos binding is a binding structure in which two separate books are bound together such that the fore edge of one is adjacent to the spine of the other, with a shared lower board between them serving as the back cover of both. When shelved, the spine of the book to the right faces outward, while the spine of the book to the left faces the back of the shelf; the text of both works runs head-to-tail.
Bindery refers to a studio, workshop or factory where sheets of (usually) paper are fastened together to make books, but also where gold and other decorative elements are added to the exterior of books, where boxes or slipcases for books are made and where the restoration of books is carried out.
John Ratcliff of the seventeenth century is the first identifiable bookbinder in America, known for binding Eliot's Indian Bible in 1663. Ratcliff, who came from London, England, worked as a bookbinder in Boston, Massachusetts for about twenty years, from approximately 1662–1682.
Coptic binding or Coptic sewing comprises methods of bookbinding employed by early Christians in Egypt, the Copts, and used from as early as the 2nd century AD to the 11th century. The term is also used to describe modern bindings sewn in the same style.
Longstitch is a bookbinding technique used for sewing together the sections of a book. There are different forms of longstitch sewings. Longstitch binding does not require glue, though there are methods that utilize glue. In his book Non Adhesive Bindings, Keith Smith describes the "Longstitch through a slotted cover" and it involves sewing each section directly through the cover where slots have been made at each sewing station. This sewing method creates a staggered line pattern visible on the spine. Keith Smith indicates that this type of longstitch was used as early as the 18th century in some parts of Europe, and possibly earlier.
In bookbinding, finishing refers to the process of decorating the outside of a book, including the lettering of the spine and covers, any additional tooling, and any inlays and onlays. Finishing can also include the gilding or other decoration of the edges of the book's pages.
Oversewn bindings are a type of bookbinding produced by sewing together loose leaves of paper to form a text block. Threads pass through small holes that have been punched in the signature's gutter margin, forming overlock stitches that attach it to previously attached sections. This method of stitching is sometimes called stab sewing. A piece of linen is then glued to the text block spine for further support. The book's spine may be rounded and backed to keep it from caving in, but if the text block is too thick, the spine is sometimes left flat. A strip of cloth called a super is then often affixed to the spine of the text block and then to the boards of the case. Oversewing can be done by hand but is usually done with a machine in a bindery.
Limp binding is a bookbinding method in which the book has flexible cloth, leather, vellum, or (rarely) paper sides. When the sides of the book are made of vellum, the bookbinding method is also known as limp vellum.
Bookbinding is the process of physically assembling a book of codex format from an ordered stack of paper sheets that are folded together into sections or sometimes left as a stack of individual sheets. The stack is then bound together along one edge by either sewing with thread through the folds or by a layer of flexible adhesive. Alternative methods of binding that are cheaper but less permanent include loose-leaf rings, individual screw posts or binding posts, twin loop spine coils, plastic spiral coils, and plastic spine combs. For protection, the bound stack is either wrapped in a flexible cover or attached to stiff boards. Finally, an attractive cover is adhered to the boards, including identifying information and decoration. Book artists or specialists in book decoration can also greatly enhance a book's content by creating book-like objects with artistic merit of exceptional quality.
Book rebinding is the renewal or replacement of the cover of a book. Typically, this requires restitching or renewal of the glue which holds the pages in place.
August Sandgren was a Danish bookbinder. He was one of the best craftsmen of Denmark and a great designer who never compromised with the techniques of bookbinding.
