Bradley Rubenstein (born 1963) is an American artist and writer who lives in Brooklyn, New York. [1] [2] His figurative paintings, prints, and drawings combine elements of biology, psychology, and art historical references. [3]
Rubenstein was born in LaGrange, Illinois in 1963. He attended the University of Illinois Urbana-Champaign and the Museum School in Boston. [1]
Rubenstein's artwork is known for exploring the human form and how it might be manipulated and engineered in the future, creating hybrid characters. [4] His paintings, photographs, and drawings reference genetic engineering and mutations, provoking discussion about the parameters and potential dissolution of self. [3] [5] [6]
Untitled (Girl with Puppy-Dog Eyes) (1996), [2] collection of The Metropolitan Museum of Art, New York, is a well-known piece. Rubenstein's works are also included in the collections of The Museum of Fine Arts, Boston; The Detroit Institute of Arts; The Krannert Art Museum Teaching Collection at The University of Illinois Urbana-Champaign; Harvard Art Museum; [7] The Museum of the Moving Image, New York; Los Angeles County Museum of Art; Tang Teaching Museum, [8] Saratoga Springs, New York; Fogg Art Museum, Cambridge, Massachusetts; and others. [4] He has collaborated with such artists as Lucio Pozzi, [9] Sue de Beer, [10] Claude Wampler, [1] [11] Bjarne Melgaard, and Sarah Michelson [4] to produce films, books, installations, and theatrical sets.
Rubenstein has written and edited a variety of articles and books on art and art education. He wrote The Black Album: Writings on Art and Culture, a collection of art reviews, published in 2018. He contributed reviews, interviews, and essays to ArtSlant, [12] CultureCatch, [13] M/E/A/N/I/N/G, [14] The Brooklyn Rail, [15] Sharkforum, [16] and Artforum. [17] He was a contributing editor for ArtKrush magazine, Art Journal, and New Observations. [17]
Rubenstein also works as a production artist and set painter for television, film, video, and theater. [18] He was the lead scenic artist for productions by Jonathan Demme, Spike Lee, Tom McCarthy, Jean-Marc Vallée, and Alfonso Cuarón. His film credits include Rosewater, The Bourne Legacy, Demolition, and Indignation; his work in television includes The Sopranos, Girls, and Blindspot. [18]
In 1996, Rubenstein had his first solo exhibition at Automatic Art Gallery, Chicago, IL. Rubenstein has shown work both nationally and internationally at Clifford•Smith Gallery, Boston, [19] CREON Gallery, [20] [21] [22] Corraini Editions, Universal Concepts Unlimited, Galerie Oliver Schweden, [23] Palazzo Costa, [24] Sara Meltzer Gallery, [25] Kunstlerhaus Hamburg, [26] Annika Sundvik Gallery, [27] [28] Kunstlerhaus Bergedorf, [29] and others. [6] [30] [31]
He exhibited in group exhibitions and with other artists such as David Moriarty, Gary Stephan, Lucio Pozzi, Lynda Benglis, Michael Zansky, Claude Wampler, Ruth Hardinger, Mira Schor, Suzanne Anker, Frank Gillette, Andrew Topolski, and Larry Krone at Metropolitan Museum of Art; MOCA Detroit; Provincetown Art Museum, MA; Detroit Institute of Arts; Artists Space, NY; Lab Gallery, NY; Exit Art, NY, among others. [32] [22]
Derek Fordjour is an American interdisciplinary artist and educator of Ghanaian heritage, who works in collage, video/film, sculpture, and painting. Fordjour lives and works in New York City.
The feminist art movement in the United States began in the early 1970s and sought to promote the study, creation, understanding and promotion of women's art. First-generation feminist artists include Judy Chicago, Miriam Schapiro, Suzanne Lacy, Judith Bernstein, Sheila de Bretteville, Mary Beth Edelson, Carolee Schneeman, Rachel Rosenthal, and many other women. They were part of the Feminist art movement in the United States in the early 1970s to develop feminist writing and art. The movement spread quickly through museum protests in both New York and Los Angeles, via an early network called W.E.B. that disseminated news of feminist art activities from 1971 to 1973 in a nationally circulated newsletter, and at conferences such as the West Coast Women's Artists Conference held at California Institute of the Arts and the Conference of Women in the Visual Arts, at the Corcoran School of Art in Washington, D.C..
Peter Coffin is an artist based in New York City. Coffin's work is exhibited internationally and featured in several prominent collections.
Deborah Kass is an American artist whose work explores the intersection of pop culture, art history, and the construction of self. Deborah Kass works in mixed media, and is most recognized for her paintings, prints, photography, sculptures and neon lighting installations. Kass's early work mimics and reworks signature styles of iconic male artists of the 20th century including Frank Stella, Andy Warhol, Jackson Pollock, and Ed Ruscha. Kass's technique of appropriation is a critical commentary on the intersection of social power relations, identity politics, and the historically dominant position of male artists in the art world.
Ryan Johnson is a visual artist based in Brooklyn, New York. His sculptures are "made from a variety of materials, among them wood, medical casting tape and sheet metal," and they have been described as having "strange spatial compressions, surreal displacements and quasi-Futurist illusions of movement."
Nayland Blake is an American artist whose focus is on interracial attraction, same-sex love, and intolerance of the prejudice toward them. Their mixed-media work has been variously described as disturbing, provocative, elusive, tormented, sinister, hysterical, brutal, and tender.
K8 Hardy is an American artist and filmmaker. Hardy's work spans painting, sculpture, video, and photography and her work has been exhibited internationally at the Whitney Museum of American Art, Tate Modern, Tensta Konsthalle, Karma International, and the Dallas Contemporary. Hardy's work is included in the permanent collections of the Whitney Museum of American Art, the Solomon R. Guggenheim Museum, and the Museum of Modern Art. She is a founding member of the queer feminist artist collective and journal LTTR. She lives and works in New York, New York.
Mira Schor is an American artist, writer, editor, and educator, known for her contributions to critical discourse on the status of painting in contemporary art and culture as well as to feminist art history and criticism.
Michael Zansky is an American artist working in installation art, sculpture, painting and photography.
Leslie Hewitt is an American contemporary visual artist.
Erinç Seymen is a Turkish artist.
Nina Kuo is a Chinese American painter, photographer, sculptor, author, video artist and activist who lives and works in New York City. Her work examines the role of women, feminism and identity in Asian-American art. Kuo has worked in partnership with the artist Lorin Roser.
Hawkins Bolden (1914–2005) was an American artist known for his "scarecrow" assemblages made from pots, pans, leather belts, rubber hoses and other found materials.
Janet Henry is a visual artist based in New York City.
Ephraim Rubenstein is a noted American representational painter and teacher.
Yashua Klos is an American visual artist best known for his innovative large-scale collage works which address issues of identity, race, memory and community.
Jayson Keeling (1966-2022) was an artist who worked in photography, video, sculpture, and installation. Keeling's work challenges conventional norms surrounding sex, gender, race, and religion. Keeling often reconfigured popular iconography, to explore notions of masculinity, and cultural ritual.
Rachel Owens is an American artist. She is best known for her multi-media sculptures and installations, which often incorporate a social component. Many of her works are made from crushed glass. She lives and works in New York, NY, and is an assistant professor of art and design at Purchase College, SUNY.
Elke Solomon is an artist, curator, educator and community worker. She is known for her interdisciplinary practice that combines painting, drawing, object-making, performance and installation. She has exhibited widely in the United States and abroad.
Karin Mack is an Austrian post-war photo artist, who belongs to the avant-garde feminist art of the 1970s. She is known primarily for generating her themes from very personal introspection and then presenting them as if "in a theater of self-events".