Dance is a performing art form consisting of sequences of movement, either improvised or purposefully selected. This movement has aesthetic and often symbolic value. Dance can be categorized and described by its choreography, by its repertoire of movements, or by its historical period or place of origin.
Da capo is an Italian musical term that means "from the beginning". It is often abbreviated as D.C. The term is a directive to repeat the previous part of music, often used to save space, and thus is an easier way of saying to repeat the music from the beginning.
The performing arts are arts such as music, dance, and drama which are performed for an audience. It is different from visual arts, which is the use of paint, canvas or various materials to create physical or static art objects. Performing arts include a range of disciplines which are performed in front of a live audience, including theatre, music, and dance.
In music, an aria is a self-contained piece for one voice, with or without instrumental or orchestral accompaniment, normally part of a larger work.
Sir Arthur Seymour Sullivan MVO was an English composer. He is best known for 14 operatic collaborations with the dramatist W. S. Gilbert, including H.M.S. Pinafore, The Pirates of Penzance and The Mikado. His works include 24 operas, 11 major orchestral works, ten choral works and oratorios, two ballets, incidental music to several plays, and numerous church pieces, songs, and piano and chamber pieces. His hymns and songs include "Onward, Christian Soldiers" and "The Lost Chord".
Clément Philibert Léo Delibes was a French Romantic composer, best known for his ballets and operas. His works include the ballets Coppélia (1870) and Sylvia (1876) and the opera Lakmé (1883), which includes the well-known "Flower Duet".
Joseph Joachim was a Hungarian violinist, conductor, composer and teacher who made an international career, based in Hanover and Berlin. A close collaborator of Johannes Brahms, he is widely regarded as one of the most significant violinists of the 19th century.
Jules Émile Frédéric Massenet was a French composer of the Romantic era best known for his operas, of which he wrote more than thirty. The two most frequently staged are Manon (1884) and Werther (1892). He also composed oratorios, ballets, orchestral works, incidental music, piano pieces, songs and other music.
Contemporary dance is a genre of dance performance that developed during the mid-twentieth century and has since grown to become one of the dominant genres for formally trained dancers throughout the world, with particularly strong popularity in the U.S. and Europe. Although originally informed by and borrowing from classical, modern, and jazz styles, it has come to incorporate elements from many styles of dance. Due to its technical similarities, it is often perceived to be closely related to modern dance, ballet, and other classical concert dance styles.
A Singspiel is a form of German-language music drama, now regarded as a genre of opera. It is characterized by spoken dialogue, which is alternated with ensembles, songs, ballads, and arias which were often strophic, or folk-like. Singspiel plots are generally comic or romantic in nature, and frequently include elements of magic, fantastical creatures, and comically exaggerated characterizations of good and evil.
In ballet, a pas de deux[pɑ d(ə) dø] is a dance duet in which two dancers, typically a male and a female, perform ballet steps together. The pas de deux is characteristic of classical ballet and can be found in many well-known ballets, including Sleeping Beauty, Swan Lake, and Giselle. It is most often performed by a male and a female though there are exceptions, such as in the film White Nights, in which a pas de deux is performed by Mikhail Baryshnikov and Gregory Hines.
The Dunning–Kruger effect is a cognitive bias whereby people with low ability at a task overestimate their ability. Some researchers also include in their definition the opposite effect for high performers: their tendency to underestimate their skills. The Dunning–Kruger effect is usually measured by comparing self-assessment with objective performance. For example, the participants in a study may be asked to complete a quiz and then estimate how well they did. This subjective assessment is then compared with how well they actually did. This can happen either in relative or in absolute terms, i.e., in comparison with one's peer group as the percentage of peers outperformed or in comparison with objective standards as the number of questions answered correctly. The Dunning–Kruger effect appears in both cases but is more pronounced in relative terms: the bottom quartile of performers tend to see themselves as being part of the top two quartiles. The initial study was published by David Dunning and Justin Kruger in 1999. It focuses on logical reasoning, grammar, and social skills. Since then, various other studies have been conducted across a wide range of tasks. These include skills from fields such as business, politics, medicine, driving, aviation, spatial memory, exams in school, and literacy.
The Princess Theatre, originally Princess's Theatre, is a 1452-seat theatre in Melbourne, Victoria, Australia. Established in 1854 and rebuilt in 1886 to a design by noted Melbourne architect William Pitt, it is the oldest surviving entertainment site on mainland Australia. Built in an elaborate Second Empire style, it reflects the opulence of the "Marvellous Melbourne" boom period, and had a number of innovative features, including state of the art electric stage lighting and the world's first sliding ceiling, which was rolled back on warm nights to give the effect of an open-air theatre.
Tchaikovsky Pas de Deux is a ballet choreographed by George Balanchine to a composition by Pyotr Ilyich Tchaikovsky originally intended for act 3 of Swan Lake. With costumes by Barbara Karinska and lighting by Jack Owen Brown, it was first presented by New York City Ballet at the City Center of Music and Drama, New York, on 29 March 1960. Robert Irving conducted the New York City Ballet Orchestra. The dancers were Violette Verdy and Conrad Ludlow.
Ondine is a ballet in three acts created by the choreographer Sir Frederick Ashton and composer Hans Werner Henze. Ashton originally produced Ondine for the Royal Ballet in 1958, with Henze commissioned to produce the original score, published as Undine, which has since been restaged by other choreographers. The ballet was adapted from a novella titled Undine by Friedrich de la Motte Fouqué and it tells the tale of a water nymph who is the object of desire of a young prince named Palemon. The première of the ballet took place at the Royal Opera House, London, on 27 October 1958, with the composer as guest conductor. The first major revival of this Ashton/Henze production took place in 1988.
John Alexander Fuller Maitland was an influential British music critic and scholar from the 1880s to the 1920s. He encouraged the rediscovery of English music of the 16th and 17th centuries, particularly Henry Purcell's music and English virginal music. He also propounded the notion of an English Musical Renaissance in the second half of the 19th century, particularly praising Charles Villiers Stanford and Hubert Parry.
The English Musical Renaissance was a hypothetical development in the late 19th and early 20th century, when British composers, often those lecturing or trained at the Royal College of Music, were said to have freed themselves from foreign musical influences, to have begun writing in a distinctively national idiom, and to have equalled the achievement of composers in mainland Europe. The idea gained considerable currency at the time, with support from prominent music critics, but from the latter part of the 20th century has been less widely propounded.
The critical reputation of the British composer Arthur Sullivan has fluctuated markedly in the 150 years since he came to prominence. At first, critics regarded him as a potentially great composer of serious masterpieces, the long-awaited great English composer. When Sullivan made a series of popular successes in comic operas with the librettist W.S. Gilbert, Victorian critics generally praised the operettas but reproached Sullivan for not concentrating on composing solemn choral works and grand opera instead. Immediately after Sullivan's death, his reputation was attacked by critics who condemned him for not taking part in what they conceived of as an "English musical renaissance". By the latter part of the 20th century, Sullivan's music was being critically reassessed, beginning with the first book devoted to a study of his music, The Music of Arthur Sullivan by Gervase Hughes (1960).
Mercure is a 1924 ballet with music by Erik Satie. The original décor and costumes were designed by Pablo Picasso and the choreography was by Léonide Massine, who also danced the title role. Subtitled "Plastic Poses in Three Tableaux", it was an important link between Picasso's Neoclassical and Surrealist phases and has been described as a "painter's ballet."
The Violin Sonata in G minor, B.g5, more familiarly known as the Devil's Trill Sonata, is a work for solo violin by Giuseppe Tartini (1692–1770). It is the composer's best-known composition, notable for its technically difficult passages. A typical performance lasts 15 minutes.
